Karl Freund

Portrait Karl FreundDirector of Photography, Director - Germany
Born January 16, 1890 in Königinhof
Died 1969 in Santa Monica, California, USA

Mini-Biography:
Karl Freund was born on January 16, 1890 in Königinhof. He was a German Director of Photography, Director, known for All quiet on the western front (1930), Camille (1936), Conquest (1938), Karl Freund's first movie on record is from 1913. Karl Freund died on , 1969 in Santa Monica, California, USA. His last motion picture on file dates from 1949.

Karl Freund Filmography [Auszug]
1949: [] Montana (Director of Photography), Directed by Ray Enright, with Creighton Hale, James Brown, Nacho Galindo,
1948: [] Key Largo (Director of Photography), Directed by John Huston, with Humphrey Bogart, Lauren Bacall, Edward G. Robinson,
1947: [10.24] That Hagen Girl (Director of Photography), Directed by Peter Godfrey, with Ronald Reagan, Shirley Temple, Rory Calhoun,
1947: [/ /1] This time for keeps (Director of Photography), Directed by Richard Thorpe, with Mary Stuart, Anne Francis, May Whitty,
1946: [11.28] Undercurrent (Director of Photography), Directed by Vincente Minnelli, with Katharine Hepburn, Robert Taylor, Robert Mitchum,
1945: [] The Thin Man goes home (Director of Photography), Directed by Richard Thorpe, with Minor Watson, Donald Meek, Donald Mac Bride,
1945: [/ /1] Dangerous Partners (Director of Photography), Directed by Edward L. Cahn, with Grant Withers, Audrey Totter, Mabel Paige,
1945: [05.00] Without love (Director of Photography), Directed by Harold S. Bucquet, with Spencer Tracy, Katharine Hepburn, Lucille Ball,
1944: [] The Seventh Cross (Director of Photography), Directed by Fred Zinnemann, with Spencer Tracy, Signe Hasso, Hume Cronyn,
1941: [08.15] Blossoms in the Dust (Director of Photography), Directed by Mervyn LeRoy, with William Worthington, Walter Pidgeon, George Lessey,
1940: [/ /1] Pride and prejudice (Director of Photography), Directed by Robert Z. Leonard, with Ann Rutherford, Karen Morley, Bruce Lester,
1938: [07.01] Port of Seven Seas (Director of Photography), Directed by James Whale, Sam Wood, with Wallace Beery, Frank Morgan, Maureen O'Sullivan,
1938: [/ /1] Conquest (Director of Photography), Directed by Clarence Brown, with Charles Boyer, Leif Erickson, Greta Garbo,
1938: [/ /1] Man-Proof (Director of Photography), Directed by Richard Thorpe, with Franchot Tone, William Stack, Rosalind Russell,
1938: [06.02] Three Comrades (Director of Photography: (/xx/)), Directed by Frank Borzage, with Robert Taylor, Margaret Sullavan, Franchot Tone,
1937: [] The good earth (Director of Photography), Directed by Sidney Franklin, with Philip Ahn, Walter Connolly, Tilly Losch,
1937: [06.04] Parnell (Director of Photography), Directed by John M. Stahl, with Edna May Oliver, Alan Marshal, Myrna Loy,
1936: [01.01] Camille (Director of Photography), Directed by George Cukor, with Greta Garbo, Robert Taylor, Lionel Barrymore,
1936: [/ /1] The great Ziegfeld (Director of Photography), Directed by Robert Z. Leonard, with Virginia Bruce, Luise Rainer, Myrna Loy,
1935: [/ /1] Mad Love (Chamberof Horrors, The Oar of Orlac, The Hands of Orlac) (Director), with Sara Haden, Harold Huber, Isabel Jewell,
1934: [] Uncertain Lady (Director), with Donald Reed, Edward Everett Horton, Genevieve Tobin,
1934: [] The Countess of Monte Cristo (Director), with Carmel Myers, Fay Wray, Paul Lukacs,
1933: [] The Mummy (Cagliostro, Im-Hotep (Working title), King of the Dead (Working title)) (Director), with Boris Karloff, Zita Johann, David Manners,
1933: [] Moonlight and Pretzels (Director), with William Frawley, Roger Pryor,
1933: [05.04] The Kiss before the mirror (Director of Photography), Directed by James Whale, with Nancy Carroll, Frank Morgan, Paul Lukas,
1932: [12.30] Back Street (Director of Photography: (/xx/) ), Directed by John M. Stahl, with Irene Dunne, John Boles, June Clyde,
1932: [11.17] Afraid to Talk (Merry-Go-Round) (Director of Photography), Directed by Edward L. Cahn, with Eric Linden, Sidney Fox, Tully Marshall,
1932: [11.03] Air Mail (Director of Photography), Directed by John Ford, with Pat O'Brien, Ralph Bellamy, Gloria Stuart,
1932: [] Murders in the Rue Morgue (Director of Photography), Directed by Robert Florey, with Herman Bing, Bert Roach, Bela Lugosi,
1931: [12.26] Strictly Dishonorable (Director of Photography), Directed by John M. Stahl, with Paul Lukacs, Sidney Fox, Lewis Stone,
1931: [02.14] Dracula (Director of Photography), Directed by Tod Browning, with Bela Lugosi, Helen Chandler, David Manners,
1930: [12.05] The Boudoir Diplomat (Director of Photography), Directed by Malcolm St. Clair, John M. Stahl, with Betty Compson, Mary Duncan, Ian Keith,
1930: [] All quiet on the western front (Director of Photography), Directed by Lewis Milestone, with Fred Zinnemann, Renée Damonde, Yola d'Avril,
1929: [03.07] Fräulein Else (Director of Photography), Directed by Paul Czinner, with Elisabeth Bergner, Albert Bassermann, Albert Steinrück,
1928: [12.14] Eine Nacht in London (Eva in pigiama, A Knight in London) (Director of Photography), Directed by Lupu Pick, with Ivy Duke, Robert English, Lilian Harvey,
1927: [/ /1] Dona Juana (Director of Photography), Directed by Paul Czinner, with Elisabeth Bergner, Elisabeth Neumann,
1927: [/ /1] Berlin, Symphonie einer Grosstadt (Director of Photography), Directed by Walter Ruttmann,
1926: [01.10] Metropolis (Director of Photography), Directed by Fritz Lang, with Brigitte Helm, Rudolf Klein-Rogge, Alfred Abel,
1926: [10.28] Abenteuer eines Zehnmarkscheines (K 13 513 - Die Abenteuer eines Zehnmarkscheins, K 13 513, Uneasy Money) (Producer), Directed by Berthold Viertel, with Agnes Mueller, Imogene Robertson, Walter Franck,
1926: [/ /1] Manon Lescaut (Director of Photography), Directed by Arthur Robison, with Sig Arno, Lya de Putti, Marlene Dietrich,
1925: [11.20] Tartüff (Director of Photography), Directed by Friedrich Wilhelm Murnau, with Emil Jannings, Werner Krauss, Lil Dagover,
1925: [11.16] Varieté (Director of Photography), Directed by E.A. Dupont, with Emil Jannings, Maly Delschaft, Lya de Putti,
1924: [12.23] Der letzte Mann (The Last Laugh) (Director of Photography), Directed by Friedrich Wilhelm Murnau, with Erich Schönfelder, Emil Jannings, Maly Delschaft,
1924: [09.26] Mikaël (Chained: the Story of the Third Sex, Heart's Desire) (Director of Photography), Directed by Carl Theodor Dreyer, with Walter Slezak, Max Auzinger, Nora Gregor,
1923: [07.01] Die Finanzen des Grossherzogs (Finances of the Grand Duke, The Grand Duke's Finances) (Director of Photography), Directed by Friedrich Wilhelm Murnau, with Hermann Vallentin, Walter Rilla, Harry Liedtke,
1923: [10/23] Die Austreibung (The Expulsion) (Director of Photography), Directed by Friedrich Wilhelm Murnau, Rochus Gliese, with Wilhelm Dieterle, Carl Goetz, Ilka Grüning,
1923: [] Die letzte Sensation des Zirkus Farini (Director of Photography: --??-), Directed by Uwe Jens Krafft,
1922: [/ /1] Tiefland (Director of Photography), Directed by Adolf Edgar Licho, with Martha Angerstein, Michael Bohnen, Lil Dagover,
1922: [] Maciste und der Sträfling Nr. 5 (Director of Photography: --??--), Directed by Uwe Jens Krafft,
1922: [10/20] Lucrezia Borgia (Director of Photography), Directed by Richard Oswald, with Liane Haid, Conrad Veidt, Albert Bassermann,
1922: [07.??] Herzog Ferrantes Ende (Director of Photography), Directed by Paul Wegener, Rochus Gliese, with Paul Wegener, Lyda Salmonova, Ernst Deutsch,
1922: [03.03] Der brennende Acker (Director of Photography), Directed by Rochus Gliese, Friedrich Wilhelm Murnau, with Magnus Stifter, Harry Frank, Unda Faliansky,
1921: [01.00] Kinder der Finsternis - 2. Teil: Kämpfende Welten (Director of Photography), Directed by E.A. Dupont, with Hans Mierendorff, Grit Hegesa, Adele Sandrock,
1921: [12.30] Kinder der Finsternis - 1. Teil: Der Mann aus Neapel (Director of Photography), Directed by E.A. Dupont, with Hans Mierendorff, Sybil Smolowa, Grit Hegesa,
1921: [01.20] Marizza, genannt die Schmugglermadonna (Director of Photography), Directed by Friedrich Wilhelm Murnau, with Tzwetta Tzatschewa, Maria Forescu, Hans Heinrich von Twardowski,
1921: [] Die Ratten (Director of Photography), Directed by Hans Kobe, with Claire Selo, Marija Leiko, Emil Jannings,
1921: [] Der Schwur des Peter Hergatz (Director of Photography), Directed by Alfred Halm, with Stella Harf,
1921: [05.22] Der tote Gast (Director of Photography), with Käte Haack, Erich Kaiser-Titz, Anna von Palen,
1921: [05.12] Aus dem Schwarzbuche eines Polizeikommissars I (Director of Photography), Directed by Artúr Somlay, Arsen von Cserépy, with Ludwig Hartau, Sascha Gura, ,
1920: [08.07] Der Bucklige und die Tänzerin (The hunchback and the dancer) (Director of Photography), Directed by Friedrich Wilhelm Murnau, with Sascha Gura, John Gottowt, Paul Biensfeldt,
1920: [02.03] Der verlorene Schatten (Director of Photography), Directed by Rochus Gliese, Paul Wegener, with Lyda Salmonova, Wilhelm Bendow, Leonhard Haskel,
1920: [11.03] Frau im Delphin oder 30 Tage auf dem Meeresgrund (The Woman in the Dolphin) (Director of Photography), Directed by Arthur Kiekebusch, with Emilie Sannom, Magnus Stifter, Bela Lugosi,
1920: [10.29] Der Golem, wie er in die Welt kam (Director of Photography), Directed by Carl Boese, Paul Wegener, with Paul Wegener, Albert Steinrück, Lyda Salmonova,
1920: [10.22] Katharina die Grosse (Catherine the Great) (Director of Photography), Directed by Reinhold Schünzel, with Lucie Höflich, Gertrud de Lalsky, Reinhold Schünzel,
1920: [08/26] Der Januskopf (Director of Photography), Directed by Friedrich Wilhelm Murnau, with Conrad Veidt, Magnus Stifter, Margarete Schlegel,
1920: [] Am Liebeshof des Sonnenkönigs (Director of Photography), Directed by Georg Burghardt, with Fritz Delius, Eva Speyer, Olga Engl,
1920: [01.02] Die Spinnen II - Das Brillantenschiff (Le Bateau au Diamants) (Director of Photography), Directed by Fritz Lang, with Carl Hoffmann, Carl de Vogt, Ressel Orla,
1919: [05/01] Das gelbe Haus (Im Sumpfe der Grosstadt) (Director of Photography), Directed by Richard Oswald, with Fritz Beckmann, Anita Berber, Gussy Holl,
1919: [09.06] Die Arche (Director of Photography), Directed by Richard Oswald, with Oevid Molander, Emil Lund, Eugen Klöpfer,
1919: [10.??] Die letzten Menschen (Director of Photography), Directed by Richard Oswald, with Kissa von Sievers, Max Gülstorff, Emil Lind,
1919: [] Augen. Im Banne der Hypnose (Director of Photography: Laboratorium), Directed by Arthur Kiekebusch, Georg Schubert, with Fritz Achterberg, Max Wilmsen, Bobby Flip,
1919: [02.13] Mascotte (Cast), Directed by Felix Basch, with Emmy Wyda, Hanni Reinwald, Hermann Picha,
1919: [] Die Welteroberer (Director of Photography), Directed by Robert Wiene, with Gustav von Wangenheim,
1919: [01.30] Satanas (Director of Photography), Directed by Friedrich Wilhelm Murnau, with Fritz Kortner, Sadjah Gezza, Ernst Hofmann,
1919: [07/00] Die sich verkaufen (Director of Photography), Directed by Richard Oswald, with Conrad Veidt, Reinhold Schünzel, Gertrud Hoffmann,
1919: [] Die Gesunkenen (Director of Photography), Directed by Fred Sauer, with Mady Christians, Ferdinand von Alten, Werner Funck,
1919: [01.17] Die Dame, der Teufel und die Probiermamsell (Director of Photography), Directed by Rudolf Biebrach, with Henny Porten, Ida Perry, Alfred Abel,
1918: [00.00] Das Geschlecht derer von Ringwall (Director of Photography), Directed by Rudolf Biebrach, with Henny Porten, Bruno Decarli, Kurt Vespermann,
1918: [11.29] Die blaue Laterne (Director of Photography), Directed by Rudolf Biebrach, with Henny Porten, Ferdinand von Alten, Rudolf Biebrach,
1918: [09.27] Die Sieger (Director of Photography: (--??--)), Directed by Rudolf Biebrach, with Henny Porten, Arthur Bergen, Bruno Decarli,
1918: [08.30] Das Maskenfest des Lebens (Director of Photography), Directed by Rudolf Biebrach, with Henny Porten, Bruno Decarli, ,
1918: [] Der tote Gast. Der Fall Rödern (Director of Photography), Directed by William Kahn, with Carl Auen, Heinrich Peer, Preben Rist,
1918: [03.15] Auf Probe gestellt (Director of Photography), Directed by Rudolf Biebrach, with Henny Porten, Reinhold Schünzel, Hermann Thimig,
1918: [02.15] Edelsteine - Phantastisches Drama in 4 Akten (Director of Photography), Directed by Rudolf Biebrach, with Paul Bildt, Henny Porten, Paul Hartmann,
1917: [01.18] Gräfin Küchenfee (Director of Photography), Directed by Rudolf Biebrach, with Henny Porten, Paul Biensfeldt, Ernst Hofmann,
1917: [12.21] Die Faust des Riesen - 2. Teil (Director of Photography), Directed by Rudolf Biebrach, with Henny Porten, Eduard von Winterstein, Johannes Riemann,
1917: [11.18] Die Faust des Riesen - 1. Teil (Director of Photography), Directed by Rudolf Biebrach, with Henny Porten, Eduard von Winterstein, Johannes Riemann,
1917: [10.26] Höhenluft (Director of Photography), Directed by Rudolf Biebrach, with Henny Porten, Paul Hartmann, Reinhold Schünzel,
1917: [09.28] Die Claudi vom Geiserhof (Director of Photography), Directed by Rudolf Biebrach, with Paul Hartmann, Joseph Klein, Lupu Pick,
1917: [08.31] Gefangene Seele (Director of Photography), Directed by Rudolf Biebrach, with Henny Porten, Paul Bildt, Curt Goetz,
1917: [06.01] Die Prinzessin von Neutralien (Director of Photography), Directed by Rudolf Biebrach, with Henny Porten, Paul Bildt, John Gottowt,
1917: [05.04] Christa Hartungen (Director of Photography), Directed by Rudolf Biebrach, with Henny Porten, Paul Hartmann, Theodor Loos,
1917: [03.30] Der Liebesbrief der Königin (Director of Photography), Directed by Robert Wiene, with Henny Porten, Arthur Schröder, Paul Biensfeldt,
1917: [02.02] Die Ehe der Luise Rohrbach (Director of Photography), Directed by Rudolf Biebrach, with Emil Jannings, Henny Porten, ,
1916: [01.26] Feenhände (Director of Photography), Directed by Rudolf Biebrach, with Henny Porten, Arnold Korff, Frida Richard,
1916: [12.29] Gelöste Ketten (Director of Photography), Directed by Rudolf Biebrach, with Henny Porten, Bruno Decarli, Johannes Riemann,
1916: [10.27] Der Ruf der Liebe (Director of Photography), Directed by Rudolf Biebrach, with Henny Porten, Heinrich Peer, Hans Mühlhofer,
1916: [09.01] Das wandernde Licht (Henny-Porten-Serie 1916/17, 1. Film) (Director of Photography), Directed by Robert Wiene, with Henny Porten, Bruno Decarli, Theodor Becker,
1916: [05.19] Abseits vom Glück (Director of Photography), Directed by Rudolf Biebrach, with Rudolf Biebrach, Theodor Loos, Henny Porten,
1916: [10.00] Der Mann im Spiegel (Director of Photography), Directed by Robert Wiene, Conrad Wiene, with Maria Fein, Bruno Decarli, Emil Rameau,
1916: [04.03] Der Sekretär der Königin (Director of Photography), Directed by Robert Wiene, with Ressel Orla, Käthe Dorsch, Heinrich Schroth,
1916: [02.16] Frau Eva (Dear Eva, Poor Eva) (Director of Photography), Directed by Robert Wiene, with Erna Morena, Margarete Kupfer, Emil Jannings,
1915: [02.11] Die ewige Nacht (Director of Photography), Directed by Urban Gad, with Max Landa, Otto Kronburger, ,
1915: [10.08] Tochter der Landstrasse (Director of Photography: (--??--)), Directed by Urban Gad, with Bruno Kastner, Asta Nielsen, Hugo Flink,
1915: [03.24] Vordertreppe und Hintertreppe (Front Stairs and Back Stairs) (Director of Photography), Directed by Urban Gad, with Asta Nielsen, Paul Otto, Fred Immler,
1914: [10.23] Die Weissen Rosen (Director of Photography), Directed by Urban Gad, with Asta Nielsen, Max Landa, Ernst Hofmann,
1914: [09.11] Aschenbrödel (Director of Photography: (--??--)), Directed by Urban Gad, with Asta Nielsen, Max Landa,
1914: [06.00] Venezianische Nächte (Venetian Nights) (Director of Photography), Directed by Max Reinhardt, with Maria Carmi, Joseph Klein, Alfred Abel,
1914: [07.12] Der Hund von Baskerville (Director of Photography), Directed by Rudolf Meinert, with Alwin Neuss, Friedrich Kühne, Hanni Weisse,
1914: [03.27] Das Feuer (Director of Photography), Directed by Urban Gad, with Asta Nielsen, Mary Scheller, Max Landa,
1914: [02.27] Zapatas Bande (Zapata's Band) (Director of Photography), Directed by Urban Gad, with Asta Nielsen, Fred Immler, Mary Scheller,
1913: [03.13] Engeleins Hochzeit (Den lille Engels bryllup) (Director of Photography), Directed by Urban Gad, with Asta Nielsen, Max Landa, Hanns Kräly,
1913: [02.06] Das Kind ruft (Director of Photography), Directed by Urban Gad, with Asta Nielsen, Fred Immler, Max Agerty,
1913: [01.03] Engelein (Director of Photography), Directed by Urban Gad, with Asta Nielsen, Alfred Kuehne, Max Landa,
1913: [12.06] Die Filmprimadonna (Director of Photography), Directed by Urban Gad, with Asta Nielsen, Paul Otto, ,
1913: [11.14] S. 1. (Director of Photography), Directed by Urban Gad, with Siegward Gruder, Asta Nielsen, Charly Berger,
1913: [] Pampulik hat Hunger (Pampolet hat Hunger) (Director of Photography), Directed by Alexander Kolowrat, with Max Pallenberg, Fritzi Massary,
1913: [03.10] Die Insel der Seligen (Camera Assistant), Directed by Max Reinhardt, with Wilhelm Diegelmann, Willy Prager, Gertrud Hackelberg,
1913: [12.09] Die Suffragette (The Militant Suffragette) (Director of Photography), Directed by Urban Gad, with Asta Nielsen, Max Landa, Mary Scheller,

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