Mini-Biography:
Friedl Behn-Grund was born on August 26, 1906 in Bad Polzin. He was a German Director of Photography, Actor, known for Unter Ausschluss der Öffentlichkeit (1961), Ein Alibi zerbricht (1963), Der gläserne Turm (1957), Friedl Behn-Grund's first movie on record is from 1919. Friedl Behn-Grund died on August 2, 1989 in Berlin. His last motion picture on file dates from 1963.
1963: Ein Alibi zerbricht (An Alibi for Death) (Director of Photography), Directed by Alfred Vohrer, with Hannelore Elsner, Ruth Leuwerik, Charles Regnier,
1962: Auf Wiedersehn (Drei gegen Amerika) (Director of Photography), Directed by Harald Philipp, with Peter Capell, Margot Eskens, Gert Fröbe,
1962: Finden sie, dass Constanze sich richtig verhält? (Director of Photography), Directed by Tom Pevsner, with Lilli Palmer, Peter van Eyck, Carlos Thompson,
1961: Unter Ausschluss der Öffentlichkeit (Blind Justice) (Director of Photography), Directed by Harald Philipp, with Peter van Eyck, Marianne Koch, Eva Bartok,
1961: Das Riesenrad (Director of Photography), Directed by Géza von Radványi, with O.W. Fischer, Maria Schell, Adrienne Gessner,
1960: Mit Himbergeist geht alles besser (Director of Photography), Directed by Georg Marischka, with O.W. Fischer, James Greenhill, Bruno Hübner,
1960: Sturm im Wasserglas (Tempest in a Water Glass) (Director of Photography), Directed by Josef von Baky, with Ingrid Andree, Hanns Lothar, Therese Giehse,
1959: Buddenbrooks (Director of Photography), Directed by Alfred Weidenmann, with Lil Dagover, Hansjörg Felmy, Matthias Fuchs,
1959: Frau im besten Mannesalter (Director of Photography), Directed by Axel von Ambesser, with Werner Fuetterer, Boy Gobert, Johannes Heesters,
1959: Der Mann, der sich verkaufte (Director of Photography), Directed by Josef von Baky, with Kurt Ehrhardt, Hansjörg Felmy, Jürgen Graf,
1958: Unruhige Nacht (Director of Photography), Directed by Falk Harnack, with Hansjörg Felmy, Ulla Jacobsson, Richard Münch,
1957: Der gläserne Turm (Director of Photography), Directed by Harald Braun, with O.E. Hasse, Brigitte Horney, Ludwig Linkmann,
1956: Anastasia, die letzte Zarentochter (Anastasia: The Czar's Last Daughter, Is Anna Anderson Anastasia?) (Director of Photography), Directed by Falk Harnack, with Lilli Palmer, Ivan Desny, Ellen Schwiers,
1956: Bekenntnisse des Hochstaplers Felix Krull (Confessions of Felix Krull) (Director of Photography), Directed by Kurt Hoffmann, with Horst Buchholz, Liselotte Pulver, Paul Dahlke,
1956: Liebe, die den Kopf verliert (Director of Photography), Directed by Thomas Engel, with Paul Hubschmid, Winnie Markus, Susi Nicoletti,
1955: Ein Mädchen aus Flandern (The Girl from Flanders) (Director of Photography), Directed by Helmut Käutner, with Erica Balqué, Nicole Berger, Victor De Kowa,
1955: Der Himmel ist nie ausverkauft (Director of Photography), Directed by Alfred Weidenmann, with Claus Biederstaedt, Irene Galter, Hardy Krüger,
1954: Das fliegende Klassenzimmer (Director of Photography), Directed by Kurt Hoffmann, with Heliane Bei, Paul Dahlke, Paul Klinger,
1954: Der Engel mit dem Flammenschwert (Director of Photography), Directed by Gerhard Lamprecht, with Martin Benrath, Paul Bildt, Lucie Englisch,
1954: Geliebte Feindin (Director of Photography), Directed by Rolf Hansen, with Werner Hinz, Ruth Leuwerik, Thomas Holtzmann,
1953: Der letzte Walzer (Director of Photography), Directed by Arthur Maria Rabenalt, with Eva Bartok, Curd Jürgens, O.E. Hasse,
1952: Käpt'n Bay-Bay (Captain Bay-Bay) (Director of Photography), Directed by Helmut Käutner, with Hans Albers, Angèle Durant, Rudolf Fernau,
1952: Alraune (Geliebte zwischen Lust und Gier (Working title)) (Director of Photography), Directed by Arthur Maria Rabenalt, with Karlheinz Böhm, Harry Halm, Trude Hesterberg,
1952: Die Försterchristl (Director of Photography), Directed by Arthur Maria Rabenalt, with Johanna Matz, Karl Schönböck, Will Quadflieg,
1951: A tale of five cities (A Tale of Five Women) (Director of Photography), Directed by Romolo Marcellini, Emil Edwin Reinert, with Bonar Colleano, Barbara Kelly, ,
1950: Der Rat der Götter (Director of Photography), Directed by Kurt Maetzig, with Paul Bildt, Karl-Heinz Deickert, Albert Doerner,
1949: Die Buntkarierten (Director of Photography), Directed by Kurt Maetzig, with Ursula Diestel, Friedrich Gnass, Hanni Herter,
1949: Begegnung mit Werther (Director of Photography), Directed by Karl Heinz Stroux, with Klaus Behrendt, Heinz Burkart, Horst Caspar,
1948: Affaire Blum (Affäre Blum) (Director of Photography), Directed by Erich Engel, with Klaus Becker, Gerhard Bienert, Paul Bildt,
1947: Ehe im Schatten (Director of Photography), Directed by Kurt Maetzig, with Elly Burgmer, Alfred Althoff, Lothar Firmans,
1947: Razzia (Police Raid) (Director of Photography: (AKA F. Behn-Grund)), Directed by Werner Klingler, with Paul Bildt, Elly Burgmer, ,
1946: Die Mörder sind unter uns (Murderers Among Us) (Director of Photography), Directed by Wolfgang Staudte, with Hildegard Knef, Ernst Wilhelm Borchert, Arno Paulsen,
1945: Die Kreuzlschreiber (Director of Photography), Directed by Eduard von Borsody, with Emil Hess, Charlotte Schellhorn, Willy Danek,
1944: Jugendliebe (Director of Photography), Directed by Eduard von Borsody, with Fritz Kampers, Lepold Kerschner, Rose Marten,
1944: Das Mädchen Juanita (Director of Photography), Directed by Wolfgang Staudte, with Fritz Staudte, Hans Mierendorff, Martha Ziegler,
1944: Der Mann, dem man den Namen stahl (Director of Photography), Directed by Wolfgang Staudte, with Ursula Krieg, Ernst Legal, Ruth Lommel,
1943: Titanic (Director of Photography), Directed by Werner Klingler, Herbert Selpin, with Ernst F. Fürbringer, Fritz Genschow, Kirsten Heiberg,
1943: Ich hab' von Dir geträumt (Director of Photography), Directed by Wolfgang Staudte, with Fita Benkhoff, Erich Fiedler, Karl Schönböck,
1941: Die Nacht in Venedig (Director of Photography), Directed by Paul Verhoeven, with Heidemarie Hatheyer, Lizzi Waldmüller, Hans Nielsen,
1940: Die drei Codonas (Director of Photography), Directed by Arthur Maria Rabenalt, with Louis Brody, René Deltgen, Lena Norman,
1940: Traummusik (Director of Photography), Directed by Géza von Bolváry, with Beniamino Gigli, Marte Harell, Werner Hinz,
1939: Robert und Bertram (Director of Photography), Directed by Hans Hellmut Zerlett, with Rudi Godden, Kurt Seifert, Carla Rust,
1938: Der Tag nach der Scheidung (Director of Photography), Directed by Paul Verhoeven, with Hilde Hildebrand, Ernst Legal, Johannes Riemann,
1937: Die göttliche Jette (Director of Photography), Directed by Erich Waschneck, with Hella Tornegg, Hansi Arnstaedt, Victor De Kowa,
1936: Truxa (Director of Photography), Directed by Hans Hellmut Zerlett, with Erwin Biegel, Peter Eisholtz, Ernst F. Fürbringer,
1936: Flitterwochen (Director of Photography), Directed by Carl Lamac, with Antonie Jäckel, Carsta Löck, Anny Ondra,
1934: Musik im Blut (Director of Photography), Directed by Erich Waschneck, with Ernst Behmer, Alexander Engel, Olga Engl,
1933: Ich und die Kaiserin (Director of Photography), Directed by Friedrich Hollaender, with Lilian Harvey, Conrad Veidt, Mady Christians,
1932: Acht Mädels im Boot (Director of Photography), Directed by Erich Waschneck, with Helga Arndt, Katja Bennefeld, Thea Dorree,
1932: Ich will nicht (Director of Photography), Directed by Max Heilbronner, with Elza Temáry, Hermann Blass, ,
1931: Peter Voss, der Millionendieb (Director of Photography), Directed by E.A. Dupont, with Rudolph Anders, Louis Brody, Willi Forst,
1931: Les frères Karamazoff (Director of Photography), Directed by Fjodor Ozep, with Fritz Kortner, Fritz Rasp, Aimé Clariond,
1931: Paris-Beguin (The Darling of Paris) (Director of Photography), Directed by Augusto Genina, with Jeanne Marnac, Jean Gabin, Jean Max,
1931: Salto mortale (Director of Photography), Directed by E.A. Dupont, with Reinhold Bernt, Kurt Gerron, Anna Sten,
1931: Der Mörder Dimitri Karamasov (Director of Photography), Directed by Fjodor Ozep, Erich Engel, with Fritz Kortner, Anna Sten, Fritz Rasp,
1931: Der Liebesarzt (Director of Photography), Directed by Erich Schönfelder, with Harry Liedtke, Dina Gralla, Else Reval,
1930: Die zärtlichen Verwandten (Director of Photography), Directed by Richard Oswald, with Charlotte Ander, Wilhelm Bendow, Felix Bressart,
1930: Dreyfus (Director of Photography), Directed by Richard Oswald, with Fritz Alberti, Bernd Aldor, Albert Bassermann,
1930: Der Hampelmann (Director of Photography), Directed by E.W. Emo, with Max Hansen, S.Z. Sakall, Lien Deyers,
1930: Das alte Lied (Ultima illusione) (Director of Photography), Directed by Willi Frank, Erich Waschneck, with Felix Bressart, Lil Dagover, Lien Deyers,
1929: Ehe in Not (Director of Photography), Directed by Richard Oswald, with Elga Brink, Evelyn Holt, Walter Rilla,
1929: Der Günstling von Schönbrunn (Director of Photography), Directed by Erich Waschneck, with Ivan Petrovich, Lil Dagover, ,
1929: Jenseits der Strasse - Eine Tragödie des Alltags (Director of Photography), Directed by Leo Mittler, with Lissy Arna, Sig Arno, Fritz Genschow,
1928: Die blaue Maus (Director of Photography), Directed by Johannes Guter, with Brita Appelgren, Ernst Behmer, Max Ehrlich,
1928: Die Carmen von St. Pauli (Docks of Hamburg) (Director of Photography), Directed by Erich Waschneck, with Jenny Jugo, Willy Fritsch, Fritz Rasp,
1928: Totte et sa chance (Director of Photography), Directed by Augusto Genina, with Carmen Boni, Loni Nest, André Roanne,
1926: Brennende Grenze (Aftermath) (Director of Photography), Directed by Erich Waschneck, with Jenny Hasselqvist, , Fritz Alberti,
1926: Die Warenhausprinzessin (Director of Photography), Directed by Heinz Paul, with Hans Albers, Karl Beckersachs, Oreste Bilancia,
1925: Mein Freund, der Chauffeur (Director of Photography), Directed by Erich Waschneck, with Hans Albers, Alice Kempen, Oscar Marion,
1924: Vitus Thavons Generalcoup (Director of Photography), Directed by Emil Justitz, with Eugen Rex, Otto Kronburger, Olaf Fjord,
1919: Liebe, Hass und Geld (Cast), Directed by Erich Eriksen, with Edith Meller, Max Adalbert, Gustav Jahrbeck,
1919: Die Geächteten (Cast), Directed by Joseph Delmont, with Alfred Abel, Ritz Artz,