Otto Heller

Director of Photography - CZ
Born 1896 in Praha
Died February 19, 1970 in London, England, UK

Mini-Biography:
Otto Heller was born in 1896 in Praha. He was a Czech Director of Photography, known for The Ladykillers (1955), The Crimson pirate (1952), An heiligen Wassern (1960), Otto Heller's first movie on record is from 1919. Otto Heller died on February 19, 1970 in London, England, UK. His last motion picture on file dates from 1966.

Otto Heller Filmography [Auszug]
1966: [/ /1] Alfie (Director of Photography), Directed by Lewis Gilbert, with Michael Caine, Shelley Winters,
1961: [] Tiara Tahiti (Director of Photography), Directed by Ted Kotcheff, with James Mason, John Mills, Claude Dauphin,
1960: [/ /1] An heiligen Wassern (Director of Photography), Directed by Alfred Weidenmann, with Hansjörg Felmy, Karl John, Gustav Knuth,
1960: [/ /1] Too hot to handle (Director of Photography), Directed by Terence Young, with , Katherine Keeton, Patrick Holt,
1960: [03.10] Stíny (Shadows) (Director of Photography), Directed by Přemysl Pražský, with Luigi Hofman, Olga Augustová, Přemysl Pražský,
1959: [/ /1] Peeping Tom (Director of Photography), Directed by Michael Powell, with Karlheinz Böhm, Moira Shearer, Anna Massey,
1959: [] Ferry to Hongkong (Director of Photography), Directed by Lewis Gilbert, with Curd Jürgens, Orson Welles, ,
1958: [] The Sheriff of Fractured Law (Director of Photography), Directed by Raoul Walsh, with Bruce Cabot, , Robert Morley,
1957: [1957.] Manuela (Stowaway Girl) (Director of Photography), Directed by Guy Hamilton, with Trevor Howard, Elsa Martinelli, ,
1955: [] The Ladykillers (Director of Photography), Directed by Alexander Mackendrick, with Danny Green, Alec Guinness, Katie Johnson,
1955: [] Richard III (Director of Photography), Directed by Laurence Olivier, with Stanley Baker, Claire Bloom, John Gielgud,
1952: [12.00] The man who watched trains go by (The Paris Express) (Director of Photography), Directed by Harold French, with Claude Rains, Märta Torén, Marius Goring,
1952: [/ /1] The Crimson pirate (Director of Photography), Directed by Robert Siodmak, with Ewan Roberts, Frederick Leister, Noel Purcell,
1942: [/ /1] Tomorrow we live (At Dawn we die) (Director of Photography), Directed by George King, with , Karel Stepanek, Hugh Sinclair,
1939: [01.05] De Mayerling ŕ Sarajevo (De Mayerling ŕ Sarajevo) (Director of Photography), Directed by Max Ophüls, with Jean Worms, Edy Debray, Francine Claudel,
1937: [12.21] Bilá nemoc (White Illness, Skeleton on Horseback, The White Disease, The White Sickness) (Director of Photography), Directed by Hugo Haas, with Vítezlav Bocek, Eva Svobodová, ,
1937: [] Mademoiselle Docteur (Director of Photography), Directed by Edmond T. Gréville, with , Anthony Holles, Edward Lexy,
1935: [08/30] ... a Zivot jde dal (... and life goes on) (Director of Photography), Directed by Carl Junghans, F.W. Kraemer, with , Ita Rina, ,
1933: [12.19] Das verliebte Hotel (Director of Photography), Directed by Carl Lamac, with Anny Ondra, , Peter Voss,
1931: [/ /1] Der Zinker (Director of Photography), Directed by Mac Fric, Carl Lamac, with Lissy Arna, Karl Ludwig Diehl, Paul Hörbiger,
1930: [12.15] Eine Freundin so goldig wie Du (Le malizie di Eva) (Director of Photography), Directed by Carl Lamac, with , Anny Ondra, Edith Meinhard,
1930: [08.14] Die vom Rummelplatz (Director of Photography), Directed by Carl Lamac, with Fritz Spira, Walter Norbert, Paul Morgan,
1930: [/ /1] Das Kabinett des Dr. Larifari (Director of Photography), Directed by Robert Wohlmuth, with Gisela Werbezirk, Else Reval, Willy Prager,
1930: [/ /1] Der falsche Feldmarschall (C.a.k. polní marsálek) (Director of Photography), Directed by Carl Lamac, with Wilhelm Bendow, Paul Rehkopf, John Mylong,
1929: [/ /1] Die Kaviarprinzessin (Director of Photography), Directed by Carl Lamac, with Sig Arno, Josef Rovenský, André Roanne,
1928: [] Hrích (Director of Photography), Directed by Carl Lamac, with Ivan Koval-Samborskij, Suzanne Marwille, Agnes Petersen,
1928: [04.04] Evas Töchter (Dcery Eviny) (Director of Photography), Directed by Karel Lamač, with Anny Ondra, Karel Lamač, May Manja,
1928: [01.11] Saxophon-Susi (Director of Photography), Directed by Carl Lamac, with , Olga Limburg, Margarete Kupfer,
1927: [10.07] Milenky starého kriminálníka (Director of Photography), Directed by Svatopluk Innemann, with , Vlasta Burian, Anny Ondra,
1925: [11.27] Lucerna (Director of Photography), Directed by Karel Lamač, with , Anny Ondra, Karel Lamač,
1925: [01.01] Chyťte ho (Catch Him!, The Clumsy Burglar) (Director of Photography), Directed by Karel Lamač, with Anny Ondra, Karel Lamač, ,
1923: [03.23] Drvoštěp (The Lumberjack, Dr. Jenkins’ Miracle Cure) (Director of Photography), Directed by Karel Lamač, with Karel Lamač, , Anny Ondra,
1921: [10.21] Otrávené světlo (The Poisoned Light) (Director of Photography), Directed by Karel Lamač, Jan S. Kolár, with Karel Fiala, Anny Ondra, Karel Lamač,
1921: [10.14] Příchozí z temnot (Arrival from the Darkness, Arrival from the Darkness) (Director of Photography), Directed by Jan S. Kolár, with , Anny Ondra, Josef Šváb-Malostranský,
1921: [02.25] Setřelé Písmo (The missing letters, The mystery of the old book) (Director of Photography), Directed by Josef Rovenský, with Anny Ondra, Karel Lamač, Josef Rovenský,
1919: [] O Adrienu (Director of Photography), Directed by Max Urban, František Hlavatý, with , ,

. 7 . 22 . 24 . 35

Filmography Otto Heller nach Kategorien

Kamera

Otto Heller in other Database records:

Disclaimer
The information above does not purport to be exhaustive, but give the level of information to our database at the time of last update. All figures are best knowledge and belief researched to, legal claims arising from incorrect or missing information are expressly rejected.
Due to the current law in some countries can be held responsible person who addresses refers to having a criminal content spread may or criminal content and pages further refer, unless he closes clear from such liability. Our links below are researched to the best of my knowledge and belief, but we can not accept in any way for the content of these web pages and links from us any liability. We provide this explanation by analogy from all countries and all languages of. Quotations, if not otherwise marked, in the usual right to quote with identification of the sources added.
The copyright lies with the authors of these quotes - Otto Heller - KinoTV