Mini-Biography:
Léonce-Henri Burel was born on November 23, 1892 in Indre, Loire. He was a French Kameramann, known for Mater Dolorosa (1917), Napoléon (1927), Procès de Jeanne d'Arc (1962), Léonce-Henri Burel's first movie on record is from 1915. Léonce-Henri Burel died on March 21, 1977 in Mougins, Alpes-Maritimes. His last motion picture on file dates from 1962.
1962: Procès de Jeanne d'Arc (Kamera), Directed by Robert Bresson, with Marcel Darbaud, Florence Delay, Philippe Dreux,
1962: L' Hirondelle et la mésange (Kamera), Directed by André Antoine, with Louis Ravet, Pierre Alcover, ,
1962: Ecce Homo (Kamera), Directed by Abel Gance, with Sylvio de Pedrelli,
1956: Toute la ville accuse (Der Mann, der die Millionen fand) (Drehbuch), Directed by Claude Boissol, with Etchika Choureau, Claude De Lorrain, Albert Duvaleix,
1956: Un condamné à mort s'est échappé (Kamera), Directed by Robert Bresson, with Jacques Leterrier, Roland Monod,
1954: Marianne de ma jeunesse (Marianne) (2nd Unit Regie), Directed by Julien Duvivier, with Michael Ande, Ady Berber, Bert Brandt,
1953: L' étrange désir de Monsieur Bard (Eine wunderbare Liebe) (Kamera), Directed by Géza von Radványi, with Georgette Anys, Henri Crémieux, Louis de Funès,
1953: L' envers du paradis (Kamera), Directed by Edmond T. Gréville, with Erich von Stroheim, Jacques Sernas, ,
1950: Le journal d'un curé de campagne (Kamera), Directed by Robert Bresson, with Antoine Balpêtré, Claude Laydu, Jean Riveyre,
1948: Les Casse-pieds (Kamera), Directed by Jean Dréville, with Bernard Blier, Henri Crémieux, Marguerite Deval,
1941: Vénus aveugle (Kamera), Directed by Abel Gance, with Viviane Romance, ,
1937: Mademoiselle ma mère (Darf ein Mann so dumm sein?) (Kamera), Directed by Henri Decoin, with Danielle Darrieux, Pierre Brasseur, Pierre Larquey,
1936: La gondole aux chimères (Kamera), Directed by Augusto Genina, with Marcelle Chantal, Henri Rollan, Paul Bernard,
1932: Baroud (Barud - Die Wüstenrache) (Kamera), Directed by Rex Ingram, Alice Terry, with Rex Ingram, Rosita Garcia, Pierre Batcheff,
1932: Baroud (Kamera), Directed by Rex Ingram, with , Rosita Garcia, Pierre Batcheff,
1930: La femme d'une nuit (Kamera), Directed by Marcel L'Herbier, with Francesca Bertini, Jean Murat, Boris de Fast,
1929: Vénus (Venus) (Kamera), Directed by Louis Mercanton, with Charles Frank, Constance Talmadge, Jean Mercanton,
1929: L' Évadée (Die Flucht der Delia, Die verfolgte Frau) (Kamera), Directed by Henri Menessier, with Marcella Albani, Jean Murat, Gerald Fielding,
1928: The Three Passions (Die drei Leidenschaften, Leichtsinnige Jugend) (Kamera), Directed by Rex Ingram, with Ivan Petrovich, Alice Terry, Shayle Gardner,
1928: La danseuse Orchidée (Kamera), Directed by Léonce Perret, with Louise Lagrange, Ricardo Cortez, Xenia Desni,
1928: Morgane la sirène (Die Teufelssirene) (Kamera), Directed by Léonce Perret, with Ivan Petrovich, Claire de Lorez, Rachel Devirys,
1927: Paname n'est pas Paris (Die Apachen von Paris) (Kamera: technical advisor), Directed by Nikolai Malikoff, with Jaque Catelain, Charles Vanel, Lia Eibenschütz,
1927: Napoléon (Napoleon) (Kamera), Directed by Abel Gance, with Albert Dieudonné, Vladimir Roudenko, ,
1927: Casanova (Kamera), Directed by Aleksandr Volkov, with Ivan Mosjoukin, Suzanne Bianchetti, Bouamerane,
1926: Michel Strogoff (Der Kurier des Zaren) (Kamera), Directed by Victor Tourjansky, with Ivan Mosjoukin, Nathalie Kovanko, ,
1925: Visages d'enfants (Die aus erster Ehe, Nach dem Tode der Mutter, Kindergesichter, Die Stimme des Blutes) (Kamera), Directed by Jacques Feyder, with Rachel Devirys, Henrie Duval, Jean Forest,
1924: Salammbo (Kamera), Directed by Pierre Marodon, with Henri Baudin, Jeanne de Balzac, Raphaël Liévin,
1923: La Roue (Rollende Räder - Rasendes Blut, Das Rad) (Kamera), Directed by Abel Gance, with Ivy Close, Gabriel de Gravonne, Pierre Magnier,
1923: Das Bildnis (Kamera), Directed by Jacques Feyder, with Vilma Banky, Fred Louis Lerch, Arlette Marchal,
1922: L' Arlésienne (Kamera), Directed by André Antoine, with , Louis Ravet, Charles De Rochefort,
1922: Crainquebille (Der Mann von der Strasse) (Kamera), Directed by Jacques Feyder, with Maurice de Féraudy, Félix Oudart, Jean Forest,
1919: J'accuse (Ich klage an) (Kamera), Directed by Abel Gance, with Romuald Joubé, Séverin-Mars, Marise Dauvray,
1918: La dixième symphonie (Kamera), Directed by Abel Gance, with Séverin-Mars, Jean Toulout, Emmy Lynn,
1917: La zone de la mort (Kamera), Directed by Abel Gance, with Léon Mathot, , ,
1917: Barberousse (Kamera), Directed by Abel Gance, with Léon Mathot, , ,
1917: Mater Dolorosa (Kamera), Directed by Abel Gance, with Emmy Lynn, , Armand Tallier,
1917: Le droit à la vie (Kamera), Directed by Abel Gance, with , Léon Mathot, ,
1916: La Folie du Docteur Tube (Der Wahnsinn des Dr. Tube) (Kamera), Directed by Abel Gance, with Albert Dieudonné,
1916: Fioritures (Kamera), Directed by Abel Gance, with Jane Marken, Léon Mathot, ,
1916: Le périscope (Kamera), Directed by Abel Gance, with Albert Dieudonné, Henri Maillard, Yvonne Sergyl,
1916: Les gaz mortels (Kamera), Directed by Abel Gance, with Léon Mathot, , Henri Maillard,
1916: Le fou de la falaise (Kamera), Directed by Abel Gance, with Albert Dieudonné, Henri Maillard, Georges Raulin,
1916: Ce que les flots racontent (Kamera), Directed by Abel Gance, with Albert Dieudonné, Henri Maillard, Georges Raulin,
1916: Alsace (Kamera), Directed by Henri Pouctal, with Albert Dieudonné, , ,
1915: Un drame au Château d'Acre (Kamera), Directed by Abel Gance, with Yvonne Briey, Henri Maillard, ,
1915: La fleur des ruines (Kamera), Directed by Abel Gance, with Louise Colliney, Georges Raulin, ,
1915: Strass et Compagnie (Kamera), Directed by Abel Gance, with Harry Baur, , Gaston Michel,
1915: Le héroïsme de Paddy (Kamera), Directed by Abel Gance, with Louise Colliney, Albert Dieudonné, Georges Raulin,