Sophus Wangøe

Director of Photography, Director - Danmark
Born 1883 in Dänemark
Died July 1943 in Kopenhagen

Mini-Biography:
Sophus Wangøe was born in 1883 in Danmark. He was a Danish Director of Photography, Director, known for Tragödie der Liebe (1923), Der Herr Generaldirektor (1925), En Død i Skønhed (1915), Sophus Wangøe's first movie on record is from 1912. Sophus Wangøe died on July , 1943 in Kopenhagen. His last motion picture on file dates from 1930.
Biographical Notes in German: Auch Sophus Wangoe, geboren 1883 in Kopenhagen, Kameramann des dänischen und deutschen Stummfilms, Um 1912 war er in einem Billardsalon Kopenhagens beschäftigt, wo er mit dänischen Filmleuten in Kontakt kam und so als Kameramann durch Ole Olsen engagiert wurde. Als Assistent u.a. bei Johan Ankerstjerne in August Bloms Atlantis (1913). Zusammenarbeit vor allem mit den Regisseuren Robert Dinesen und Holger-Madsen. Mitte der Zwanziger Jahre, nach dem Niedergang des dänischen Films, kommt er mit Robert Dinesen nach Deutschland, dreht mit Dinesen als Regisseur und deutschen Schauspielern wie Lya de Putty, Paul Otto, Anton Pointner, Alfred Haase und Harry Hardt für die Phoebus-Film AG das Drama Thamar, das Kind der Berge (1924). die letzten Filme der Filmographie mit der Dokumentaristin Gertrud David. In den frühen Dreissiger Jahren scheint er noch Werbefilme für deutsche Auftraggeber gedrehtzu haben.

Sophus Wangøe dürfte bis circa 1933 noch in Berlin gelebt haben, der Tonfilmführer von 1933 nennt noch seine Berliner Adresse. Anschliessend scheint er nach Kopenhagen zurückgekehrt sein, ohne aber weiteren Anschluss an das dänische Filmschaffen gefunden zu haben. Sophus Wangøe starb während der deutschen Besatzung in Juli 1943 in Kopenhagen. Sein Sohn Eigil Wangøe war von circa 1927 bis circa 1942 als Photograph ebenfalls im deutschen Film tätig und emigrierte später in die USA. (lhg 2014)

Der Kameramann Axel Graatkjær (1885-1969), erinnert sich an Sophus Wangöe: “...It is difficult to get decent cinematopraphers. The others, the ones we call the ”stiff” photographers, have no talent for moving pictures. They were limitied by what they had learnt in the studios. One of the few he accepted and appreciated was Johan Ankerstjerne (1886-1959), the watchmaker from Randers. He knew his trade, and was no. 1 after me. Sophus Wangøe wasn’t to bad either. He was a general labourer at the pub on Mosedalsvej at madam Bischoff where we had our lunch. I had played billiard with him on several occasions, when he had mentioned, that he would like to get in the movie business. I told Ole Olsen, and then he became a cinematographer. - Billard was a popular pastime for the cinematographers of the time, as the light on the day were crucial for how much they could work – whether they could expose any film, since the stock was so slow. It took a lot of light, and no one but the cinematographer could decide when the light made it impossible to expose any film. And if it was impossible, the cinematographer stopped the shooting for the day. On those days they had time for a game of billiards in the nearest pub – and then the ”kluk”- or pinched bottle came out.”

Sophus Wangøe Filmography [Auszug]
1930: [] Konserven für den Winter - aber nur aus dem eigenen Betrieb (Director of Photography), Directed by Gertrud David,
1930: [] In den Spuren Vater Boldelschwinghs (Director of Photography), Directed by Gertrud David,
1930: [] Grosstadtpiraten (Director of Photography), Directed by Hans Schönlank, with Elizza La Porta, Clifford McLaglen,
1929: [] Unser Junvolk studiert (Director of Photography), Directed by Gertrud David,
1929: [] Die GEG-Fleischwarenfabrik Oldenburg in Oldenburg (Director of Photography), Directed by Gertrud David,
1927: [01.26] Artisten (Director of Photography), Directed by Géza von Bolváry, with Teddy Bill, Ernst Deutsch, Anton Edthofer,
1927: [02.16] Luther (Director of Photography), Directed by Hans Kyser, with Harry Lamberts-Paulsen, Wilhelm Bendow, Leo Connard,
1926: [12.06] Die Waise von Lowood (Orphan of Lowood) (Director of Photography), Directed by Curtis Bernhardt, with Christel Adam, Ina Albrecht, Jesta Berg,
1926: [10/01] Kreuzzug des Weibes (Director of Photography), Directed by Martin Berger, with Conrad Veidt, Maly Delschaft, Harry Liedtke,
1926: [09.10] Spitzen (Director of Photography), Directed by Holger-Madsen, with Arthur Beder, Jesta Berg, Ossip Darmatow,
1926: [10.28] Die Welt will belogen sein (Director of Photography), Directed by Peter Paul Felner, with Georg Alexander, Paul Biensfeldt, Mady Christians,
1925: [01.29] Die tolle Herzogin (Director of Photography), Directed by Willi Wolff, with Henry Bender, Louis Brody, Evi Eva,
1925: [09.18] Die Anne-Liese von Dessau (Director of Photography), Directed by James Bauer, with Valy Arnheim, Hermann Böttcher, Maly Delschaft,
1925: [/ /1] Der Herr Generaldirektor (Director of Photography), Directed by Fritz Wendhausen, with Alfred Abel, Albert Bassermann, Wilhelm Diegelmann,
1924: [10.10] Soll und Haben (Director of Photography), Directed by Carl Wilhelm, with Hans Brausewetter, Mady Christians, Gertrud de Lalsky,
1924: [04.07] Thamar, das Kind der Berge (Director of Photography: AKA Sophus Wangol), Directed by Robert Dinesen, with Lya de Putti, Paul Otto, Anton Pointner,
1923: [/ /1] Das unbekannte Morgen (The unknown tomrrow) (Director of Photography), Directed by Alexander Korda, with Maria Corda, Carl Ebert, Olaf Fønss,
1923: [10.08] Tragödie der Liebe (Love Tragedy) (Director of Photography), Directed by Joe May, with Mia May, Vladimir Gajdarov, Rudolf Forster,
1923: [] Zaida, Tragödie eines Modells (Director of Photography: AKA Sophus Wangol (--??--)), Directed by Holger-Madsen, with Olga Belajeff, Alf Blütecher, Alexander Murski,
1922: [05.08] Ödets Redskap (Director of Photography), Directed by Robert Dinesen, with Ernst Eklund, , Clara Schønfeld,
1922: [] Ilona (Director of Photography), Directed by Robert Dinesen, with Lya de Putti, Arnold Korff, Albert Patry,
1921: [07.29] Die Erbin von Tordis (Director of Photography), Directed by Robert Dinesen, with Ilka Grüning, Paul Hartmann, Ernst Hofmann,
1921: [03/11] Der Leidensweg der Inge Kraft (Director of Photography), Directed by Robert Dinesen, with Mia May, Albert Steinrück, Conrad Veidt,
1921: [01.21] Die Frauen von Gnadenstein (Director of Photography), Directed by Robert Dinesen, Joe May, with Grete Diercks, Olga Engl, Leopold Gadiel,
1919: [09/09] Atlantas knaldsucces (Director of Photography), Directed by Kaj Mervild, with Stella Kjerulf, , ,
1919: [12.15] Det lille pus (Director of Photography), Directed by Lau Lauritzen sen., with Agnes Andersen, Frederik Buch, Lauritz Olsen,
1919: [10.27] Maharadjahens yndlingshustru II (Director of Photography), Directed by August Blom, with Gunnar Tolnæs, Lilly Jacobsson, Johanne Fritz-Petersen,
1919: [10.20] Jefthas dotter (Jefthas datter) (Director of Photography), Directed by Robert Dinesen, with Ernst Eklund, Göta Klintberg, Signe Kolthoff,
1919: [07.28] Hvorledes jeg kom til Filmen (The mute, Den stumma, The silent actor) (Director of Photography), Directed by Robert Dinesen, with Valdemar Psilander, Frederik Jacobsen, Else Frölich,
1919: [06.02] Konkurrencen (Director of Photography), Directed by Robert Dinesen, with Agnete Blom, Axel Boesen, Robert Dinesen,
1919: [05.19] Gøglerbandens Adoptivdatter (Potifars Hustru, Kvinnaränker, Gjaeglerbandens adoptivdatter) (Director of Photography), Directed by Robert Dinesen, with Inger Nybo, Frederik Buch, Robert Dinesen,
1919: [04.14] Solskinsbørnene (Children of the Sun, The sunshine children, The road to happiness) (Director of Photography), Directed by A.W. Sandberg, with Thorleif Lund, , Bertel Krause,
1919: [01.13] Livets omkiftelser (Director of Photography), Directed by Robert Dinesen, with Philip Bech, Rasmus Christiansen, Robert Dinesen,
1919: [07.28] Han skal duellere (Den sorte Haand) (Director of Photography), Directed by Lau Lauritzen Sr., with Rasmus Christiansen, Ragnhild Sannom, Lauritz Olsen,
1918: [05.08] Gudebilledet (Director of Photography), Directed by Robert Dinesen, with , Ernst Eklund, Clara Schønfeld,
1918: [07.21] Mod lyset (Towards the light) (Director of Photography), Directed by Holger-Madsen, with Augusta Blad, Asta Nielsen, Alf Blütecher,
1918: [12.19] Hendes Hjertes Ridder (Inkognito) (Director of Photography), Directed by Robert Dinesen, with Agnes Andersen, Else Frölich, Valdemar Psilander,
1918: [12.02] Bunkebryllup (Director of Photography), Directed by Lau Lauritzen Sr., with Ragnhild Sannom, Kate Fabian, Frederik Buch,
1918: [10.07] I Opiumets Magt (Opiummets Magt) (Director of Photography), Directed by Robert Dinesen, with Anton de Verdier, Aage Hertel, Carl Lauritzen,
1918: [09.02] For barnets skyld (Director of Photography), Directed by Robert Dinesen, with Philip Bech, Anton de Verdier, Franz Skondrup,
1918: [08.12] Hjerteknuseren (Director of Photography), Directed by Robert Dinesen, with Astrid Krygell, Svend Melsing, Lauritz Olsen,
1918: [01.05] Mands vilje (Mannes vilja, Mands vilje) (Director of Photography), Directed by Robert Dinesen, with Inger Nybo, Philip Bech, Ebba Thomsen,
1918: [06.27] Luksuschaufføren (The gentleman chauffeur) (Director of Photography), Directed by Robert Dinesen, with Valdemar Psilander, Erik Holberg, ,
1918: [06.10] Hendes stille Sværmeri (Trofast Venskab) (Director of Photography), Directed by Lau Lauritzen Sr., with Lauritz Olsen, Frederik Buch, Charles Willumsen,
1918: [05.23] De skraa Braedder (Premiere) (Director of Photography), Directed by Robert Dinesen, with Agnes Andersen, Robert Dinesen, Johanne Krum-Hunderup,
1918: [05.06] Kammerpigen (For Faderens Skyld, Rivaler) (Director of Photography), Directed by Robert Dinesen, with Sofus Bernhard, Aage Hertel, Frederik Jacobsen,
1918: [04.15] Magasinets Datter (Director of Photography), Directed by August Blom, Thorleif Lund, with Anton de Verdier, ,
1918: [03.25] Dydsdragonen (The virtous one) (Director of Photography), Directed by Lau Lauritzen Sr., with , Ragnhild Sannom, Lauritz Olsen,
1918: [03.10] Gar el Hama V (Sfinxens Sön) (Director of Photography), Directed by Robert Dinesen, with Agnes Andersen, Ingeborg Bruhn Bertelsen, Anton de Verdier,
1918: [02.25] Hun skriver paa Maskine (Rivalerne) (Director of Photography), Directed by Lau Lauritzen sen., with Frederik Buch, Lauritz Olsen, Ragnhild Sannom,
1918: [01.28] En Fare for Samfundet (Director of Photography), Directed by Robert Dinesen, with Philip Bech, Moritz Bielawski, Gerd Egede-Nissen,
1917: [12.03] Hjertekrigen paa Ravnsholt (The battle of hearts) (Director of Photography), Directed by Robert Dinesen, with Valdemar Psilander, , Else Frölich,
1917: [10.10] Hotel Paradis (Hotel Paradiso, Hotel 'Paradise', Hotell 'Paradiset', Hotel 'Paradis') (Director of Photography), Directed by Robert Dinesen, with Peter Fjelstrup, Ebba Thomsen, ,
1917: [04.10] Den ny Rocambole (Den hemmelighedsfulde Skönhed) (Director of Photography), Directed by Robert Dinesen, with Philip Bech, Robert Dinesen, Jonna Anker Kreutz,
1917: [03.26] Favoriten (Den Døde Automobilist, The motor-car mystery) (Director of Photography), Directed by Robert Dinesen, with Valdemar Psilander, Thorleif Lund, Else Frölich,
1917: [01.31] Maharadjahens yndlingshustru I (The Maharajah’s Favorite Wife, A Prince of Bharata, Oriental Love) (Director of Photography), Directed by Robert Dinesen, with Gunnar Tolnæs, Thorleif Lund, Jonna Anker Kreutz,
1916: [12.26] Malkepigekomtessen (Director of Photography), Directed by Robert Dinesen, with , Clara Wieth, Henry Seemann,
1916: [11.27] Det gaadefulde Væsen (Director of Photography), Directed by Robert Dinesen, Lau Lauritzen sen., with Carl Alstrup, Rita Sacchetto, Aage Hertel,
1916: [09.25] Blandt Samfundets Fjender (Stereokopets Hemmelighed, En Londoner Roman) (Director of Photography), Directed by Robert Dinesen, with Ebba Thomsen, Thorleif Lund, Robert Dinesen,
1916: [06.09] For sin dreng (Retribution) (Director of Photography), Directed by Robert Dinesen, Alexander Christian, with Thorleif Lund, Ebba Thomsen, Arne Weel,
1916: [06.01] Letsindighedens Løn (En Lektion, The wages of folly) (Director of Photography), Directed by Robert Dinesen, with Erik Holberg, Agnete Blom, Henry Seemann,
1916: [05.16] Lyset og livet (The fatal Light) (Director of Photography), Directed by Robert Dinesen, with Gunnar Tolnæs, Ebba Thomsen, Stella Lind,
1916: [04.25] Hendes ungdomsforelskelse (Director of Photography), Directed by Martinius Nielsen, with Kiss Andersen, Olaf Fønss, Aage Hertel,
1916: [03.13] Kornspekulantens forbrydelse (De to Verdener, Kornspekulantens Offer) (Director of Photography), Directed by Robert Dinesen, with Robert Dinesen, Peter Nielsen, Thorleif Lund,
1916: [02.21] Gar el Hama IV (Director of Photography), Directed by Robert Dinesen, with Moritz Bielawski, Gerda Christophersen, Robert Dinesen,
1916: [02.07] For hendes skyld (The shanghaied rival) (Director of Photography), Directed by Robert Dinesen, with Robert Dinesen, Gunnar Sommerfeldt, Gyda Aller,
1915: [12.13] En skæbne (Director of Photography), Directed by Robert Dinesen, with Svend Kornbeck, Ebba Thomsen, Thorleif Lund,
1915: [12.09] Doktor X (The master physician, Doctor Voluntas, Folly of sin) (Director of Photography), Directed by Robert Dinesen, with Gunnar Tolnæs, , Johanne Fritz-Petersen,
1915: [12.02] Kvinden han frelste (A Woman with a Past) (Director of Photography), Directed by Robert Dinesen, with Robert Dinesen, Christian Schrøder, Thorleif Lund,
1915: [11.22] I farens stund (The fortunes of war) (Director of Photography), Directed by Robert Dinesen, with Thorleif Lund, Ebba Thomsen, Alf Blütecher,
1915: [10.11] Om Kap med Døden (A race with death) (Director of Photography), Directed by Robert Dinesen, with Robert Dinesen, Ingeborg Olsen, Moritz Bielawski,
1915: [09.30] Naar Hævngløden slukkes (Director of Photography), Directed by Robert Dinesen, with Aage Hertel, Philip Bech, Rita Sacchetto,
1915: [05.17] Zigøjnerblod (Director of Photography), Directed by Robert Dinesen, with Henry Seemann, Christian Schrøder, Ebba Thomsen,
1915: [03.19] En Død i Skønhed (Beate) (Director of Photography), Directed by Robert Dinesen, with Rita Sacchetto, Olaf Fønss, Nicolai Johannsen,
1915: [02.08] Den sidste nat (Director of Photography), Directed by Robert Dinesen, with Frederik Jacobsen, Robert Schmidt, Johannes Ring,
1915: [01.21] Mit Fædreland, min Kærlighed (Through the enemy's lines) (Director of Photography), Directed by Robert Dinesen, with Alf Blütecher, Ebba Thomsen, Frederik Jacobsen,
1914: [01.11] For Lykke og Ære (The call for a child) (Director of Photography), Directed by Robert Dinesen, with Cajus Bruun, Robert Dinesen, Ebba Thomsen,
1914: [12.06] Millionær for en Dag (Director of Photography), Directed by Robert Dinesen, with Carl Alstrup, Maja Bjerre-Lind, Lauritz Olsen,
1914: [10.26] Gar el Hama III (The Adventures of Gar El Hama) (Director of Photography), Directed by Robert Dinesen, with Aage Hertel, Johannes Ring, Ebba Thomsen,
1914: [09.28] Arbejdet adler (A master of men) (Director of Photography), Directed by Robert Dinesen, with Valdemar Psilander, Enoch Aagaard, Ebba Thomsen,
1914: [09.21] Amors krogveje (Director of Photography), Directed by Robert Dinesen, with Carl Alstrup, Edvin Bruun, Ebba Thomsen,
1914: [06.11] Tøffelhelten (Vennen, der ikke fandtes, His phantom friend) (Director of Photography), Directed by Robert Dinesen, with Carl Alstrup, Oluf Billesborg, Vita Blichfeldt,
1914: [05.18] Helvedesmaskinen (The escaped anarchist) (Director of Photography), Directed by Robert Dinesen, with Bertel Krause, Ellen Holm, Robert Schmidt,
1914: [05.14] Inderpigen (Director of Photography), Directed by Robert Dinesen, with Agnes Andersen, Philip Bech, Oluf Billesborg,
1914: [04.06] Et Kærlighedsoffer (I will repay) (Director of Photography), Directed by Robert Dinesen, with Thorkild Roose, Frederik Jacobsen, Ebba Thomsen,
1914: [03.26] Hammerslaget (In the hour of temptation) (Director of Photography), Directed by Robert Dinesen, with Nicolai Johannsen, Betty Nansen, Svend Aggerholm,
1914: [03.23] Midnatssolen (The mid-night sun, Life, O sol da meia noite, Midnattssolen) (Director of Photography), Directed by Robert Dinesen, with Else Frölich, Svend Kornbeck, Christian Schrøder,
1914: [03.13] Den skønne Ubekendte (Director of Photography), Directed by Robert Dinesen, with Carl Alstrup, Agnes Andersen, Alf Blütecher,
1913: [12.26] Atlantis (Camera Assistant), Directed by August Blom, with Olaf Fønss, Ida Orlov, Frederik Jacobsen,
1913: [12.26] Under Blinkfyrets Straaler (Out on the Deep) (Director of Photography), Directed by Robert Dinesen, with Svend Bille, Agnete Blom, Alf Blütecher,
1913: [11.30] Moderen (Too late to mend, A mother's sacrifice, Storms of the heart) (Director of Photography), Directed by Robert Dinesen, with Betty Nansen, Ella Sprange, Nicolai Johannsen,
1913: [11/27] Elskovs gækkeri (En unbehaendig kriger, En uheldig kriger, Uninvited) (Director of Photography: --??--), Directed by Sofus Wolder, with Maja Bjerre-Lind, Johanne Fritz-Petersen, Frederik Buch,
1913: [10.09] Broder mod Broder (Director of Photography), Directed by Robert Dinesen, with Augusta Blad, Olaf Fønss, Aage Fønss,
1913: [08.28] Den gamle Majors Ungdomskærlighed (Faded beauties) (Director of Photography: (--??--9), Directed by Axel Breidahl, with Maja Bjerre-Lind, , Alma Hinding,
1913: [08.06] Den kvindelige Daemon (Director of Photography), Directed by Robert Dinesen, with Robert Dinesen, Alma Hinding, Alf Blütecher,
1913: [07.07] Dramaet i den gamle Mølle (Director of Photography), Directed by Robert Dinesen, with Cajus Bruun, Lili Bech, Ellen Aggerholm,
1913: [] Maleren Kristian Zahrtman i sit Atelier (Director), with ,
1913: [06.02] Manden med kappen (The Man in the white cloak) (Director of Photography), Directed by Robert Dinesen, with Robert Dinesen, Robert Schyberg, Agnete Blom,
1913: [05.05] Den store operation (The Impostor) (Director of Photography), Directed by Robert Dinesen, with Axel Boesen, Robert Dinesen, Olaf Fønss,
1913: [04.17] Døvstummelegatet (Director of Photography), Directed by Robert Dinesen, with Carl Alstrup, Frederik Jacobsen, Johanne Krum-Hunderup,
1913: [04/17] Tvillingebrødrene (Director of Photography: --??--), Directed by William Augustinus, with , Frederik Buch, Carl Fischer,
1913: [03.31] Strejken paa den gamle Fabrik (The sacrifice) (Director of Photography), Directed by Robert Dinesen, with Viking Ringheim, Valdemar Psilander, Johannes Ring,
1913: [03.14] Frederik Buch som Soldat (Buch i Tröjen, Rekruttens Genvordigheder, Fred as Soldier) (Director of Photography), Directed by Christian Schrøder, with Frederik Buch, Carl Petersen, Carl Schenstrøm,
1913: [02.28] Laegens Bryllupsaften (Laegens Bryllupsnat) (Director of Photography), Directed by Christian Schrøder, with Carl Alstrup,
1913: [01.08] Christian Schrøder som lejetjener (An occasional waiter) (Director of Photography), Directed by Christian Schrøder, with Christian Schrøder,
1912: [04.10] Hjælpen (Life's stony path) (Director of Photography), Directed by Robert Dinesen, with Robert Dinesen, Agnete Blom, Johannes Ring,
1912: [02/14] Loppen (Director of Photography), Directed by Christian Schrøder, with Olivia Norrie,
1912: [12.09] To rivaler (Director of Photography), Directed by Robert Dinesen,
1912: [10.24] Springdykkeren (All in vain) (Director of Photography), Directed by Robert Dinesen, with , Cajus Bruun, Axel Boesen,
1912: [00.00] Koleraen (Director of Photography), Directed by Christian Schrøder, with Carl Lauritzen, Lauritz Olsen, Karen Lund,

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