Karl Hasselmann

Director of Photography - Germany
Born May 8, 1883 in Hannover
Died June 8, 1966 in Berlin

Mini-Biography:
Karl Hasselmann was born on May 8, 1883 in Hannover. He was a German Director of Photography, known for Der Aussenseiter (1935), Die Löwenbraut (1914), Eifersucht (1925), Karl Hasselmann's first movie on record is from 1906. Karl Hasselmann died on June 8, 1966 in Berlin. His last motion picture on file dates from 1952.

Karl Hasselmann Filmography [Auszug]
1952: [] entscheidende Zeuge (Director of Photography), Directed by Karlheinz Schmidt,
1952: [] Das mechanische Einmaleins (Director of Photography), Directed by Curt K. Schmidt,
1952: [] Farbenfrohes Handwerk (Director of Photography), Directed by Curt K. Schmidt,
1951: [] In kupfernen Pfannen gebraut (Director of Photography), Directed by Curt K. Schmidt,
1951: [] Schützende Haut und farbiger Glanz (Director of Photography), Directed by Curt K. Schmidt,
1950: [] Die Brücke der Jahrhunderte (Director of Photography), Directed by Curt K. Schmidt,
1950: [] Elektrizität aus Barunkohle (Director of Photography), Directed by Curt K. Schmidt,
1949: [] Quartett zu fünft (Director of Photography), Directed by Gerhard Lamprecht, with Claus Holm, Inge Keller, Reinhard Kolldehoff,
1947: [] Reaktion: positiv (Director of Photography), Directed by Karlheinz Schmidt,
1943: [] Wildvogel (Director of Photography), Directed by Johannes Meyer, with Roma Bahn, Leny Marenbach, Volker von Collande,
1942: [03.22] Die Gefährtin meines Sommers (Director of Photography), Directed by Fritz Peter Buch, with Hella Tornegg, Anna Dammann, Margarete Haagen,
1942: [10.27] Die Stimme des Herzens (Director of Photography), Directed by Johannes Meyer, with Lili Schönborn, Eugen Klöpfer, Curd Jürgens,
1941: [09/08] Clarissa (Director of Photography), Directed by Gerhard Lamprecht, with Joachim Pfaff, Sybille Schmitz, Gustav Fröhlich,
1940: [] Donauschiffer (Director of Photography), Directed by Robert A. Stemmle, with Hilde Krahl, Attila Hörbiger, Pál Jávor,
1940: [] Mädchen im Vorzimmer (Director of Photography), Directed by Gerhard Lamprecht, with Willi Rose,
1940: [] Herzensfreund - Herzensleid (Director of Photography), Directed by Hubert Marischka, with Hans Leibelt,
1939: [10.13] Die Frau im Strom (Director of Photography), Directed by Gerhard Lamprecht, with Hertha Feiler, Attila Hörbiger, Oskar Sima,
1939: [] Morgen werde ich verhaftet (Director of Photography), Directed by Karl Heinz Stroux, with Lissy Arna, Käthe Dorsch, Paul Dahlke,
1939: [04.14] Salonwagen E 417 (Director of Photography), Directed by Paul Verhoeven, with Otto Kronburger, Paul Hörbiger, Melanie Horeschowsky,
1938: [/ /1] Menschen, Tiere, Sensationen (Director of Photography), Directed by Harry Piel, with Ruth Eweler, Edith Oss, Harry Piel,
1938: [] Dreizehn Mann und eine Kanone (Director of Photography), Directed by Johannes Meyer, with Alexander Golling, Otto Wernicke, Herbert Hübner,
1937: [] Unter Ausschluss der Öffentlichkeit (Director of Photography), Directed by Paul Wegener, with Lída Baarová, Margit Symo, Hella Tornegg,
1937: [] Madame Bovary (Director of Photography), Directed by Gerhard Lamprecht, with Pola Negri, Aribert Wäscher, Ferdinand Marian,
1937: [] Frauen wollen betrogen sein (Director of Photography), Directed by Phil Jutzi,
1937: [] Es ist nichts so fein gesponnen (Director of Photography), Directed by Phil Jutzi,
1937: [] Die Seitensprünge des Herrn Blohm (Director of Photography), Directed by Phil Jutzi,
1937: [] Wiederseh'n macht Freude (Director of Photography), Directed by Phil Jutzi, with Elga Brink,
1937: [] Die Unterschlagung (Director of Photography), Directed by Phil Jutzi,
1937: [] Der andere Mann (Director of Photography), Directed by Phil Jutzi, with Werner Finck, , Erwin Biegel,
1937: [] Sparkasse mit Likör (Director of Photography), Directed by Phil Jutzi,
1937: [] Man schreibt mit Stahl (Director of Photography), Directed by Curt K. Schmidt,
1937: [] Die fromme Lüge (Director of Photography), Directed by Nunzio Malasomma, with Pola Negri, Hansi Arnstaedt, Ernst Legal,
1936: [] Die Stunde der Versuchung (Director of Photography), Directed by Paul Wegener, with Emmerich Hanus, Lída Baarová, Theodor Loos,
1936: [] Ein seltsamer Gast (Director of Photography), Directed by Gerhard Lamprecht, with Alfred Abel, Kurt Fischer-Fehling, Fritz Odemar,
1936: [] Ein Lied klagt an (Director of Photography), Directed by Georg Zoch,
1935: [11.14] Der Aussenseiter (Director of Photography), Directed by Hans Deppe, with Federico Benfer, Karel Stepanek, Willi Schur,
1935: [/ /1] Die letzte Fahrt der Santa Margareta (Director of Photography), Directed by Georg Zoch, with J Barthel, Wilhelm Bendow, Else Elster,
1935: [] Der rote Faden (Director of Photography), Directed by Karl Hans Leiter, with Ernst Waldow,
1935: [] Donaumelodien (Director of Photography), Directed by Willy Reiber,
1934: [10.12] Der Fall Brenken (Director of Photography), Directed by Carl Lamac, with Veit Harlan, Rudolf Klein-Rogge, Genina Nikolajewa,
1934: [/ /1] Die Katz' im Sack (Director of Photography), Directed by Richard Eichberg, Germain Fried, with Wolf Albach-Retty, Theo Lingen, Magda Schneider,
1934: [/ /1] Das Erbe von Pretoria (Director of Photography), Directed by Johannes Meyer, with Paul Hartmann, ,
1934: [] Der Meisterboxer (Director of Photography), Directed by Fred Sauer,
1934: [] Der Schlafwagenkontrolleur (Inspector of the Red Cars) (Director of Photography), Directed by Richard Eichberg, with Albert Préjean, Danielle Darrieux, Lucien Baroux,
1933: [/ /1] Die Nacht im Forsthaus (Director of Photography), Directed by Erich Engels, with Hermann Speelmans, , Kurt Lilien,
1933: [] Wenn am Sonntagabend die Dorfmusik spielt (Director of Photography), Directed by Charles Klein, with Carl de Vogt, Maria Paudler, Jutta Jol,
1933: [] Volldampf voraus (Director of Photography), Directed by Carl Froelich,
1933: [] Stosstrupp 1917 (Director of Photography), Directed by Ludwig Schmid-Wildy, Hans Zöberlein,
1932: [10.28] Trenck (Director of Photography), Directed by Ernst Neubach, Heinz Paul, with Hans Stüwe, Dorothea Wieck, Olga Tschechowa,
1932: [/ /1] Was wissen denn die Männer ? (Director of Photography), Directed by Gerhard Lamprecht, with Edit Angold, Hans Brausewetter, Ilse Korseck,
1932: [] Die Nacht der Versuchung (Director of Photography), Directed by Leo Lasko, Robert Wohlmuth, with Elga Brink,
1932: [] Wiener Lumpenkavaliere (Director of Photography), Directed by Carl Boese, with Harald Madsen, Henry Bender, Walter Brandt,
1932: [] Der kleine Pit (Director of Photography), Directed by Heinrich Köhler,
1931: [/ /1] Zwischen Nacht und Morgen (Director of Photography), Directed by Gerhard Lamprecht, with Edit Angold, Maria Forescu, Aud Egede-Nissen,
1931: [02.06] Schachmatt (Director of Photography), Directed by Georgij Azagarov, with Hans Rehmann, Gerda Maurus, Hans Brausewetter,
1930: [/ /1] Zweierlei Moral (Director of Photography), Directed by Gerhard Lamprecht, with Elga Brink, Hilde Hildebrand, Ida Wüst,
1930: [] Kdyz struny ikaji (Director of Photography), Directed by Friedrich Feher, with Magda Sonja, Friedrich Feher, ,
1929: [01.07] Alimente (Director of Photography), Directed by Carl Boese, with Gerhard Dammann, , Fritz Schulz,
1929: [09.01] Der Sträfling aus Stanbul (Director of Photography), Directed by Gustav Ucicky, with Betty Amann, Frida Richard, Paul Rehkopf,
1929: [10.16] Blutschande § 173 St.G.B. - Strafbare Ehen (Director of Photography), Directed by James Bauer, with Erna Morena, Walter Rilla, Olga Tschechowa,
1929: [/ /1] Katharina Knie (Director of Photography), Directed by Karl Grune, with Ernst Busch, Eugen Klöpfer, Peter Voss,
1929: [04.17] Geschminkte Jugend. Ein Film aus unserer Zeit (Director of Photography), Directed by Carl Boese, with Maria Ford, Olga Limburg, Toni van Eyck,
1928: [04.17] Geschminkte Jugend (Director of Photography), Directed by Carl Boese, with Karl Machus, Olga Limburg, ,
1928: [12.28] Lemkes sel. Witwe (Director of Photography), Directed by Carl Boese, with Lissy Arna, Fritz Kampers, Frida Richard,
1928: [] Kinder der Strasse (Director of Photography), Directed by Carl Boese, with Lissy Arna, Heinrich George, Erika Glässner,
1928: [11.13] Ossi hat die Hosen an (Abenteuer eines Unterrocks) (Director of Photography), Directed by Carl Boese, with Ossi Oswalda, Wolfgang Zilzer, Fritz Kampers,
1928: [] Unter der Laterne (Under the Lantern) (Director of Photography), Directed by Gerhard Lamprecht, with Lissy Arna, Gerhard Dammann, ,
1928: [] Der Mann mit dem Laubfrosch (Director of Photography), Directed by Gerhard Lamprecht, with Erika Dannhoff, Maria Forescu, Heinrich George,
1928: [/ /1] Anastasia, die falsche Zarentochter (Director of Photography), Directed by Arthur Bergen, with Wilhelm Bendow, Maria Forescu, Elizza La Porta,
1928: [] Eva in Seide (Director of Photography), Directed by Carl Boese, with Lissy Arna,
1927: [12.16] Die Geliebte des Gouverneurs (Ljubimica guvernera, Ljubavnica na prestolu, Draga Maschin) (Director of Photography), Directed by Friedrich Feher, with Magda Sonja, Fritz Kortner, Otto Wallburg,
1927: [09.02] Die heilige Lüge (Director of Photography), Directed by Holger-Madsen, with Otto Gebühr, Margarete Schlegel, Paul Bildt,
1927: [] Der Katzensteg (Director of Photography), Directed by Gerhard Lamprecht, with Lissy Arna, Käte Haack, Rudolf Lettinger,
1927: [] Der alte Fritz (Director of Photography), Directed by Gerhard Lamprecht, with Sybil Morel, Robert Forsch, Erich Briese,
1927: [] Sensations-Prozess (That Murder in Berlin) (Director of Photography), Directed by Friedrich Feher, with Magda Sonja, , ,
1926: [/ /1] Schwester Veronika (Director of Photography), Directed by Gerhard Lamprecht, with Paul Bildt, Paul Richter,
1926: [] Menschen untereinander (People among each other) (Director of Photography), Directed by Gerhard Lamprecht, with Alfred Abel, Aud Egede-Nissen, Eduard Rothauser,
1926: [] Kubinke, der Barbier und die drei Dienstmädchen (Director of Photography), Directed by Carl Boese, with Maria Forescu, Eva Speyer,
1926: [] Die Unehelichen (Children of No Importance, Illegitimate Children) (Director of Photography), Directed by Gerhard Lamprecht, with , , ,
1926: [03/22] Die Brüder Schellenberg (Director of Photography), Directed by Karl Grune, with Conrad Veidt, Lil Dagover, Liane Haid,
1925: [12.01] Die eiserne Braut (Director of Photography), Directed by Carl Boese, with Clementine Plessner, , Otto Reinwald,
1925: [/ /1] Eifersucht (Director of Photography), Directed by Karl Grune, with Georg Alexander, Lya de Putti, Werner Krauss,
1925: [] Die Verrufenen (The Slums of Berlin, The Outcast, The Fifth Estate) (Director of Photography), Directed by Gerhard Lamprecht, with Bernhard Goetzke, Aud Egede-Nissen, Arthur Bergen,
1924: [10.00] Die Fahrt ins Verderben (Director of Photography), Directed by James Bauer, with Adele Sandrock, Hans Adalbert Schlettow, Erwin Biswanger,
1924: [10.20] Garragan (Director of Photography), Directed by Ludwig Wolff, with Julanne Johnston, Fritz Russ, Heinrich Peer,
1924: [10.02] Arabella (Director of Photography), Directed by Karl Grune, with Alphons Fryland, Fritz Rasp, Jakob Tiedtke,
1924: [/ /1] Komödianten (Director of Photography), Directed by Karl Grune, with Eugen Klöpfer,
1924: [02.26] Don Carlos und Elisabeth (Sous l'inquisition) (Director of Photography), Directed by Richard Oswald, with Conrad Veidt, Eugen Klöpfer, Aud Egede-Nissen,
1923: [01.03] Sylvester (Director of Photography: Interieurs), Directed by Lupu Pick, with Eugen Klöpfer, Edith Posca, Frida Richard,
1923: [] Die Strasse (Director of Photography), Directed by Karl Grune, with Anton Edthofer, Leonhard Haskel, Lucie Höflich,
1923: [05.12] Schlagende Wetter (Director of Photography), Directed by Karl Grune, with Liane Haid, Hermann Vallentin, Eugen Klöpfer,
1923: [] Der wilde Freiger (Director of Photography), Directed by Rolf Randolf, with Josef Reithofer, Sascha Gura, Paul Westermeier,
1922: [12.06] Sterbende Völker - 2. Brennendes Meer (Director of Photography), Directed by Robert Reinert, with , , ,
1922: [/ /1] Tiefland (Director of Photography), Directed by Adolf Edgar Licho, with Martha Angerstein, Michael Bohnen, Lil Dagover,
1922: [/ /1] Der Graf von Charolais (Director of Photography), Directed by Karl Grune, with Wilhelm Dieterle, Maria Forescu, Eva May,
1922: [/ /1] Hanneles Himmelfahrt (Director of Photography), Directed by Urban Gad, with Maria Forescu, Theodor Loos, Margarete Schlegel,
1922: [03/18] Othello (Otello) (Director of Photography), Directed by Dimitri Buchowetzki, with Emil Jannings, Werner Krauss, ,
1921: [11.24] Sterbende Völker - 1. Heimat in Not (Director of Photography), Directed by Robert Reinert, with Gustavo Serena, Aud Egede-Nissen, Frida Richard,
1921: [08.19] Die Nacht ohne Morgen (Director of Photography), Directed by Karl Grune, with Eugen Klöpfer, Hanni Weisse, Hans Mierendorff,
1921: [] Die Geierwally (Director of Photography), Directed by E.A. Dupont, with Julius Brandt, Wilhelm Dieterle, Eugen Klöpfer,
1921: [] Die Hintertreppe (Director of Photography), Directed by Leopold Jessner, Paul Leni, with Wilhelm Dieterle, Fritz Kortner, Henny Porten,
1921: [/ /1] Der Graf von Essex (Director of Photography), Directed by Peter Paul Felner, with Eva May, Erna Morena, Rosa Valetti,
1921: [05.19] Mann über Bord (Director of Photography), Directed by Karl Grune, with Grit Hegesa, Erich Kaiser-Titz, Alfred Abel,
1920: [02.25] Die Verschwörung zu Genua (Director of Photography), Directed by Paul Leni, with Louis Brody, Wilhelm Diegelmann, Maria Fein,
1920: [09.30] Whitechapel (Londoner Nebel (Working title)) (Director of Photography), Directed by E.A. Dupont, with Hans Mierendorff, Grit Hegesa, Carl Clewing,
1920: [08.12] Der weisse Pfau (Director of Photography), Directed by E.A. Dupont, Paul Leni, with Hans Mierendorff, Grit Hegesa, Lore Sello,
1920: [07.00] Karlchen macht Seitensprünge (Director of Photography), Directed by Emil Albes, with Karl Victor Plagge, Margarete Kupfer, Maria Lux,
1920: [/ /1] Die Jagd nach der Wahrheit (Director of Photography), Directed by Karl Grune,
1920: [/ /1] Der Mord ohne Täter (Director of Photography), Directed by E.A. Dupont, with Henry Bender, Bernhard Goetzke, Grit Hegesa,
1920: [] Herztrumpf (Director of Photography), Directed by E.A. Dupont,
1919: [12.31] Alkohol (Director of Photography: (Nachaufnahmen)), Directed by Alfred Lind, E.A. Dupont, with , Hanni Weisse, Emil Biron,
1919: [12.00] Die weissen Rosen von Ravensberg (Director of Photography), Directed by Nils Chrisander, with Nils Chrisander, Uschi Elleot, Hans Adalbert Schlettow,
1919: [12.00] Hoppla, Herr Lehrer (Production), Directed by Emil Albes, with , Emil Sondermann, ,
1919: [11.01] Die Bademaus (Director of Photography), Directed by Emil Albes, Peter Josef, with Karl Victor Plagge, Kurt Wolfram Kiesslich, Ilse Wilke,
1919: [08.00] Ein gesunder Junge (Director of Photography), Directed by Emil Albes, Robert Leffler, with Karl Victor Plagge, ,
1919: [/ /1] Das Gelübde der Keuschheit (Director of Photography), Directed by Nils Chrisander, with Fritz Alten, Alexander Areuss, Uschi Elleot,
1919: [] Karlchen ist nervös (Director of Photography), Directed by Emil Albes, with Karl Victor Plagge, Herr Hollmann, Herr Russ,
1919: [] Flitter-Dörtje (Director of Photography), Directed by Robert Leffler, with Martha Novelly, Rudolf Klein-Rogge, Charles Willy Kayser,
1919: [] Karlchen auf der Brautschau (Director of Photography), Directed by Emil Albes, with Karl Victor Plagge, Kurt Wolfram Kiesslich, Guido Schützendorf,
1919: [] Karlchens Pumphose (Director of Photography), Directed by Emil Albes, with Karl Victor Plagge,
1919: [] Karlchen und Karoline (Director of Photography), Directed by Emil Albes,
1919: [] Cagliostros Totenhand (Director of Photography), Directed by Nils Chrisander, with Eugen Klöpfer, Martha Novelly, Eduard Eysenck,
1919: [06.28] Flimmersterne (Director of Photography), Directed by Hans Neumann, with , Elli Glaessner, Arthur Bergen,
1914: [] Der Prinzenraub (Director of Photography), Directed by Stellan Rye, with Hugo Flink, Carl Ebert, Alvine Davis,
1914: [] Der Desperado von Panama (Director of Photography), Directed by Joseph Delmont, with Joseph Delmont, Herr Alesso, Herr Stauber,
1914: [03.04] Der Flug in die Sonne (Director of Photography), Directed by Stellan Rye, with Tilla Durieux, Carl Clewing, Jean Ducret,
1914: [04.03] Der andere Student von Prag (Director of Photography), Directed by Emil Albes, with Hugo Flink, Emil Albes,
1914: [] Die Löwenbraut (Director of Photography), Directed by Max Obal, with Lyda Salmonova, Ema Destinová, Jean Ducret,
1913: [01.10] Der Herr des Todes (Director of Photography), Directed by Max Obal, with Hugo Flink, Hans Mierendorff, Franz Arndt,
1913: [] Die goldene Fliege (Director of Photography), Directed by Stellan Rye, with Hugo Flink, Grete Wiesenthal, Rudolf Klein-Rohden,
1913: [01.06] Gendarm Möbius (Director of Photography), Directed by Stellan Rye, with Lucie Höflich, Georg Molenar, Lothar Körner,
1913: [] Die Eisbraut (Director of Photography), Directed by Stellan Rye, with Theodor Loos, Hans Mierendorff, Max Laurence,
1913: [10.09] Auf dem Felde der Ehre (Director of Photography), Directed by Max Obal, Ebert, with Eva Speyer, Arthur Bergen, Hans Felix,
1913: [10.03] Das schwarze Los. Eine Commedia dell'arte (Director of Photography), Directed by John Gottowt, Emil Albes, with Alexander Moissi, Paul Biensfeldt, Johanna Terwin,
1913: [05.23] Das Ehrenwort (Director of Photography), Directed by Emil Albes, with Erwin Fichtner, Ilse Oeser, Hans Mierendorff,
1913: [04.11] Die Heldin von St. Honoré (Director of Photography), Directed by Emil Albes, with Carl Clewing, Ilse Oeser, Nelly Ridon,
1913: [] Der Thronfolger (Director of Photography), Directed by Emil Albes, with Dorrit Weixler, Carl Clewing, Emil Albes,
1913: [05.23] Das Töpfchen (Director of Photography), Directed by Emil Albes, with Hugo Flink, Dorrit Weixler, Ludwig Colani,
1912: [01.31] Komödianten (Director of Photography), Directed by Urban Gad, with Karl Beckersachs, Asta Nielsen, Thea Sandten,
1912: [] Die Papierspur (Director of Photography), Directed by Emil Albes, with Hedda Vernon, Karl Beckersachs,
1912: [] Die Wildkatz (Director of Photography), Directed by Max Obal, with Lissi Nebuschka,
1912: [09.21] Das Geheimnis von Monte Carlo (Director of Photography: Atelier), Directed by Emil Albes, with Emil Albes, Hugo Flink, Rudolf Lettinger,
1912: [] Fürstenliebe (Director of Photography), Directed by Emil Albes, with Hugo Flink, Ilse Oeser, Ludwig Colani,
1912: [] Zwischen zwei Herzen (Director of Photography), Directed by Emil Albes,
1912: [] Der Todessturz (Director of Photography), Directed by Max Obal, with Lissi Nebuschka,
1912: [] Der elektrische Funke (Director of Photography), Directed by Emil Albes, with Alvine Davis, Emil Albes, Ludwig Colani,
1912: [] Das Komödiantenkind (Director of Photography), Directed by Max Obal, with Lissi Nebuschka,
1912: [] Die rote Jule (Director of Photography), Directed by Emil Albes,
1912: [] Der Tod und die Mutter (Director of Photography), Directed by Emil Albes,
1912: [] Der Kampf um das Erbe (Director of Photography), Directed by Max Obal, with Hedda Vernon, Hugo Flink, Erwin Báron,
1912: [] Die Wildkatze (Director of Photography), Directed by Max Obal, with Lissi Nebuschka,
1912: [05.25] Der Dritte (Director of Photography), Directed by Emil Albes, with Emil Albes, Hans Mierendorff, Elfriede Heisler,
1911: [09.23] Besiegte Sieger (Director of Photography), Directed by Walter Schmidthässler,
1911: [07.30] Die Ballhaus-Anna (Director of Photography), Directed by Walter Schmidthässler, with Rosa Valetti, ,
1911: [////1] Madame Potiphar (Director of Photography), Directed by Viggo Larsen, with Viggo Larsen, Wanda Treumann, Max Mack,
1911: [] Madeleine (Director of Photography), Directed by Emil Albes, with Ilse Oeser, , Hugo Flink,
1911: [06.24] Die weisse Sklavin - 3. Teil (Director of Photography), Directed by Viggo Larsen, with Viggo Larsen, Wanda Treumann, Erna Nitter,
1911: [06.17] Zahn um Zahn (Director of Photography), Directed by Walter Schmidthässler, with Ernst A. Becker,
1911: [05.27] Opfer der Liebe (Director of Photography), Directed by Walter Schmidthässler,
1911: [05.20] Trotziges Blut (Director of Photography), Directed by Walter Schmidthässler,
1911: [05.13] Gescheitert (Director of Photography: --??--), Directed by Emil Albes, with Ilse Oeser, Hermann Seldeneck, Emil Albes,
1911: [05.13] Bist du der Weihnachtsmann ? (Director of Photography), Directed by Walter Schmidthässler, with Walter Schmidthässler,
1911: [06/05] Die Geliebte des Chinesen (Director of Photography), Directed by Viggo Larsen, with Viggo Larsen, Wanda Treumann, Paul Bildt,
1910: [03.18] Die neue Gouvernante (Director of Photography), Directed by Charles Decroix,
1910: [02.18] Das Herz einer Gattin (Director of Photography), Directed by Charles Decroix, with Charles Decroix, , ,
1910: [/ /1] Pro Patria (Director of Photography), Directed by Charles Decroix, with Rudolf del Zopp, Leo Peukert, Fritz Spira,
1910: [12.03] Die Pulvermühle (Director of Photography), Directed by Viggo Larsen, with Viggo Larsen, Wanda Treumann, Max Mack,
1910: [/ /1] Die Spinne (Director of Photography), Directed by Charles Decroix, with ,
1910: [/ /1] Weihnachtstränen (Director of Photography), Directed by Charles Decroix,
1910: [/ /1] Das vierte Gebot. Du sollst den Vater und die Mutter ehren (Director of Photography), Directed by Charles Decroix, with Frida Richard, Anton Ernst Rückert,
1910: [/ /1] Der Leuchtturmwächter (Director of Photography: --??--), Directed by Charles Decroix,
1910: [/ /1] Die Vernunft des Herzens (Director of Photography), Directed by Charles Decroix, with Carl Wilhelm,
1909: [/ /1] Die Erschiessung des spanischen Rebellen Guardia (Director of Photography), Directed by Carl Buderus,
1909: [] Schlangentänzerin (Director of Photography), Directed by N. N.,
1909: [] Zu Mantua in Banden (Director of Photography), Directed by Franz Porten, with Henny Porten,
1908: [] Schaukellied (Director of Photography), Directed by Franz Porten, with Henny Porten,
1906: [/ /1] Der Hauptmann von Köpenick (Director of Photography), Directed by Carl Buderus, Carl Sonnemann, with Georg Bock, Harry Heimers,

. 67 . 98 . 107 . 137

Filmography Karl Hasselmann nach Kategorien

Produktion Kamera Darsteller

Karl Hasselmann in other Database records: German Early Cinema

Disclaimer
The information above does not purport to be exhaustive, but give the level of information to our database at the time of last update. All figures are best knowledge and belief researched to, legal claims arising from incorrect or missing information are expressly rejected.
Due to the current law in some countries can be held responsible person who addresses refers to having a criminal content spread may or criminal content and pages further refer, unless he closes clear from such liability. Our links below are researched to the best of my knowledge and belief, but we can not accept in any way for the content of these web pages and links from us any liability. We provide this explanation by analogy from all countries and all languages of. Quotations, if not otherwise marked, in the usual right to quote with identification of the sources added.
The copyright lies with the authors of these quotes - Karl Hasselmann - KinoTV