Otto Heller

Director of Photography - CZ
Born 1896 in Praha
Died February 19, 1970 in London, England, UK

Mini-Biography:
Otto Heller was born in 1896 in Praha. He was a Czech Director of Photography, known for The Ladykillers (1955), The Crimson pirate (1952), An heiligen Wassern (1960), Otto Heller's first movie on record is from 1919. Otto Heller died on February 19, 1970 in London, England, UK. His last motion picture on file dates from 1966.

Otto Heller Filmography [Auszug]
1966: [/ /1] Alfie (Director of Photography), Directed by Lewis Gilbert, with Michael Caine, Shelley Winters,
1961: [] Tiara Tahiti (Director of Photography), Directed by Ted Kotcheff, with James Mason, John Mills, Claude Dauphin,
1960: [/ /1] An heiligen Wassern (Director of Photography), Directed by Alfred Weidenmann, with Hansjörg Felmy, Karl John, Gustav Knuth,
1960: [/ /1] Too hot to handle (Director of Photography), Directed by Terence Young, with Martin Boddey, Tom Bowman, Karlheinz Böhm,
1960: [03.10] StĂ­ny (Shadows) (Director of Photography), Directed by Přemysl PraĹľskĂ˝, with Luigi Hofman, Olga Augustová, Přemysl PraĹľskĂ˝,
1959: [/ /1] Peeping Tom (Director of Photography), Directed by Michael Powell, with Karlheinz Böhm, Moira Shearer, Anna Massey,
1959: [] Ferry to Hongkong (Director of Photography), Directed by Lewis Gilbert, with Curd JĂĽrgens, Orson Welles, ,
1958: [] The Sheriff of Fractured Law (Director of Photography), Directed by Raoul Walsh, with Bruce Cabot, William Campbell, Eynon Evans,
1957: [1957.] Manuela (Stowaway Girl) (Director of Photography), Directed by Guy Hamilton, with Trevor Howard, Elsa Martinelli, ,
1955: [] The Ladykillers (Director of Photography), Directed by Alexander Mackendrick, with Danny Green, Alec Guinness, Katie Johnson,
1955: [] Richard III (Director of Photography), Directed by Laurence Olivier, with Stanley Baker, Claire Bloom, John Gielgud,
1952: [12.00] The man who watched trains go by (The Paris Express) (Director of Photography), Directed by Harold French, with Claude Rains, Märta Torén, Marius Goring,
1952: [/ /1] The Crimson pirate (Director of Photography), Directed by Robert Siodmak, with Eva Bartok, Leslie Bradley, Nick Cravat,
1942: [/ /1] Tomorrow we live (At Dawn we die) (Director of Photography), Directed by George King, with Yvonne Arnaud, Gabrielle Brune, John Clements,
1939: [01.05] De Mayerling à Sarajevo (De Mayerling à Sarajevo) (Director of Photography), Directed by Max Ophüls, with William Aguet, Aimos, Marcel André,
1937: [12.21] Bilá nemoc (White Illness, Skeleton on Horseback, The White Disease, The White Sickness) (Director of Photography), Directed by Hugo Haas, with Vítezlav Bocek, Ladislav Bohác, Helena Frydlová,
1937: [] Mademoiselle Docteur (Director of Photography), Directed by Edmond T. Gréville, with Erich von Stroheim, Dita Parlo, ,
1935: [08/30] ... a Zivot jde dal (... and life goes on) (Director of Photography), Directed by Carl Junghans, F.W. Kraemer, with , Ita Rina, ,
1933: [12.19] Das verliebte Hotel (Director of Photography), Directed by Carl Lamac, with Anny Ondra, , Peter Voss,
1931: [/ /1] Der Zinker (Director of Photography), Directed by Mac Fric, Carl Lamac, with Lissy Arna, Karl Ludwig Diehl, Paul Hörbiger,
1930: [12.15] Eine Freundin so goldig wie Du (Le malizie di Eva) (Director of Photography), Directed by Carl Lamac, with Fritz Alberti, Sig Arno, Wilhelm Bendow,
1930: [08.14] Die vom Rummelplatz (Director of Photography), Directed by Carl Lamac, with Bruno Arno, Sig Arno, Gretl Basch,
1930: [/ /1] Das Kabinett des Dr. Larifari (Director of Photography), Directed by Robert Wohlmuth, with Henny Berg, Gerhard Dammann, Max Hansen,
1930: [/ /1] Der falsche Feldmarschall (C.a.k. polní marsálek) (Director of Photography), Directed by Carl Lamac, with Wilhelm Bendow, Vlasta Burian, Emmy Carpentier,
1929: [/ /1] Die Kaviarprinzessin (Director of Photography), Directed by Carl Lamac, with Sig Arno, Maria Forescu, Carl Walther Meyer,
1928: [] HrĂ­ch (Director of Photography), Directed by Carl Lamac, with Ivan Koval-Samborskij, Suzanne Marwille, Agnes Petersen,
1928: [04.04] Evas Töchter (Dcery Eviny) (Director of Photography), Directed by Karel Lamač, with Anny Ondra, Karel Lamač, May Manja,
1928: [01.11] Saxophon-Susi (Director of Photography), Directed by Carl Lamac, with Hans Albers, Paul Biensfeldt, Oreste Bilancia,
1927: [10.07] Milenky starého kriminálníka (Director of Photography), Directed by Svatopluk Innemann, with , Vlasta Burian, Anny Ondra,
1925: [11.27] Lucerna (Director of Photography), Directed by Karel Lamač, with , Anny Ondra, Karel Lamač,
1925: [01.01] Chyťte ho (Catch Him!, The Clumsy Burglar) (Director of Photography), Directed by Karel Lamač, with Anny Ondra, Karel Lamač, ,
1923: [03.23] Drvoštěp (The Lumberjack, Dr. Jenkins’ Miracle Cure) (Director of Photography), Directed by Karel Lamač, with Karel Lamač, , Anny Ondra,
1921: [10.21] OtrávenĂ© světlo (The Poisoned Light) (Director of Photography), Directed by Karel Lamač, Jan S. Kolár, with Karel Fiala, Anny Ondra, Karel Lamač,
1921: [10.14] PřĂ­chozĂ­ z temnot (Arrival from the Darkness, Arrival from the Darkness) (Director of Photography), Directed by Jan S. Kolár, with , Anny Ondra, Josef Ĺ váb-MalostranskĂ˝,
1921: [02.25] SetřelĂ© PĂ­smo (The missing letters, The mystery of the old book) (Director of Photography), Directed by Josef RovenskĂ˝, with Anny Ondra, Karel Lamač, Josef RovenskĂ˝,
1919: [] O Adrienu (Director of Photography), Directed by Max Urban, František Hlavatý, with , ,

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