Georg Bruckbauer

Director of Photography - Germany
Born July 23, 1900 in Vienna
Died April 13, 1976 in Bühl

Mini-Biography:
Georg Bruckbauer was born on July 23, 1900 in Wien. He was a German Director of Photography, known for Alle Tage ist kein Sonntag (1959), Akrobat schö-ö-ön (1943), Prinzessin Wildfang (1938), Georg Bruckbauer's first movie on record is from 1926. Georg Bruckbauer died on April 13, 1976 in Bühl. His last motion picture on file dates from 1963.
Biographical Notes in German: nach anderen Quellen 1888 geboren

Georg Bruckbauer Filmography [Auszug]
1963: [/ /1] Das grosse Liebesspiel (And so to bed) (Director of Photography), Directed by Alfred Weidenmann, with Thomas Fritsch, Walter Giller, Martin Held,
1961: [] Geliebte Hochstaplerin (... und wer küsst mich ?) (Director of Photography), Directed by Akos von Rathony, with Cissy Kraner, Edith Hancke, Walter Giller,
1960: [/ /1] Schlussakkord (Director of Photography), Directed by Wolfgang Liebeneiner, with Rudolf Carl, , Hans Thimig,
1960: [] Die rote Hand (Director of Photography), Directed by Kurt Meisel, with Rainer Brandt, Paul Hubschmid, Kurt Meisel,
1959: [08.12] Alle Tage ist kein Sonntag (Everyday's not sunday) (Director of Photography), Directed by Helmut Weiss, with Elisabeth Müller, Jochen Hanke, Jürgen Hanke,
1959: [] Schlag auf Schlag (Director of Photography), Directed by Géza von Cziffra, with Peter Alexander, Ingrid Andree, Mara Lane,
1959: [/ /1] So angelt man keinen Mann (Director of Photography), Directed by Hans Deppe, with Grethe Weiser, Fritz Rémond, Willi Rose,
1958: [12.05] Der eiserne Gustav (Director of Photography), Directed by Georg Hurdalek, with Karin Baal, , Ernst Schröder,
1958: [/ /1] Nachtschwester Ingeborg (Director of Photography), Directed by Géza von Cziffra, with Ewald Balser, Edith Nordberg, ,
1958: [/ /1] Der Maulkorb (Director of Photography), Directed by Wolfgang Staudte, with O.E. Hasse, Hansjörg Felmy, Corny Collins,
1958: [/ /1] Grabenplatz 17 (Director of Photography), Directed by Erich Engels, with Maria Sebaldt, Charles Regnier, Carl Lange,
1958: [] Schwarzwälder Kirsch (Director of Photography), Directed by Géza von Bolváry, with Marianne Hold, Dietmar Schönherr, Boy Gobert,
1957: [/ /1] Der Fuchs von Paris (Director of Photography), Directed by Paul May, with Michel Auclair, Paul Hartmann, Martin Held,
1957: [/ /1] Frühling in Berlin (Director of Photography), Directed by Arthur Maria Rabenalt, with Walter Giller, Gerhard Riedmann, ,
1957: [] Der Bauerndoktor von Bayrischzell (Director of Photography), Directed by Hans Schott-Schöbinger, with Carl Wery, Beppo Brem, ,
1956: [] Du bist Musik (Director of Photography), Directed by Paul Martin, with , Paul Hubschmid, Grethe Weiser,
1956: [/ /1] Weil du arm bist, musst du früher sterben (Director of Photography), Directed by Paul May, with Hans Christian Blech, Hannelore Heimanns, Trude Hesterberg,
1955: [01.20] Das Bad auf der Tenne (Director of Photography), Directed by Paul Martin, with , Paul Klinger, Karl Schönböck,
1955: [10.06] Rosenmontag (Director of Photography), Directed by Willy Birgel, with Ruth Niehaus, Dietmar Schönherr, Elma Karlowa,
1955: [/ /1] Der Kongress tanzt (Director of Photography), Directed by Franz Antel, with , Karl Schönböck, Rudolf Prack,
1955: [/ /1] Verrat an Deutschland (Director of Photography), Directed by Veit Harlan, with Kristina Söderbaum, Hermann Speelmans, Yoshio Inaba,
1955: [/ /1] Liebe ohne Illusion (Director of Photography), Directed by Erich Engel, with Heidemarie Hatheyer, Curd Jürgens, Ernst Schröder,
1954: [/ /1] Kaisermanöver (Director of Photography), Directed by Franz Antel, with Benno Smytt, Rudolf Prack, Gunther Philipp,
1954: [/ /1] Der Zarewitsch (Director of Photography), Directed by Arthur Maria Rabenalt, with Paul Henckels, Luis Mariano, Ivan Petrovich,
1954: [02.05] Die Gefangene des Maharadscha (Director of Photography), Directed by Veit Harlan, with Rudolf Vogel, Hermann Schomberg, Karl Martell,
1953: [12.17] Sterne über Colombo (Director of Photography), Directed by Veit Harlan, with Rudolf Vogel, Karl Martell, Theodor Loos,
1952: [/ /1] Der bunte Traum (Director of Photography), Directed by Géza von Cziffra, with Herbert Weissbach, Hans Olden, Vera Molnar,
1952: [/ /1] Tanzende Sterne (Director of Photography), Directed by Géza von Cziffra, with Fita Benkhoff, Germaine Damar, ,
1951: [12.21] Hanna Amon (Director of Photography), Directed by Veit Harlan, with Kristina Söderbaum, Lutz Moik, Ilse Steppat,
1951: [/ /1] Die verschleierte Maja (Director of Photography), with Maria Litto,
1950: [/ /1] Wenn eine Frau liebt (Director of Photography), Directed by Wolfgang Liebeneiner, with Johannes Heesters, Hilde Krahl, ,
1950: [/ /1] Die Treppe (Das sündige Haus) (Director of Photography), with Wolfgang Kühne, ,
1949: [/ /1] Hallo, Fräulein (Director of Photography), Directed by Rudolf Jugert, with Hannelore Bollmann, Iska Gerl, Margot Hielscher,
1948: [/ /1] Strassenbekanntschaft (Director of Photography), Directed by Peter Pewas, with Alice Treff, Gisela Trowe, ,
1944: [07.06] Die Degenhardts (Director of Photography), Directed by Werner Klingler, with Heinrich George, , ,
1944: [04.06] Der Verteidiger hat das Wort (Director of Photography), Directed by Werner Klingler, with Heinrich George, Carla Rust, Rudolf Fernau,
1943: [] Akrobat schö-ö-ön (Director of Photography), Directed by Wolfgang Staudte, with Käthe Dyckhoff, Hella Tornegg, Clara Tabody,
1943: [06.25] Romanze in Moll (Romance in a Minor Key) (Director of Photography), Directed by Helmut Käutner, with Marianne Hoppe, Paul Dahlke, Walter Lieck,
1942: [01.08] Die Grosse Nummer (Director of Photography), Directed by Karel Anton, with Leny Marenbach, Rudolf Prack, Maly Delschaft,
1942: [04.01] Die Sache mit Styx (Director of Photography), Directed by Karel Anton, with Laura Solari, Victor De Kowa, Margit Symo,
1941: [/ /1] Der Meineidbauer (Director of Photography), Directed by Leopold Hainisch, with Leo Peukert, Eduard Köck, O.W. Fischer,
1939: [/ /1] Irrtum des Herzens (Director of Photography), Directed by Bernd Hofmann, with Käthe Dorsch, Paul Hartmann, Leny Marenbach,
1939: [] Ich verweigere die Aussage (Director of Photography), Directed by Otto Linnekogel, with Ewald Wenck, Paul Otto, Erik Ode,
1938: [12.21] Nanu, Sie kennen Korff noch nicht ? (Director of Photography), Directed by Fritz Holl, with Josefine Dora, Franz Schafheitlin, Heinz Rühmann,
1938: [/ /1] Prinzessin Wildfang (Director of Photography), Directed by Fritz Thiery, with , , Mimmi Schorp,
1937: [] Solo per Te (Director of Photography), Directed by Carmine Gallone, with Werner Pledath, Philipp Lothar Mayring, Hilde Maroff,
1937: [/ /1] Man spricht über Jacqueline (Director of Photography), Directed by Werner Hochbaum, with Wera Engels, Fritz Genschow, Friedl Haerlin,
1936: [09.25] Onkel Bräsig (Director of Photography), Directed by Erich Waschneck, with Fritz Hoopts, Julius E. Herrmann, Ursula Herking,
1936: [/ /1] Schatten der Vergangenheit (Director of Photography), Directed by Werner Hochbaum, with Rudolf Carl, Gustav Diessl, Lucie Höflich,
1934: [04.20] Meine Frau, die Schützenkönigin (Director of Photography), Directed by Carl Boese, with Lucie Englisch, Oskar Sima, Ralph Arthur Roberts,
1933: [12.21] Karl als Radiofachmann (Director of Photography), Directed by Gerhard Dammann, Fritz Kuhlbrodt, with Gerhard Dammann, , Max Wilmsen,
1933: [09.18] Unsichtbare Gegner (Invisible Opponent) (Director of Photography), Directed by Rudolph Cartier, with Gerda Maurus, Paul Hartmann, Oskar Homolka,
1933: [] Kleines Mädel - grosses Glück (Director of Photography), Directed by E.W. Emo,
1933: [] Schwarzwaldmädel (Director of Photography), Directed by Georg Zoch, with Maria Beling, Hans Söhnker, Walter Janssen,
1933: [] Alle machen mit (Director of Photography), Directed by Franz Wenzler, with Trude von Molo, Hilde Boenisch, Else Elster,
1932: [10.28] Trenck (Director of Photography), Directed by Ernst Neubach, Heinz Paul, with Hans Stüwe, Dorothea Wieck, Olga Tschechowa,
1929: [11.15] Die Schleiertänzerin (Director of Photography), Directed by Charles Burguet, with René Navarre, Hertha von Walther, Hans Albers,
1929: [] Der Weg durch die Nacht (Director of Photography), Directed by Robert Dinesen, with Käthe von Nagy, Imre Ráday, Franz Stein,
1929: [05.01] Anschluss um Mitternacht (Director of Photography), Directed by Mario Bonnard, with Marcella Albani, Curt Bois, Jean Bradin,
1928: [] Ariadne in Hoppegarten (Director of Photography), Directed by Robert Dinesen, with Alfred Abel, Jean Bradin, Paul Henckels,
1926: [06.01] Die Frau, die nicht "nein" sagen kann (Director of Photography), Directed by Fred Sauer, with Hans Albers, Jean Dehelly, Gustav Fröhlich,

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Filmography Georg Bruckbauer nach Kategorien

Kamera

Georg Bruckbauer in other Database records: IMDb

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