Mini-Biography:
Eugene Deslaw was born on December 8, 1898 in Kiew, Ukraine. He was Author, Director, known for La Marche des Machines (1927), Les Nuits Ă©lectriques (1930), Robots (1930), Eugene Deslaw's first movie on record is from 1927. Eugene Deslaw died on September 10, 1966 in Nizza. His last motion picture on file dates from 1957.
Biographical Notes in German: eigentlich Ievhen Slabchenko, geboren in der Ukraine, Ende der 20er Jahre im Kreise der französischen Avantgardisten in Frankreich tätig.
geboren in Tahantcha (Ukraine), emigriert Deslaw erst in die Tschechoslowakei, wo er mit der avantgardistischen Bewegung rum den Filmemacher Zet Molas in BerĂĽhrung kommt. 1922 ĂĽbersiedelt er nach Paris, wo er ein kurzes aber fulminantes avantgardistisches Werk realisiert, inspiriert an den Themen des Modernismus.
1927 "La Poésie des Machines" ("La Marche des Machines") in Zusammenarbeit mit dem Kameramann Boris Kaufmann; 1929 "Les nuits électriques" - Die Faszination des Lichtes in den modernen Städten; etc.
Der Durchbruch des Tonfilms beendet abrupt Deslaw's Schaffen, er dreht nur noch wenige eher kuriose Experimente nach Beginn der Dreissiger Jahre. 1957 präsentiert er einen Experimentalfilm auf der Biennale von Vendig, wendet sich dann aber ausschliesslich dem touristischen Film zu. 1966 stirbt er völlig vergessen in Frankreich.
2004 widmete ihm das Centre Pompidou eine Retrospektive.
Eugene Deslaw
(Kiev, Ucraina, 1900 - Nizza, 1966)
Pseudonimo di Evgenij Slavčenko. Giornalista, regista e sceneggiatore ucraino.
Dopo aver studiato a Praga e Parigi, si dedicò al giornalismo cinematografico, collaborando a riviste specializzate. Nel 1926 fu assistente di A. Gance per il film Napoléon e nel 1927 di A. Iwanowsky per Azeff le provocateur. Ben presto si interessò all’opera dell’avanguardia cinematografica, nel cui ambito realizzò i suoi film più rappresentativi: Vieux Châteaux (1927); La marche des machines (1928); Les Nuits électriques (1930).
Successivamente si interessò del montaggio e del doppiaggio di film stranieri. Collaborò con Jacques Daroy per Vogue mon coeur (1935) e La Guerre des gosses (1936). Dopo una parentesi giornalistica durante e subito dopo la guerra, ritornò al cinema come sceneggiatore. Nel 1956 realizzò il film sperimentale Images en négatif, premiato a Venezia (Ch. Ford, voce Deslaw, in E.d.S., 1954).
Filmografia essenziale:
1927, Vieux châteaux ; 1928 La marche des machines; 1930 Les Nuits électriques ; 1931 Montparnasse ; 1932 Robots ; 1932 Négatifs ; 1936 La Revue de la rail ; 1956 Vision fantastique ; 1956 Images en négatif.
1928 La marche des machines
regia: Eugene Deslaw, in collaborazione con Boris Kaufmann
(1928, b/n, muto,10’)
Per la realizzazione di questo film, Deslaw, oltre alla decisiva collaborazione di Kaufmann, si avvalse di quelle di grandi nomi, chiamati negli anni successivi a grandi carriere: Luis Buñuel, Fred Zinnemann e Marcel Carné.
Il film è un détournement del cinema industriale, con ritmi e movimenti da catena di montaggio, tubi, rulli e acciaio in tensione. “Un buon esercizio di movimenti di forme concrete rese astratte.” (Ado Kyrou, Le Surréalisme au Cinéma)
HISTORICAL CIRCLE
Lubomir Hosejko. “Vision fantastique”. The last experimental film of Eugene Deslaw”. Cinematological essay by the French researcher of the Ukrainian descent on the film “Vision fantastique”/“Fantastic Vision” directed by Eugene Deslaw, the full-length documentary about Spain, created with participation of the cameramen from the Madrid-based newsreel studio NO-DO Noticiero Documental. Eugene Deslaw (1899-1966) is Ukrainian film director, script-writer, theoretician who worked fruitfully in French, Spanish, Portugese and Swiss cinema.
Eugene Deslaw Filmography [Auszug]
1957: [] Vision Fantastique (Director),
1955: [] Mages en NĂ©gatif (Director),
1936: [] La Guerre des gosses (Director), with Jean Murat, Saturnin Fabre, Claude May,
1935: [] Un Monsieur qui a mangé du taureau (A Man who ate Bull Meat) (Director),
1930: [] Les Nuits Ă©lectriques (La Nuit Ă©lectrique) (Director),
1930: [] Robots (Director),
1930: [] Autour de la fin du monde (Director),
1929: [] Montparnasse, Poème du Café Crème (Montparnasse) (Director),
1927: [/ /1] La Marche des Machines (Director),
Filmography Eugene Deslaw nach Kategorien
RegieEugene Deslaw in other Database records:
Disclaimer
The information above does not purport to be exhaustive, but give the level of information to our database at the time of last update. All figures are best knowledge and belief researched to, legal claims arising from incorrect or missing information are expressly rejected.Due to the current law in some countries can be held responsible person who addresses refers to having a criminal content spread may or criminal content and pages further refer, unless he closes clear from such liability. Our links below are researched to the best of my knowledge and belief, but we can not accept in any way for the content of these web pages and links from us any liability. We provide this explanation by analogy from all countries and all languages of. Quotations, if not otherwise marked, in the usual right to quote with identification of the sources added.
The copyright lies with the authors of these quotes - Eugene Deslaw - KinoTV
Facebook