Karl Hasselmann

Karl Hasselmann Filmography [Auszug]
1952: [] entscheidende Zeuge (Director of Photography), Directed by Karlheinz Schmidt,
1952: [] Das mechanische Einmaleins (Director of Photography), Directed by Curt K. Schmidt,
1952: [] Farbenfrohes Handwerk (Director of Photography), Directed by Curt K. Schmidt,
1951: [] In kupfernen Pfannen gebraut (Director of Photography), Directed by Curt K. Schmidt,
1951: [] Schützende Haut und farbiger Glanz (Director of Photography), Directed by Curt K. Schmidt,
1950: [] Die Brücke der Jahrhunderte (Director of Photography), Directed by Curt K. Schmidt,
1950: [] Elektrizität aus Barunkohle (Director of Photography), Directed by Curt K. Schmidt,
1949: [] Quartett zu fünft (Director of Photography), Directed by Gerhard Lamprecht, with Claus Holm, Inge Keller, Reinhard Kolldehoff,
1947: [] Reaktion: positiv (Director of Photography), Directed by Karlheinz Schmidt,
1943: [] Wildvogel (Director of Photography), Directed by Johannes Meyer, with Roma Bahn, Leny Marenbach, Volker von Collande,
1942: [03.22] Die Gefährtin meines Sommers (Director of Photography), Directed by Fritz Peter Buch, with Hella Tornegg, Anna Dammann, Margarete Haagen,
1942: [10.27] Die Stimme des Herzens (Director of Photography), Directed by Johannes Meyer, with Roma Bahn, Elga Brink, Peter Elsholtz,
1941: [09/08] Clarissa (Director of Photography), Directed by Gerhard Lamprecht, with Joachim Pfaff, Sybille Schmitz, Gustav Fröhlich,
1940: [] Donauschiffer (Director of Photography), Directed by Robert A. Stemmle, with Hilde Krahl, Attila Hörbiger, Pál Jávor,
1940: [] Mädchen im Vorzimmer (Director of Photography), Directed by Gerhard Lamprecht, with Willi Rose,
1940: [] Herzensfreund - Herzensleid (Director of Photography), Directed by Hubert Marischka, with Hans Leibelt,
1939: [10.13] Die Frau im Strom (Director of Photography), Directed by Gerhard Lamprecht, with Hertha Feiler, Attila Hörbiger, Oskar Sima,
1939: [] Morgen werde ich verhaftet (Director of Photography), Directed by Karl Heinz Stroux, with Lissy Arna, Käthe Dorsch, Paul Dahlke,
1939: [04.14] Salonwagen E 417 (Director of Photography), Directed by Paul Verhoeven, with Erica Balqué, Heinz Burkart, Heinrich Fuchs,
1938: [/ /1] Menschen, Tiere, Sensationen (Director of Photography), Directed by Harry Piel, with Ruth Eweler, Edith Oss, Harry Piel,
1938: [] Dreizehn Mann und eine Kanone (Director of Photography), Directed by Johannes Meyer, with Alexander Golling, Otto Wernicke, Herbert Hübner,
1937: [] Unter Ausschluss der Öffentlichkeit (Director of Photography), Directed by Paul Wegener, with Lída Baarová, Margit Symo, Hella Tornegg,
1937: [] Madame Bovary (Director of Photography), Directed by Gerhard Lamprecht, with Pola Negri, Aribert Wäscher, Ferdinand Marian,
1937: [] Frauen wollen betrogen sein (Director of Photography), Directed by Phil Jutzi,
1937: [] Es ist nichts so fein gesponnen (Director of Photography), Directed by Phil Jutzi,
1937: [] Die Seitensprünge des Herrn Blohm (Director of Photography), Directed by Phil Jutzi,
1937: [] Wiederseh'n macht Freude (Director of Photography), Directed by Phil Jutzi, with Elga Brink,
1937: [] Die Unterschlagung (Director of Photography), Directed by Phil Jutzi,
1937: [] Der andere Mann (Director of Photography), Directed by Phil Jutzi, with Werner Finck, , Erwin Biegel,
1937: [] Sparkasse mit Likör (Director of Photography), Directed by Phil Jutzi,
1937: [] Man schreibt mit Stahl (Director of Photography), Directed by Curt K. Schmidt,
1937: [] Die fromme Lüge (Director of Photography), Directed by Nunzio Malasomma, with Pola Negri, Hansi Arnstaedt, Ernst Legal,
1936: [] Die Stunde der Versuchung (Director of Photography), Directed by Paul Wegener, with Emmerich Hanus, Lída Baarová, Theodor Loos,
1936: [] Ein seltsamer Gast (Director of Photography), Directed by Gerhard Lamprecht, with Alfred Abel, Kurt Fischer-Fehling, Fritz Odemar,
1936: [] Ein Lied klagt an (Director of Photography), Directed by Georg Zoch,
1935: [11.14] Der Aussenseiter (Director of Photography), Directed by Hans Deppe, with Gerhard Dammann, Ernst Dumcke, Gina Falckenberg,
1935: [/ /1] Die letzte Fahrt der Santa Margareta (Director of Photography), Directed by Georg Zoch, with J Barthel, Wilhelm Bendow, Else Elster,
1935: [] Der rote Faden (Director of Photography), Directed by Karl Hans Leiter, with Ernst Waldow,
1935: [] Donaumelodien (Director of Photography), Directed by Willy Reiber,
1934: [10.12] Der Fall Brenken (Director of Photography), Directed by Carl Lamac, with Veit Harlan, Rudolf Klein-Rogge, Genina Nikolajewa,
1934: [/ /1] Die Katz' im Sack (Director of Photography), Directed by Richard Eichberg, Germain Fried, with Wolf Albach-Retty, Theo Lingen, Magda Schneider,
1934: [/ /1] Das Erbe von Pretoria (Director of Photography), Directed by Johannes Meyer, with Paul Hartmann, ,
1934: [] Der Meisterboxer (Director of Photography), Directed by Fred Sauer,
1934: [] Der Schlafwagenkontrolleur (Inspector of the Red Cars) (Director of Photography), Directed by Richard Eichberg, with Albert Préjean, Danielle Darrieux, Lucien Baroux,
1933: [/ /1] Die Nacht im Forsthaus (Director of Photography), Directed by Erich Engels, with Hermann Speelmans, , Kurt Lilien,
1933: [] Wenn am Sonntagabend die Dorfmusik spielt (Director of Photography), Directed by Charles Klein, with Carl de Vogt, Maria Paudler, Jutta Jol,
1933: [] Volldampf voraus (Director of Photography), Directed by Carl Froelich,
1933: [] Stosstrupp 1917 (Director of Photography), Directed by Ludwig Schmid-Wildy, Hans Zöberlein,
1932: [10.28] Trenck (Director of Photography), Directed by Ernst Neubach, Heinz Paul, with Hans Stüwe, Dorothea Wieck, Olga Tschechowa,
1932: [/ /1] Was wissen denn die Männer ? (Director of Photography), Directed by Gerhard Lamprecht, with Edit Angold, Hans Brausewetter, Ilse Korseck,
1932: [] Die Nacht der Versuchung (Director of Photography), Directed by Leo Lasko, Robert Wohlmuth, with Elga Brink,
1932: [] Wiener Lumpenkavaliere (Director of Photography), Directed by Carl Boese, with Harald Madsen, Henry Bender, Walter Brandt,
1932: [] Der kleine Pit (Director of Photography), Directed by Heinrich Köhler,
1931: [/ /1] Zwischen Nacht und Morgen (Director of Photography), Directed by Gerhard Lamprecht, with Edit Angold, Maria Forescu, Aud Egede-Nissen,
1931: [02.06] Schachmatt (Director of Photography), Directed by Georgij Azagarov, with Hans Rehmann, Gerda Maurus, Hans Brausewetter,
1930: [/ /1] Zweierlei Moral (Director of Photography), Directed by Gerhard Lamprecht, with Elga Brink, Hilde Hildebrand, Ida Wüst,
1930: [] Kdyz struny ikaji (Director of Photography), Directed by Friedrich Feher, with Magda Sonja, Friedrich Feher, ,
1929: [01.07] Alimente (Director of Photography), Directed by Carl Boese, with Gerhard Dammann, Anita Dorris, Lucie Englisch,
1929: [09.01] Der Sträfling aus Stanbul (Director of Photography), Directed by Gustav Ucicky, with Betty Amann, Heinrich George, Trude Hesterberg,
1929: [10.16] Blutschande § 173 St.G.B. - Strafbare Ehen (Director of Photography), Directed by James Bauer, with Erna Morena, Walter Rilla, Olga Tschechowa,
1929: [/ /1] Katharina Knie (Director of Photography), Directed by Karl Grune, with Ernst Busch, Eugen Klöpfer, Peter Voss,
1929: [04.17] Geschminkte Jugend. Ein Film aus unserer Zeit (Director of Photography), Directed by Carl Boese, with Maria Ford, Olga Limburg, Toni van Eyck,
1928: [04.17] Geschminkte Jugend (Director of Photography), Directed by Carl Boese, with Karl Machus, Olga Limburg, ,
1928: [12.28] Lemkes sel. Witwe (Director of Photography), Directed by Carl Boese, with Lissy Arna, Fritz Kampers, Frida Richard,
1928: [] Kinder der Strasse (Director of Photography), Directed by Carl Boese, with Lissy Arna, Heinrich George, Erika Glässner,
1928: [11.13] Ossi hat die Hosen an (Abenteuer eines Unterrocks) (Director of Photography), Directed by Carl Boese, with Ossi Oswalda, Wolfgang Zilzer, Fritz Kampers,
1928: [] Unter der Laterne (Under the Lantern) (Director of Photography), Directed by Gerhard Lamprecht, with Lissy Arna, Gerhard Dammann, ,
1928: [] Der Mann mit dem Laubfrosch (Director of Photography), Directed by Gerhard Lamprecht, with Erika Dannhoff, Maria Forescu, Heinrich George,
1928: [/ /1] Anastasia, die falsche Zarentochter (Director of Photography), Directed by Arthur Bergen, with Wilhelm Bendow, Maria Forescu, Elizza La Porta,
1928: [] Eva in Seide (Director of Photography), Directed by Carl Boese, with Lissy Arna,
1927: [12.16] Die Geliebte des Gouverneurs (Ljubimica guvernera, Ljubavnica na prestolu, Draga Maschin) (Director of Photography), Directed by Friedrich Feher, with Magda Sonja, Fritz Kortner, Otto Wallburg,
1927: [09.02] Die heilige Lüge (Director of Photography), Directed by Holger-Madsen, with Otto Gebühr, Margarete Schlegel, Paul Bildt,
1927: [] Der Katzensteg (Director of Photography), Directed by Gerhard Lamprecht, with Lissy Arna, Käte Haack, Rudolf Lettinger,
1927: [] Der alte Fritz (Director of Photography), Directed by Gerhard Lamprecht, with Sybil Morel, Bernd Aldor, Charlotte Ander,
1927: [] Sensations-Prozess (That Murder in Berlin) (Director of Photography), Directed by Friedrich Feher, with Magda Sonja, Carl Goetz, Gustav Diessl,
1926: [/ /1] Schwester Veronika (Director of Photography), Directed by Gerhard Lamprecht, with Paul Bildt, Paul Richter,
1926: [] Menschen untereinander (People among each other) (Director of Photography), Directed by Gerhard Lamprecht, with Alfred Abel, Aud Egede-Nissen, Eduard Rothauser,
1926: [] Kubinke, der Barbier und die drei Dienstmädchen (Director of Photography), Directed by Carl Boese, with Maria Forescu, Eva Speyer,
1926: [] Die Unehelichen (Children of No Importance, Illegitimate Children) (Director of Photography), Directed by Gerhard Lamprecht, with , , ,
1926: [03/22] Die Brüder Schellenberg (Director of Photography), Directed by Karl Grune, with Conrad Veidt, Lil Dagover, Liane Haid,
1925: [12.01] Die eiserne Braut (Director of Photography), Directed by Carl Boese, with Maly Delschaft, Maria Forescu, Otto Gebühr,
1925: [/ /1] Eifersucht (Director of Photography), Directed by Karl Grune, with Georg Alexander, Lya de Putti, Werner Krauss,
1925: [] Die Verrufenen (The Slums of Berlin, The Outcast, The Fifth Estate) (Director of Photography), Directed by Gerhard Lamprecht, with Bernhard Goetzke, Aud Egede-Nissen, Arthur Bergen,
1924: [10.00] Die Fahrt ins Verderben (Director of Photography), Directed by James Bauer, with Adele Sandrock, Hans Adalbert Schlettow, Erwin Biswanger,
1924: [10.20] Garragan (Director of Photography), Directed by Ludwig Wolff, with Carmel Myers, , Karl Platen,
1924: [10.02] Arabella (Director of Photography), Directed by Karl Grune, with Alphons Fryland, Fritz Rasp, Jakob Tiedtke,
1924: [/ /1] Komödianten (Director of Photography), Directed by Karl Grune, with Eugen Klöpfer,
1924: [02.26] Don Carlos und Elisabeth (Sous l'inquisition) (Director of Photography), Directed by Richard Oswald, with Conrad Veidt, Eugen Klöpfer, Aud Egede-Nissen,
1923: [01.03] Sylvester (Director of Photography: Interieurs), Directed by Lupu Pick, with Eugen Klöpfer, Edith Posca, Frida Richard,
1923: [] Die Strasse (Director of Photography), Directed by Karl Grune, with Anton Edthofer, Leonhard Haskel, Lucie Höflich,
1923: [05.12] Schlagende Wetter (Director of Photography), Directed by Karl Grune, with Liane Haid, Hermann Vallentin, Eugen Klöpfer,
1923: [] Der wilde Freiger (Director of Photography), Directed by Rolf Randolf, with Josef Reithofer, Sascha Gura, Paul Westermeier,
1922: [12.06] Sterbende Völker - 2. Brennendes Meer (Director of Photography), Directed by Robert Reinert, with , , ,
1922: [/ /1] Tiefland (Director of Photography), Directed by Adolf Edgar Licho, with Martha Angerstein, Michael Bohnen, Lil Dagover,
1922: [/ /1] Der Graf von Charolais (Director of Photography), Directed by Karl Grune, with Wilhelm Dieterle, Maria Forescu, Eva May,
1922: [/ /1] Hanneles Himmelfahrt (Director of Photography), Directed by Urban Gad, with Maria Forescu, Theodor Loos, Margarete Schlegel,
1922: [03/18] Othello (Otello) (Director of Photography), Directed by Dimitri Buchowetzki, with Emil Jannings, Werner Krauss, ,
1921: [11.24] Sterbende Völker - 1. Heimat in Not (Director of Photography), Directed by Robert Reinert, with Otto Gebühr, Fritz Kortner, Paul Wegener,
1921: [08.19] Die Nacht ohne Morgen (Director of Photography), Directed by Karl Grune, with Eugen Klöpfer, Hanni Weisse, Hans Mierendorff,
1921: [] Die Geierwally (Director of Photography), Directed by E.A. Dupont, with Julius Brandt, Wilhelm Dieterle, Eugen Klöpfer,
1921: [] Die Hintertreppe (Director of Photography), Directed by Leopold Jessner, Paul Leni, with Wilhelm Dieterle, Fritz Kortner, Henny Porten,
1921: [/ /1] Der Graf von Essex (Director of Photography), Directed by Peter Paul Felner, with Eva May, Erna Morena, Rosa Valetti,
1921: [05.19] Mann über Bord (Director of Photography), Directed by Karl Grune, with Grit Hegesa, Erich Kaiser-Titz, Alfred Abel,
1920: [02.25] Die Verschwörung zu Genua (Director of Photography), Directed by Paul Leni, with Louis Brody, Wilhelm Diegelmann, Maria Fein,
1920: [09.30] Whitechapel (Londoner Nebel (Working title)) (Director of Photography), Directed by E.A. Dupont, with Hans Mierendorff, Grit Hegesa, Carl Clewing,
1920: [08.12] Der weisse Pfau (Director of Photography), Directed by E.A. Dupont, Paul Leni, with Hans Mierendorff, Grit Hegesa, Lore Sello,
1920: [07.00] Karlchen macht Seitensprünge (Director of Photography), Directed by Emil Albes, with Karl Victor Plagge, Margarete Kupfer, Maria Lux,
1920: [/ /1] Die Jagd nach der Wahrheit (Director of Photography), Directed by Karl Grune,
1920: [/ /1] Der Mord ohne Täter (Director of Photography), Directed by E.A. Dupont, with Henry Bender, Bernhard Goetzke, Grit Hegesa,
1920: [] Herztrumpf (Director of Photography), Directed by E.A. Dupont,
1919: [12.31] Alkohol (Director of Photography: (Nachaufnahmen)), Directed by Alfred Lind, E.A. Dupont, with , Emil Biron, Hanni Weisse,
1919: [12.00] Die weissen Rosen von Ravensberg (Director of Photography), Directed by Nils Chrisander, with Nils Chrisander, Uschi Elleot, Hans Adalbert Schlettow,
1919: [12.00] Hoppla, Herr Lehrer (Production), Directed by Emil Albes, with , Emil Sondermann, ,
1919: [11.01] Die Bademaus (Director of Photography), Directed by Emil Albes, Peter Josef, with Karl Victor Plagge, Kurt Wolfram Kiesslich, Ilse Wilke,
1919: [08.00] Ein gesunder Junge (Director of Photography), Directed by Emil Albes, Robert Leffler, with Karl Victor Plagge, ,
1919: [/ /1] Das Gelübde der Keuschheit (Director of Photography), Directed by Nils Chrisander, with Fritz Alten, Alexander Areuss, Uschi Elleot,
1919: [] Karlchen ist nervös (Director of Photography), Directed by Emil Albes, with Karl Victor Plagge, Herr Hollmann, Herr Russ,
1919: [] Flitter-Dörtje (Director of Photography), Directed by Robert Leffler, with Martha Novelly, Rudolf Klein-Rogge, Charles Willy Kayser,
1919: [] Karlchen auf der Brautschau (Director of Photography), Directed by Emil Albes, with Karl Victor Plagge, Kurt Wolfram Kiesslich, Guido Schützendorf,
1919: [] Karlchens Pumphose (Director of Photography), Directed by Emil Albes, with Karl Victor Plagge,
1919: [] Karlchen und Karoline (Director of Photography), Directed by Emil Albes,
1919: [] Cagliostros Totenhand (Director of Photography), Directed by Nils Chrisander, with Eugen Klöpfer, Martha Novelly, Eduard Eysenck,
1919: [06.28] Flimmersterne (Director of Photography), Directed by Hans Neumann, with , Elli Glaessner, Arthur Bergen,
1914: [] Der Prinzenraub (Director of Photography), Directed by Stellan Rye, with Hugo Flink, Carl Ebert, Alvine Davis,
1914: [] Der Desperado von Panama (Director of Photography), Directed by Joseph Delmont, with Joseph Delmont, Herr Alesso, Herr Stauber,
1914: [03.04] Der Flug in die Sonne (Director of Photography), Directed by Stellan Rye, with Tilla Durieux, Carl Clewing, Jean Ducret,
1914: [04.03] Der andere Student von Prag (Director of Photography), Directed by Emil Albes, with Hugo Flink, Emil Albes,
1914: [] Die Löwenbraut (Director of Photography), Directed by Max Obal, with Lyda Salmonova, Ema Destinová, Jean Ducret,
1913: [01.10] Der Herr des Todes (Director of Photography), Directed by Max Obal, with Hugo Flink, Hans Mierendorff, Franz Arndt,
1913: [] Die goldene Fliege (Director of Photography), Directed by Stellan Rye, with Hugo Flink, Grete Wiesenthal, Rudolf Klein-Rohden,
1913: [01.06] Gendarm Möbius (Director of Photography), Directed by Stellan Rye, with Lucie Höflich, Georg Molenar, Lothar Körner,
1913: [] Die Eisbraut (Director of Photography), Directed by Stellan Rye, with Theodor Loos, Hans Mierendorff, Max Laurence,
1913: [10.09] Auf dem Felde der Ehre (Director of Photography), Directed by Max Obal, Ebert, with Eva Speyer, Arthur Bergen, Hans Felix,
1913: [10.03] Das schwarze Los. Eine Commedia dell'arte (Director of Photography), Directed by John Gottowt, Emil Albes, with Alexander Moissi, Paul Biensfeldt, Johanna Terwin,
1913: [05.23] Das Ehrenwort (Director of Photography), Directed by Emil Albes, with Erwin Fichtner, Ilse Oeser, Hans Mierendorff,
1913: [04.11] Die Heldin von St. Honoré (Director of Photography), Directed by Emil Albes, with Carl Clewing, Ilse Oeser, Nelly Ridon,
1913: [] Der Thronfolger (Director of Photography), Directed by Emil Albes, with Dorrit Weixler, Carl Clewing, Emil Albes,
1913: [05.23] Das Töpfchen (Director of Photography), Directed by Emil Albes, with Hugo Flink, Dorrit Weixler, Ludwig Colani,
1912: [01.31] Komödianten (Director of Photography), Directed by Urban Gad, with Karl Beckersachs, Asta Nielsen, Thea Sandten,
1912: [] Die Papierspur (Director of Photography), Directed by Emil Albes, with Hedda Vernon, Karl Beckersachs,
1912: [] Die Wildkatz (Director of Photography), Directed by Max Obal, with Lissi Nebuschka,
1912: [09.21] Das Geheimnis von Monte Carlo (Director of Photography: Atelier), Directed by Emil Albes, with Emil Albes, Hugo Flink, Rudolf Lettinger,
1912: [] Fürstenliebe (Director of Photography), Directed by Emil Albes, with Hugo Flink, Ilse Oeser, Ludwig Colani,
1912: [] Zwischen zwei Herzen (Director of Photography), Directed by Emil Albes,
1912: [] Der Todessturz (Director of Photography), Directed by Max Obal, with Lissi Nebuschka,
1912: [] Der elektrische Funke (Director of Photography), Directed by Emil Albes, with Alvine Davis, Emil Albes, Ludwig Colani,
1912: [] Das Komödiantenkind (Director of Photography), Directed by Max Obal, with Lissi Nebuschka,
1912: [] Die rote Jule (Director of Photography), Directed by Emil Albes,
1912: [] Der Tod und die Mutter (Director of Photography), Directed by Emil Albes,
1912: [] Der Kampf um das Erbe (Director of Photography), Directed by Max Obal, with Hedda Vernon, Hugo Flink, Erwin Báron,
1912: [] Die Wildkatze (Director of Photography), Directed by Max Obal, with Lissi Nebuschka,
1912: [05.25] Der Dritte (Director of Photography), Directed by Emil Albes, with Emil Albes, Hans Mierendorff, Elfriede Heisler,
1911: [09.23] Besiegte Sieger (Director of Photography), Directed by Walter Schmidthässler,
1911: [07.30] Die Ballhaus-Anna (Director of Photography), Directed by Walter Schmidthässler, with Rosa Valetti, ,
1911: [////1] Madame Potiphar (Director of Photography), Directed by Viggo Larsen, with Viggo Larsen, Wanda Treumann, Max Mack,
1911: [] Madeleine (Director of Photography), Directed by Emil Albes, with Ilse Oeser, , Hugo Flink,
1911: [06.24] Die weisse Sklavin - 3. Teil (Director of Photography), Directed by Viggo Larsen, with Viggo Larsen, Wanda Treumann, Erna Nitter,
1911: [06.17] Zahn um Zahn (Director of Photography), Directed by Walter Schmidthässler, with Ernst A. Becker,
1911: [05.27] Opfer der Liebe (Director of Photography), Directed by Walter Schmidthässler,
1911: [05.20] Trotziges Blut (Director of Photography), Directed by Walter Schmidthässler,
1911: [05.13] Gescheitert (Director of Photography: --??--), Directed by Emil Albes, with Ilse Oeser, Hermann Seldeneck, Emil Albes,
1911: [05.13] Bist du der Weihnachtsmann ? (Director of Photography), Directed by Walter Schmidthässler, with Walter Schmidthässler,
1911: [06/05] Die Geliebte des Chinesen (Director of Photography), Directed by Viggo Larsen, with Viggo Larsen, Wanda Treumann, Paul Bildt,
1910: [03.18] Die neue Gouvernante (Director of Photography), Directed by Charles Decroix,
1910: [02.18] Das Herz einer Gattin (Director of Photography), Directed by Charles Decroix, with Charles Decroix, , ,
1910: [/ /1] Pro Patria (Director of Photography), Directed by Charles Decroix, with Rudolf del Zopp, Leo Peukert, Fritz Spira,
1910: [12.03] Die Pulvermühle (Director of Photography), Directed by Viggo Larsen, with Viggo Larsen, Wanda Treumann, Max Mack,
1910: [/ /1] Die Spinne (Director of Photography), Directed by Charles Decroix, with ,
1910: [/ /1] Weihnachtstränen (Director of Photography), Directed by Charles Decroix,
1910: [/ /1] Das vierte Gebot. Du sollst den Vater und die Mutter ehren (Director of Photography), Directed by Charles Decroix, with Frida Richard, Anton Ernst Rückert,
1910: [/ /1] Der Leuchtturmwächter (Director of Photography: --??--), Directed by Charles Decroix,
1910: [/ /1] Die Vernunft des Herzens (Director of Photography), Directed by Charles Decroix, with Carl Wilhelm,
1909: [/ /1] Die Erschiessung des spanischen Rebellen Guardia (Director of Photography), Directed by Carl Buderus,
1909: [] Schlangentänzerin (Director of Photography), Directed by N. N.,
1909: [] Zu Mantua in Banden (Director of Photography), Directed by Franz Porten, with Henny Porten,
1908: [] Schaukellied (Director of Photography), Directed by Franz Porten, with Henny Porten,
1906: [/ /1] Der Hauptmann von Köpenick (Director of Photography), Directed by Carl Buderus, Carl Sonnemann, with Georg Bock, Harry Heimers,

. . . . . .

Filmography Karl Hasselmann nach Kategorien

Produktion Kamera Darsteller

Karl Hasselmann in other Database records: German Early Cinema