Mini-Biography:
Fjodor Burgasov was born circa in 1890 in Luchwin. He was a Russian Kameramann, known for Les Bas-fonds (1936), Pikovaja Dama (1916), Casanova (1927), Fjodor Burgasov's first movie on record is from 1916. Fjodor Burgasov died on , 1944 in Paris. His last motion picture on file dates from 1943.
1943: Le malibran (Kamera), Directed by Sacha Guitry,
1936: Les Bas-fonds (Nachtasyl) (Kamera: AKA FĂ©dote Bourgassoff), Directed by Jean Renoir, with Junie Astor, Jean Gabin, Gabriello,
1935: L' Enfant du carnaval (Kamera: (AKA F. Bourgassof)), Directed by Aleksandr Volkov, with Ivan Mosjoukin, Tania FĂ©dor, LĂ©on Bary,
1927: Casanova (Kamera: AKA FĂ©dote Bourgassoff), Directed by Aleksandr Volkov, with Ivan Mosjoukin, Suzanne Bianchetti, Bouamerane,
1926: Michel Strogoff (Der Kurier des Zaren) (Kamera), Directed by Victor Tourjansky, with Ivan Mosjoukin, Nathalie Kovanko, ,
1925: Feu Mathias Pascal (Mattia Pascal) (Kamera: AKA FĂ©dote Bourgassoff), Directed by Marcel L'Herbier, with Ivan Mosjoukin, Marcelle Pradot, Michel Simon,
1924: Le lion des Mogols (Kamera: AKA FĂ©dote Bourgassoff), Directed by Jean Epstein, with Ivan Mosjoukin, , Nathalie Lissenko,
1924: Les Ombres qui passent (Schatten, die vorĂĽberziehen) (Kamera), Directed by Aleksandr Volkov, with Ivan Mosjoukin, Nathalie Lissenko, ,
1923: Le Chant de l'amour triomphant (Kamera: AKA FĂ©dote Bourgassoff), Directed by Victor Tourjansky, with Nathalie Kovanko, Jean Angelo, Rolla Norman,
1923: Kean (Kamera: (AKA F. Bourgassof)), Directed by Aleksandr Volkov, with Ivan Mosjoukin, Nathalie Lissenko, Pauline PĂ´,
1922: Le Quinzième prélude de Chopin (Kamera: AKA Fedote Bourgassoff), Directed by Victor Tourjansky, with Nathalie Kovanko, André Nox, ,
1921: Justice d'abord (Kamera: AKA Fédote Bourgassoff), Directed by Jakov Protazanov, with Nathalie Lissenko, Jeanne Bérangère, Vera Orlova,
1920: L' Angoissante aventure (Kamera: AKA FĂ©dote Bourgassoff), Directed by Jakov Protazanov, with Ivan Mosjoukin, Aleksandr Volkov, ,
1919: To nadjezhda, to revnost slepaja (Kamera: (AKA Федот Бурга), Directed by Jakov Protazanov, with Nikolas Rimskij, Vladimir Gajdarov, Olga Juzhakova,
1918: Beloje i chernoje (Weiss und Schwarz) (Kamera), Directed by Aleksandr Razumnyj, with Vladimir Strizhevskij, , Olga Kondorova,
1918: Maljutka Elli (Kamera), Directed by Jakov Protazanov, with Ivan Mosjoukin, Nathalie Lissenko, ,
1918: Konkurs krasoty (Kamera: (AKA Fedot Burgasov) ), Directed by Aleksandr Volkov, with Olga Juzhakova, Nikolas Rimskij, Zoja Karabanova,
1918: Gornichnaja Dzhenni (Kamera: (AKA Fedot Burgasov)), Directed by Jakov Protazanov, with Olga Gzovskaja, Vladimir Gajdarov, ,
1918: Darmojedka (Kamera), Directed by Aleksandr Ivanovskij, Aleksandr Volkov, with Pjotr Bakshejev, Olga Kondorova, Vera Orlova,
1917: Otets Sergij (Pater Sergius, Vater Sergius) (Kamera), Directed by Jakov Protazanov, with , Nathalie Lissenko, Vladimir Gajdarov,
1917: Satana likujushchij (Der lustige Satan, Der triumphierende Satan) (Kamera), Directed by Jakov Protazanov, with Polikarp Pavlov, , Nathalie Lissenko,
1916: Semjejnoje schaste (Kamera), Directed by Jakov Protazanov,
1916: Pikovaja Dama (Pique Dame) (Kamera), Directed by Jakov Protazanov, with Ivan Mosjoukin, Vera Orlova, ,