Mini-Biography:
Emil Schünemann was born on April 18, 1882 in Berlin. He was a German Kameramann, known for Halbblut (1919), Der Herr der Liebe (1919), Die Pest in Florenz (1919), Emil Schünemann's first movie on record is from 1909. Emil Schünemann died on May 26, 1964 in Rangsdorf. His last motion picture on file dates from 1952.
Biographical Notes in German: Kameramann des deutschen Films
1952: Anna Susanna (Kamera), Directed by Richard Nicolas, with Günther Simon, Peter Marx, Werner Peters,
1951: Die Meere rufen (Kamera), with Elfie Dugal, Martin Flörchinger, Oswald Foerderer,
1950: Blauer Dunst (Kamera), with Carl de Vogt,
1942: Hände hoch (Kamera), Directed by Alfred Weidenmann,
1938: Die Pfingstorgel (Kamera), Directed by Franz Seitz sen., with Maria Andergast, Willy Rösner, Hannes Stelzer,
1936: Skandal um die Fledermaus (Skandal um Mary) (Kamera), Directed by Herbert Selpin, with Alfred Abel, Maria Andergast, Roma Bahn,
1936: Liebeserwachen (Kamera),
1935: Ein Idealer Gatte (Kamera), Directed by Herbert Selpin, with Georg Alexander, Karl Dannemann, Karl Ludwig Diehl,
1935: Wer wagt - gewinnt (Kamera), Directed by Walter Janssen, with Wilhelm Bendow, Carl Günther, Ursula Herking,
1935: Künstlerliebe (Kamera), Directed by Fritz Wendhausen, with Kurt Keller-Nebri, Wolfgang Liebeneiner, Harald Paulsen,
1935: Paul und Pauline (Kamera), with Leo Peukert,
1934: Oberwachtmeister Schwenke (Kamera), Directed by Carl Froelich, with Valy Arnheim, Katja Bennefeld, Rudolf Biebrach,
1934: Die Reiter von Deutsch-Ostafrika (Kamera), Directed by Herbert Selpin, with Louis Brody, Ludwig Gerner, Rudolf Klicks,
1934: Der schwarze Walfisch (Kamera), Directed by Fritz Wendhausen, with Emil Jannings, Margarete Kupfer, Franz Nicklisch,
1934: Ich für Dich - du für Mich (Kamera), Directed by Carl Froelich, with Carl de Vogt,
1933: Manolescu, der Fürst der Diebe (Kamera), Directed by Willi Wolff, with Alfred Abel, Mady Christians, Hilde Hildebrand,
1933: Liebesfrühling (Kamera), Directed by Karl Otto Krause, with Carl de Vogt, Erna Morena,
1933: Volldampf voraus (Kamera), Directed by Carl Froelich,
1932: Strafsache van Geldern (Willi Vogel, der Ausbrecherkönig) (Kamera), Directed by Willi Wolf, with Elga Brink, Ernst Busch, Hilde Hildebrand,
1932: Das Geheimnis um Johann Orth (Ein Liebesroman im Hause Habsburg) (Kamera), Directed by Willi Wolff, with Fritz Alberti, Karl Ludwig Diehl, Hugo Flink,
1932: Kampf um Blond (Mädchen, die verschwinden) (Kamera), Directed by Jaap Speyer, with Ursula Grabley, Herti Kirchner, Albert Lieven,
1932: The Return of Raffles (Kamera), Directed by Manfield Markham, with George Barraud, Camilla Horn,
1931: Die Abenteurerin von Tunis (Kamera),
1930: Gigolo (Der schöne, arme Tanzleutnant, Der schöne arme Tanzstudent) (Kamera), Directed by Emmerich Hanus, with Betty Astor, Anita Dorris, Oscar Marion,
1930: Ein Walzer im Schlafcoupé (Kamera), Directed by Fred Sauer, with Ernst Behmer, Siegfried Berisch, Trude Berliner,
1930: Ratten der Grosstadt (Kamera),
1930: Pariser Unterwelt (Kamera), with Elza Temáry, Carl Auen,
1930: Die grüne Laterne (Kamera),
1930: Zweimal Lux (Kamera),
1929: Schicksalswürfel (Kamera),
1929: Der Mann im Dunkel (Kamera),
1929: Tiere sehen dich an! (Kamera),
1928: Der Kampf der Tertia (Kamera), Directed by Max Mack, with Rudolf Klein-Rohden, Karl Hoffmann, Fritz Draeger,
1928: Dornenweg einer Fürstin (Kamera),
1928: Das Grabmal einer grossen Liebe (Kamera), Directed by Franz Osten, with Himansu Rai, , Charu Roy,
1927: Der goldene Abgrund (Welt und Halbwelt, Frauen im Abgrund, Schiffbrüchige des Lebens) (Kamera), Directed by Mario Bonnard, with Liane Haid, André Roanne, Claude Mérelle,
1927: Jokeren (Der Faschingskönig) (Kamera), Directed by Georg Jacoby, with Elga Brink, Miles Mander, Renée Héribel,
1927: Die Geliebte seiner Hoheit (Kamera),
1927: Das brennende Schiff (Das gläserne Schiff) (Kamera), Directed by Constantin J. David, Jacqueline Milliet, with André Nox, Françoise Rosay, Eric Barclay,
1926: Insel der verbotenen Küsse (Kamera), Directed by Georg Jacoby, with Georg Alexander, Elga Brink, Georg Jacoby,
1926: Die Frau ohne Namen. 1. Teil (Kamera), Directed by Georg Jacoby, with Elga Brink, Magnus Stifter,
1926: Der Colonialskandal (Kamera), Directed by Georg Jacoby, with Elga Brink,
1925: Der Abenteurer (Kamera), Directed by Rudolf Walther-Fein, Rudolf Dworsky, with Harry Liedtke, Erna Morena, Margarete Schlegel,
1925: Das alte Ballhaus - 1. Teil (Kamera), Directed by Wolfgang Neff, with Karl Beckersachs, Paul Otto, Robert Steidl,
1925: Das alte Ballhaus - 2. Teil (Kamera), Directed by Wolfgang Neff, with Carl Auen, Karl Beckersachs, Fritz Beckmann,
1924: Lumpen und Seide (Kamera), Directed by Richard Oswald, with Maly Delschaft, Mary Parker, Reinhold Schünzel,
1924: Aelita (Aelita - Der Flug zum Mars) (Kamera), Directed by Jakov Protazanov, with Julia Solntseva, Igor Ilinskij, ,
1924: Roman der Lilian Hawley (Kamera),
1923: Wettlauf ums Glück (Kamera),
1923: Frühlingsfluten (Kamera), Directed by Nikolai Malikoff, with Diana Karenne, Osip Runich, Lia Eibenschütz,
1922: So sind die Männer (Der kleine Napoleon, Napoleons kleiner Bruder) (Kamera), Directed by Georg Jacoby, with , Paul Heidemann, Harry Liedtke,
1922: Jenseits des Stromes (Kamera), Directed by Ludwig Czerny, with , Lyda Salmonova,
1922: Es kommt der Tag (Kamera), Directed by Karl Otto Krause, with Karl Beckersachs, Margit Barnay, Robert Scholz,
1921: Die Schatzkammer im See, Teil 1 - Brillantenmarder (Kamera), Directed by Hans Werckmeister, with Carl de Vogt, Cläry Lotto,
1921: Die Schatzkammer im See, Teil 2 - Der Klub der Zwölf (Kamera), Directed by Hans Werckmeister, with Carl de Vogt, Cläry Lotto,
1921: 8 Uhr 13 (Kamera),
1920: Madame Recamier (Des grossen Talma letzte Liebe) (Kamera), Directed by Joseph Delmont, with Bernd Aldor, Fern Andra, Hermann Böttcher,
1920: Die Insel der Gezeichneten (Kamera), Directed by Joseph Delmont, with Irmgard Bern, Hermann Böttcher, Ernst Ludwig,
1920: Die lebende Fackel (Kamera), Directed by Joseph Delmont, with Rita Clermont, Eugen Klöpfer, Josef Peterhans,
1920: Die entfesselte Menschheit (Kamera), Directed by Joseph Delmont, with Hermann Bachmann, Arthur Bergen, Carl de Vogt,
1920: Die Spinnen II - Das Brillantenschiff (Kamera: --??--), Directed by Fritz Lang, with Carl de Vogt, Carl Hoffmann, Ressel Orla,
1919: Der goldene See (Erstes Abenteuer aus dem Zyklus «Die Spinnen», Die Abenteuer des Kay Hoog) (Kamera), Directed by Fritz Lang, with Carl de Vogt, Ressel Orla, Lil Dagover,
1919: Die Pest in Florenz (Kamera), Directed by Otto Rippert, with Theodor Becker, Marga von Kierska, Julietta Brandt,
1919: Die Insel der Glücklichen (Kamera), Directed by Josef Coenen, with Paul Otto, , Werner Krauss,
1919: Halbblut (Kamera), Directed by Fritz Lang, with Ressel Orla, Carl de Vogt, Carl Gerhard Schröder,
1919: Der Herr der Liebe (Kamera), Directed by Fritz Lang, with Carl de Vogt, Sadjah Gezza, Fritz Lang,
1915: Ein Ausgestossener - 2. Teil: Der ewige Friede (Kamera), Directed by Arsen von Cserépy, with Theodor Burghardt, Sabine Impekoven, Vera Haeberlin,
1913: S. 1. (Kamera), Directed by Urban Gad, with Siegward Gruder, Asta Nielsen, Charly Berger,
1913: Heimat und Fremde (Kamera), Directed by Joe May, with Friedrich Kühne, Herr Lorenz, Emanuel Reicher,
1913: Ein Ausgestossener - 1. Teil: Der junge Chef (Der Ausgestossene, Der junge Chef) (Kamera), Directed by Joe May, Arsen von Cserépy, with Theodor Burghardt, Helene Janon, Gerhard Dammann,
1913: Der schwarze Pierrot (Kamera), Directed by Harry Piel, with Leontine Kühnberg, ,
1913: Die Suffragette (Kamera), Directed by Urban Gad, with Asta Nielsen, Max Landa, Mary Scheller,
1912: Das Mirakel (Das Marienwunder : eine alte Legende, Eine alte Legende: Das Marienwunder) (Kamera), Directed by Mime Misu, with Anton Ernst Rückert, Lore Giesen, Mime Misu,
1912: In Nacht und Eis (Der Untergang der Titanic (Working title), Titanic) (Kamera), Directed by Mime Misu, with Mime Misu, Anton Ernst Rückert, Otto Rippert,
1911: Die Fahrt nach Hamburg (Kamera), Directed by Joe May, with Gustav Beer, ,
1910: Graf Gallas (Kamera), Directed by Charles Decroix,
1910: Der Hühneraugen-Operateur aus Liebe (Kamera), Directed by Charles Decroix,
1910: Prinzesschen (Kamera), Directed by Walter Schmidthässler, with Alma Rubner, Ernst A. Becker, Paula Helmert,
1910: Das Geheimnis der Toten (Kamera), Directed by Franz Porten, with Hugo Flink, Henny Porten, Rosa Porten,
1909: Kerkerszene aus "Faust" (Kamera), Directed by Franz Porten, with Franz Porten, Henny Porten,
1909: Herzensdieb (Kamera), Directed by Franz Porten,
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