First National Pictures Inc.

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Produktion, Verleih - USA
Geburtsjahr unbekannt

Mini-Biography:
The day of birth of First National Pictures Inc. is not on record. an American Produktion, Verleih, known for The Strong Man (1926), Gold diggers of 1935 (1935), Little Caesar (1930), First National Pictures Inc.'s first movie on record is from 1918. His last motion picture on file dates from 1956.
Biographical Notes in German: Amerikanische Produktionsgesellschaft, ursprünglich 1917 als Zusammenschluss der 26 wichtigsten Verleihagenten gegründet. 1919-1920 kontrollierte die First National etwa 20 Prozent der amerikanischen Kinos. 1919 wurden u.a. Charles Chaplin und Mary Pickford für die Produktion von Filmen verpflichtet. 1928 Fusion mit Warner Bros.

First National Pictures Inc. Filmography [Auszug]
1956: The wrong man (Der falsche Mann) (Production), Directed by Alfred Hitchcock, with Dayton Lummis, Doreen Lang, Werner Klemperer,
1940: City for Conquest (Im Taumel der Weltstadt) (Production), Directed by Anatole Litvak, Jean Negulesco, with Blanche Yurka, Frank McHugh, George Lloyd,
1939: Daughters Courageous (Vier Töchter räumen auf) (Production), Directed by Michael Curtiz, with John Garfield, Claude Rains, Jeffrey Lynn,
1939: Four Wives (Production), Directed by Michael Curtiz, with Priscilla Lane, Eddie Albert, John Garfield,
1939: Juarez (Charlotte und Maximilian von Österreich) (Production), Directed by Wilhelm Dieterle, with John Garfield, Bette Davis, Paul Muni,
1938: Four Daughters (Vater dirigiert) (Production), Directed by Michael Curtiz, with John Garfield, Lola Lane, Priscilla Lane,
1938: Daredevil Drivers (Production), Directed by B. Reeves Eason, with Gloria Blondell, Donald Briggs, Charles Foy,
1935: Gold diggers of 1935 (Die Goldgräber von 1935) (Production), Directed by Busby Berkeley, with Glenda Farrell, Grant Mitchell, Joseph Cawthorn,
1935: Ceiling Zero (Höhe Null) (Production), Directed by Howard Hawks, with James Cagney, Craig Reynolds, Isabel Jewell,
1935: Bright Lights (Im Scheinwerferlicht) (Production), Directed by Busby Berkeley, with Joe E. Brown, Joseph Crehan, Gordon Westcott,
1935: The Woman in Red (Production), Directed by Robert Florey, with Barbara Stanwyck, Gene Raymond, Genevieve Tobin,
1934: Flirtation Walk (Production), Directed by Frank Borzage, with Dick Powell, Ruby Keeler, Pat O'Brien,
1934: Twenty Million Sweethearts (Production), Directed by Ray Enright, with Pat O'Brien, Dick Powell, Ginger Rogers,
1934: I Sell Anything (Production), Directed by Robert Florey, with Pat O'Brien, Ann Dvorak, Claire Dodd,
1934: Murder in the Clouds (Production), Directed by D. Ross Lederman, with Lyle Talbot, Ann Dvorak, Gordon Westcott,
1934: Gambling Lady (Production), Directed by Archie Mayo, with Barbara Stanwyck, Joel McCrea, Pat O'Brien,
1934: Journal of a Crime (Production), Directed by William Keighley, with Ruth Chatterton, Adolphe Menjou, Claire Dodd,
1933: The World changes (Production), Directed by Mervyn LeRoy, with Paul Muni, Aline MacMahon, Mary Astor,
1933: Havana Widows (Production), Directed by Ray Enright, with Joan Blondell, Glenda Farrell, Guy Kibbee,
1933: She had to say yes (Liebe und andere Geschächte) (Production), Directed by Busby Berkeley, George Amy, with Loretta Young, Lyle Talbot, Regis Toomey,
1933: Frisco Jenny (Production), Directed by William A. Wellman, with Louis Calhern, Robert Warwick, Pat O'Malley,
1933: Central Airport (Der Weg ins Ungewisse) (Production), Directed by William A. Wellman, with J. Carrol Naish, Charles Sellon, Willard Robert,
1933: Midnight Mary (Production), Directed by William A. Wellman, with Loretta Young, Ricardo Cortez, Franchot Tone,
1933: Lilly Turner (Production), Directed by William A. Wellman, with Arthur Winton, Grant Mitchell, Frank McHugh,
1933: College Coach (Production), Directed by William A. Wellman, with John Wayne, Dick Powell, Nat Pendleton,
1933: Wild boys of the road (Kinder auf den Strassen) (Production), Directed by William A. Wellman, with Charley Grapewin, Grant Mitchell, Claire McDowell,
1933: Blondie Johnson (Production), Directed by Ray Enright, with Joan Blondell, Chester Morris, Allen Jenkins,
1933: Employees' Entrance (Production), Directed by Roy del Ruth, with Warren William, Loretta Young, Wallace Ford,
1932: Tiger Shark (Tiger Hai) (Production), Directed by Howard Hawks, with Edward G. Robinson, Richard Arlen, Zita Johann,
1932: Miss Pinkerton (Production), Directed by Lloyd Bacon, with Joan Blondell, George Brent, Ruth Hall,
1932: The Tenderfoot (Production), Directed by Ray Enright, with Joe E. Brown, Ginger Rogers, Lew Cody,
1931: The Reckless Hour (Production), Directed by John Francis Dillon, with Dorothy Mackaill, Conrad Nagel, H.B. Warner,
1931: Her Majesty, Love (Production), Directed by Wilhelm Dieterle, with Marilyn Miller, Ben Lyon, W.C. Fields,
1931: The finger points (Production), Directed by John Francis Dillon, with Richard Barthelmess, Fay Wray, Regis Toomey,
1930: Kismet (Production), Directed by John Francis Dillon, with Otis Skinner, Loretta Young, David Manners,
1930: Die Maske fällt (Production), Directed by Wilhelm Dieterle, with Leo White, Ulrich Steindorff, Anton Pointner,
1930: The Dawn Patrol (Start in der Dämmerung) (Production), Directed by Howard Hawks, with Richard Barthelmess, Douglas Fairbanks jr., Neil Hamilton,
1930: Little Caesar (Der kleine Cäsar) (Production), Directed by Mervyn LeRoy, with Nicholas Bela, Thomas Jackson, Ralph Ince,
1930: Trith about youth (Production), Directed by William A. Seiter, with Yola d'Avril, Ray Hallor, Myrna Loy,
1930: Bride of the Regiment (Die Frau im Hermelin) (Production), Directed by John Francis Dillon, with Louise Fazenda, Claude Fleming, Lupino Lane,
1929: Why Be Good? (Production), Directed by William A. Seiter, with Colleen Moore, Dixi Gay, Collette Merton,
1929: The Squall (Production), Directed by Alexander Korda, with Harry Cording, Richard Tucker, Nicholas Soussanine,
1929: The Great Divide (Production), Directed by Reginald Barker, with George Fawcett, Roy Stewart, Dorothy Mackaill,
1929: Wedding Rings (Production), Directed by William Beaudine, with Olive Borden, H.B. Warner, Lois Wilson,
1929: Love and the Devil (Production), Directed by Alexander Korda, with Nellie Bly Baker, Ben Bard, Maria Corda,
1929: His Captive Woman (Production), Directed by George Fitzmaurice, with Milton Sills, Frank Reicher, William Holden,
1929: Careers (Production: (as a First National-Vitaphone Picture)), Directed by John Francis Dillon, with Billie Dove, Antonio Moreno, Thelma Todd,
1929: Seven Footprints to Satan (Sieben Schritte zu Satan) (Production: First National-Vitaphone Picture), Directed by Benjamin Christensen, with Thelma Todd, Creighton Hale, Sheldon Lewis,
1928: Show Girl (Production), Directed by Alfred Santell, with Alice White, Donald Reed, Lee Moran,
1928: The Whip (Production), Directed by Charles Brabin, with Dorothy Mackaill, Ralph Forbes, Anna Q. Nilsson,
1928: Oh! Kay (Production), Directed by Mervyn Le Roy, with Claude Gillingwater, Lawrence Gray, Alan Hale,
1928: The Hawk's Nest (Production), Directed by Benjamin Christensen, with Milton Sills, Montagu Love, Mitchell Lewis,
1928: The Crash (Production), Directed by Edward F. Cline, with Milton Sills, Thelma Todd, Wade Boteler,
1928: The Barker (Production), Directed by George Fitzmaurice, with Milton Sills, Dorothy Mackaill, Betty Compson,
1928: Burning Daylight (Production), Directed by Charles Brabin, with Milton Sills, Doris Kenyon, Arthur Stone,
1927: The Valley of the Giants (Der Kampf im Tale der Riesen) (Production), Directed by Charles Brabin, with Milton Sills, Doris Kenyon, Arthur Stone,
1927: Good Time Charley (Production), Directed by Michael Curtiz, with Warner Oland, Helene Costello, Clyde Cook,
1927: Hard-Boiled Haggerty (Production), Directed by Charles Brabin, with Milton Sills, Molly O'Day, Mitchell Lewis,
1927: For the love of Mike (Production), Directed by Frank Capra, with Claudette Colbert, Ben Lyon,
1927: The Sea Tiger (Production), Directed by John Francis Dillon, with Milton Sills, Mary Astor, Larry Kent,
1927: Framed (Production), Directed by Charles Brabin, with Milton Sills, Natalie Kingston, E.J. Ratcliffe,
1927: Broadway Nights (Distribution), Directed by Joseph C. Boyle, with Louis John Bartels, Lois Wilson, June Collyer,
1927: Orchids and Ermine (Production), Directed by Alfred Santell, with Jack Mulhall, Sam Hardy, Gwen Lee,
1927: An Affair of the Follies (Distribution), Directed by Millard Webb, with Lewis Stone, Billie Dove, Lloyd Hughes,
1927: The Masked Woman (Production), Directed by Silvano Balboni, with Anna Q. Nilsson, Holbrook Blinn, Einar Hanson,
1927: The Perfect Sap (Distribution), Directed by Howard Higgin, with Ben Lyon, Virginia Lee Corbin, Lloyd Whitlock,
1926: Twinkletoes (Stiefkinder des Glücks) (Distribution), Directed by Charles Brabin, with Colleen Moore, Kenneth Harlan, Tully Marshall,
1926: The Silent Lover (Production), Directed by George Archainbaud, with Milton Sills, Natalie Kingston, William Humphrey,
1926: Mismates (Eheketten, Madonna im Kerker - Liebe und Leid einer Mutter, Ihr Fleisch und Blut) (Production), Directed by Charles Brabin, with Doris Kenyon, Warner Baxter, May Allison,
1926: The Strong Man (Der starke Mann) (Production), Directed by Frank Capra, with Harry Langdon, Robert McKim, William V. Mong,
1926: Long pants (Lange Hosen) (Production), Directed by Frank Capra, with Alma Bennett, Priscilla Bonner, Gladys Brockwell,
1926: Men of Steel (Production), Directed by George Archainbaud, with Milton Sills, Doris Kenyon, May Allison,
1926: Topsy (unrealized project) (Production),
1926: Eva (unrealized project) (Production),
1926: The Greater Glory (Production), Directed by Curt Rehfeld, Silvano Balboni, with Conway Tearle, Anna Q. Nilsson, May Allison,
1926: Her Second Chance (Production), Directed by Lambert Hillyer, with Anna Q. Nilsson, Huntley Gordon, Sam de Grasse,
1926: Irene (Production), Directed by Alfred E. Green, with Colleen Moore, Lloyd Hughes, George K. Arthur,
1926: The Far Cry (Production), Directed by Silvano Balboni, with Blanche Sweet, Jack Mulhall, Myrtle Stedman,
1926: The Girl from Montmartre (Distribution), Directed by Alfred E. Green, with Barbara La Marr, Lewis Stone, Robert Ellis,
1925: The Unguarded Hour (Production), Directed by Lambert Hillyer, with Milton Sills, Doris Kenyon, Claude King,
1925: We moderns (Distribution), Directed by John Francis Dillon, with Colleen Moore, Jack Mulhall, Carl Miller,
1925: Classified (Distribution), Directed by Alfred Santell, with Corinne Griffith, Jack Mulhall, Ward Crane,
1925: What Fools Men (Production), Directed by George Archainbaud, with Lewis Stone, Shirley Mason, Ethel Grey Terry,
1925: Winds of Chance (Production), Directed by Frank Lloyd, with Anna Q. Nilsson, Ben Lyon, Viola Dana,
1925: The Marriage Whirl (Distribution), Directed by Alfred Santell, with Corinne Griffith, Kenneth Harlan, Harrison Ford,
1925: My Son (Production), Directed by Edwin Carewe, with Alla Nazimova, Jack Pickford, Hobart Bosworth,
1925: The lost world (Production), Directed by Harry O. Hoyt, with Bessie Love, Lewis Stone, Wallace Beery,
1925: The Desert Flower (Das Mädchen aus dem Goldland) (Production), Directed by Irving Cummings, with Colleen Moore, Lloyd Hughes, Kate Price,
1925: The White Monkey (Production), Directed by Phil Rosen, with Barbara La Marr, Thomas Holding, Henry Victor,
1925: The Necessary Evil (Production), Directed by George Archainbaud, with Ben Lyon, Viola Dana, Frank Mayo,
1925: Heart of a Siren (Production), Directed by Phil Rosen, with Barbara La Marr, Conway Tearle, Harry T. Morey,
1925: Sally (Production), Directed by Alfred E. Green, with Colleen Moore, Lloyd Hughes, Leon Errol,
1925: As Man Desires (Herr über Leben und Tod) (Production), Directed by Irving Cummings, with Milton Sills, Viola Dana, Ruth Clifford,
1924: So Big (Mein Junge, Ihr Junge) (Production), Directed by Charles Brabin, with Colleen Moore, Wallace Beery, Ben Lyon,
1924: Christine of the Hungry Heart (Distribution), Directed by George Archainbaud, with Florence Vidor, Clive Brook, Ian Keith,
1924: Sandra (Production), Directed by Arthur H. Sawyer, with Barbara La Marr, Bert Lytell, Leila Hyams,
1924: Single Wives (Production), Directed by George Archainbaud, with Corinne Griffith, Milton Sills, Kathlyn Williams,
1924: The Dramatic Life of Abraham Lincoln (Production), Directed by Phil Rosen, with George A. Billings, Ruth Clifford, Nell Craig,
1923: The meanest man in the world (Production), Directed by Edward F. Cline, with Ward Crane, Bert Lytell, Victor Potel,
1923: When a man is a man (Production), Directed by Edward F. Cline, with Bryant Washburn,
1923: The pilgrim (Der Pilger) (Production), Directed by Charles Chaplin, with Kitty Bradbury, Charles Chaplin, Edna Purviance,
1923: The Brass Bottle (Distribution), Directed by Maurice Tourneur, with Harry Myers, Ernest Torrence, Tully Marshall,
1922: Domestic Relations (Distribution), Directed by Chester Withey, with Katherine MacDonald, William P. Carleton, Frank Leigh,
1922: Pay day (Zahltag, Lohntag) (Distribution), Directed by Charles Chaplin, with Charles Chaplin, Phyllis Allen, Mack Swain,
1921: The idle class (Die faule Klasse, Feine Leute, Die feinen Leute) (Production), Directed by Charles Chaplin, with Charles Chaplin, Edna Purviance, Lita Grey,
1921: Polly of the Follies (Production), Directed by John Emerson, with Constance Talmadge, Billie Dove,
1921: The Sky Pilot (Production), Directed by King Vidor, with John Bowers, David Butler, Colleen More,
1921: The kid (Das Kind, Der Vagabund und das Kind) (Production), Directed by Charles Chaplin, with Esther Ralston, Raymond Lee, Lita Grey,
1920: Harriet and the Piper (Production), Directed by Bertram Bracken, with Anita Stewart, Ward Crane, Myrtle Stedman,
1920: The Jack Knife Man (Der Sonderling) (Production), Directed by King Vidor, with Bobby Kelso, Claire McDowell, Harry Todd,
1920: The Family Honor (Production), Directed by King Vidor, with Ben Alexander, Roscoe Karns, Charles Meredith,
1920: In Search of a Sinner (Production), Directed by John Emerson, with Constance Talmadge,
1920: The love expert (Production), Directed by John Emerson, with Constance Talmadge,
1919: A day's pleasure (Vergnügte Stunden, Ein netter Tag) (Production), Directed by Charles Chaplin, with Charles Chaplin, Edna Purviance, Henry Bergman,
1919: Sunnyside (Charlie als Hirtenknabe) (Production), Directed by Charles Chaplin, with Charles Chaplin, Edna Purviance, Henry Bergman,
1919: Ravished Armenia (Production), Directed by Oscar Apfel, with Aurora Mardiganian, Irving Cummings, Anna Q. Nilsson,
1918: Shoulder arms (Charlie als Soldat) (Production), Directed by Charles Chaplin, with Edna Purviance, Charles Chaplin, Syd Chaplin,
1918: The bond (Die Kriegsanleihe, Die Anleihe) (Distribution), Directed by Charles Chaplin, with Charles Chaplin, Edna Purviance, Syd Chaplin,
1918: The Passing of the Third Floor Back (Production), Directed by Herbert Brenon, with Johnston Forbes-Robertson, Augusta Haviland, Alfred Hickman,
1918: A dog's life (Ein Hundeleben) (Production), Directed by Charles Chaplin, with Charles Chaplin, Brownie the Dog, Henry Bergman,

. Poster_Ravished Armenia. Poster_day's pleasure. Poster_lost world. Poster_Orchids and Ermine. Poster_Show Girl. Poster_Frisco Jenny. Poster_Central Airport. Poster_Lilly Turner. Poster_Wild boys of the road. Poster_Gambling Lady. Poster_Flirtation Walk. Poster_Ceiling Zero. Poster_Woman in Red. Poster_Daughters Courageous. Poster_City for Conquest. Poster_wrong man. Poster_Pay day. Poster_Perfect Sap. Poster_Broadway Nights

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