Robert Baberske

No Photo

Director of Photography - Germany
Born May 1, 1900 in Rixdorf bei Berlin
Died March 27, 1958 in Berlin

Mini-Biography:
Robert Baberske was born on May 1, 1900 in Rixdorf bei Berlin. He was a German Director of Photography, known for Kohlhiesels Töchter (1943), Die Spinnen II - Das Brillantenschiff (1920), Metropolis (1926), Robert Baberske's first movie on record is from 0. Robert Baberske died on March 27, 1958 in Berlin. His last motion picture on file dates from 1957.
Biographical Notes in German: Kameramann des deutschen Films, arbeitete in den Zwanziger Jahren vielfach mit Karl Freund zusammen, zu Beginn der Tonfilmzeit dann auch mit Fritz Arno Wagner und Richard Angst. Nach 1945 bei der DEFA tätig, Nationalpreisträger. Zu seinen bedeutendsten Nachkriegsfilmen zählt Wolfgang Staudtes "DER UNTERTAN".

Robert Baberske Filmography [Auszug]
1957: [] Die Schönste (Director of Photography), Directed by Ernst Rechenmacher, with Willy A. Kleinau, Gabriele Eidam-Hoffmann, Jürgen Büttner,
1956: [] Das tapfere Schneiderlein (Director of Photography), Directed by Helmut Spiess, with Fritz Wolff, Fred Mahr, Fred Kronström,
1955: [/ /1] Ein Polterabend (Director of Photography), Directed by Curt Bois, with Marianne Wünscher,
1955: [/ /1] Robert Mayer - Der Arzt aus Heilbronn (Director of Photography), Directed by Helmut Spiess, with Martin Flörchinger, Carola Braunbock, Herwart Grosse,
1955: [] Mutter Courage und ihre Kinder (unrealized project) (Director of Photography), Directed by Wolfgang Staudte, with Bernard Blier, Ernst Busch, Erwin Geschonneck,
1954: [/ /1] Leuchtfeuer (Director of Photography), Directed by Wolfgang Staudte, with Elfriede Florin, Maly Delschaft, Jochen Thomas,
1953: [/ /1] Die Geschichte vom kleinen Muck (Ein Abenteuer aus 1001 Nacht) (Director of Photography), Directed by Wolfgang Staudte, with Gerd Frickhöffer, Trude Hesterberg, Waldemar Jacobi,
1952: [] Frauenschicksale (Director of Photography), Directed by Slatan Dudow, with Anneliese Book, Hedi Blankner, Charlotte Küter,
1951: [08.31] Der Untertan (Director of Photography), Directed by Wolfgang Staudte, with Werner Peters, Carola Braunbock, Friedrich Maurer,
1951: [] Das Beil von Wandsbek (Director of Photography), Directed by Falk Harnack, with Charlotte Küter, Willy A. Kleinau, Claus Holm,
1950: [] Familie Benthin (Director of Photography), Directed by Slatan Dudow, Richard Groschopp, with Waltraud Kramm, Werner Pledath, Hannelore Koblentz,
1949: [] Unser täglich Brot (Our daily bread) (Director of Photography), Directed by Slatan Dudow, with Paul Bildt, Erich Brauer, Reinhard Kolldehoff,
1949: [] Die Kuckucks (Director of Photography), Directed by Hans Deppe, with Günther Güssefeldt, Ina Halley, Carsta Löck,
1948: [] 1-2-3 Corona (Director of Photography), Directed by Hans Müller, with Piet Clausen, Horst Gentzen, Hans Leibelt,
1947: [/ /1] Herzkönig (Ein Walzer ins Glück) (Director of Photography), Directed by Helmut Weiss, with Hannelore Bollmann, Lisa Lesco, Hans Nielsen,
1945: [/ /1] Wie sagen wir es unseren Kindern ? (Director of Photography), Directed by Hans Deppe, with Hilde Körber, Leny Marenbach, Mathias Wieman,
1944: [03.24] Neigungsehe (Director of Photography), Directed by Carl Froelich, with Marianne Simson, Hella Tornegg, Käthe Dyckhoff,
1944: [03.03] Familie Buchholz (Director of Photography), Directed by Carl Froelich, with Paul Westermeier, Jakob Tiedtke, Hans Hermann Schaufuss,
1943: [03.18] Kohlhiesels Töchter (Director of Photography), Directed by Kurt Hoffmann, with Erika von Thellmann, Klaus Pohl, Ilse Pilary,
1942: [/ /1] Sommerliebe (Director of Photography), Directed by Erich Engels, with Siegfried Breuer, O.W. Fischer, Lotte Lang,
1942: [/ /1] Anschlag auf Baku (Director of Photography),
1941: [] Zwischen Himmel und Erde (Director of Photography), Directed by Harald Braun, with Werner Krauss, Gisela Uhlen, Peter Martin Urtel,
1941: [] Jungens (Director of Photography), Directed by Robert A. Stemmle, with Albert Hehn, Hilde Sessak, Eduard Wandrey,
1941: [04.21] Ich bin gleich wieder da (Director of Photography), Directed by Peter Paul Brauer, with Ursula Grabley, Paul Klinger, Hermann Pfeiffer,
1940: [] Zwischen Hamburg und Haiti (Director of Photography), Directed by Erich Waschneck, with Gustav Knuth, Gisela Uhlen, Walter Lieck,
1940: [] Liebesschule (Director of Photography), Directed by Karl Georg Külb, with Walter Lieck, Luise Ullrich, Viktor Staal,
1939: [07.20] Fräulein (Director of Photography), Directed by Erich Waschneck, with Roma Bahn, Erik Frey, Mady Rahl,
1939: [] Der Stammbaum des Dr. Pistorius (Director of Photography), Directed by Karl Georg Külb, with Walter Lieck, Rudolf Schündler, Helga Mayer,
1938: [12.23] Das Verlegenheitskind (Director of Photography), Directed by Peter Paul Brauer, with Ida Wüst, Ludwig Schmitz, Paul Klinger,
1938: [09.14] Eine Nacht im Mai (A Night in May) (Director of Photography), Directed by Georg Jacoby, with Marika Rökk, Viktor Staal, Karl Schönböck,
1938: [] Was tun, Sybille ? (Director of Photography), Directed by Peter Paul Brauer, with Otto Kronburger, Hans Leibelt, Inge Landgut,
1937: [11.25] Gewitterflug zu Claudia (Director of Photography), Directed by Erich Waschneck, with Rudolf Klix, Rudolf Schündler, Karl Schönböck,
1937: [] Der Streit um den Knaben Jo (Director of Photography), Directed by Erich Waschneck, with Eberhard Itzenplitz, Tatjana Sais, Ernst Waldow,
1937: [04.21] Die Kronzeugin (Director of Photography), Directed by Georg Jacoby, with Rudolf Klix, Sybille Schmitz, Just Scheu,
1936: [/ /1] Das Mädchen Irene (Director of Photography), Directed by Reinhold Schünzel, with Magda Elgen, Hilde Scheppan, Hans Richter,
1936: [] Inkognito (Director of Photography), Directed by Richard Schneider-Edenkoben, with Hella Tornegg, Ernst Waldow, Hans Richter,
1936: [06.27] Schlussakkord (The Ninth Symphony, The Final Chord) (Director of Photography), Directed by Douglas Sirk, with Bruno Ziener, Robert Forsch, Alexander Engel,
1935: [12.30] Der höhere Befehl (Director of Photography), Directed by Gerhard Lamprecht, with Rudolf Biebrach, Eduard von Winterstein, Siegfried Schürenberg,
1935: [10.31] Einer zuviel an Bord (Director of Photography), Directed by Gerhard Lamprecht, with Lída Baarová, Willy Birgel, René Deltgen,
1935: [] Die törichte Jungfrau (Director of Photography), Directed by Richard Schneider-Edenkoben, with Hella Tornegg, Claire Reigbert, Hans Meyer-Hanno,
1935: [] Kalbsragout mit Champignons (Director of Photography), Directed by Peter Paul Brauer,
1935: [06.05] Mach' mich glücklich (Director of Photography), Directed by Arthur Robison, with Else Elster, Ursula Grabley, Albert Lieven,
1934: [] Besuch am Abend (Director of Photography), Directed by Georg Jacoby, with Else Bötticher, Hella Tornegg, Liane Haid,
1934: [] Schön ist jeder Tag den du mir schenkst, Marie Luise (Director of Photography), Directed by Willy Reiber, with Jessie Vihrog,
1934: [] Jede Frau hat ein Geheimnis (Director of Photography), Directed by Max Obal, with Ery Bos, Hugo Fischer-Köppe, Ilse Fürstenberg,
1934: [] Glückspilze (Director of Photography), Directed by Robert A. Stemmle, with Hella Tornegg, Walter Bluhm,
1934: [] Ich heirate meine Frau (Director of Photography), Directed by Johannes Riemann, with Lil Dagover,
1934: [03.13] Hanneles Himmelfahrt (Director of Photography), Directed by Thea von Harbou, with Elisabeth Wendt, Klaus Pohl, Karl Platen,
1933: [/ /1] Keine Angst vor Liebe (Director of Photography), Directed by Hans Steinhoff, with Liane Haid, Hilde Hildebrand, Jessie Vihrog,
1933: [/ /1] Johannisnacht (Director of Photography), Directed by Willy Reiber, with Lil Dagover, Ludwig Stössel, Joe Stöckel,
1933: [] Das hässliche Mädchen (Director of Photography), Directed by Henry Koster,
1933: [] Kleines Mädel - grosses Glück (Director of Photography), Directed by E.W. Emo,
1933: [03/29] Brennendes Geheimnis (The Burning Secret) (Director of Photography), Directed by Robert Siodmak, with Willi Forst, Hilde Wagener, Alfred Abel,
1932: [12.17] Das Abenteuer einer schönen Frau (The Adventure of Thea Roland, Thea Roland) (Director of Photography), Directed by Henry Koster, with Lil Dagover, Hans Rehmann, Margarete Kupfer,
1932: [/ /1] Das schöne Abenteuer (Beautiful Adventure) (Director of Photography), Directed by Reinhold Schünzel, with Ida Wüst, Adele Sandrock, Lydia Pollmann,
1932: [] Spione am Werk (Director of Photography), Directed by Gerhard Lamprecht, with Theodor Loos,
1932: [05/27] Das Lied einer Nacht (The Song of Night) (Additional Camera), Directed by Anatole Litvak, with Jan Kiepura, Magda Schneider, Fritz Schulz,
1932: [01/20] So ein Mädel vergisst man nicht (A Girl You Don't Forget) (Director of Photography), Directed by Fritz Kortner, with Willi Forst, Dolly Haas, Oskar Sima,
1932: [02.06] Es wird schon wieder besser (Additional Camera), Directed by Kurt Gerron, with Martha Ziegler, Paul Otto, Fritz Odemar,
1931: [04.02] Gassenhauer (Additional Camera), Directed by Lupu Pick, Martin Zickel, with Ina Albrecht, Albert Hörrmann, Werner Hollmann,
1931: [09.19] Calais-Douvres (Additional Camera), Directed by Jean Boyer, Anatole Litvak, with Armand Bernard, Louis Brody, Lilian Harvey,
1931: [07.27] Nie wieder Liebe (Additional Camera), Directed by Anatole Litvak, with Felix Bressart, Louis Brody, Lilian Harvey,
1931: [] Kameradschaft (La tragedia della miniera, Comeradeship) (Additional Camera), Directed by Georg Wilhelm Pabst, with Marcel Lesieur, Gustav Puttjer, Daniel Mendaille,
1931: [] Ronny (Additional Camera), Directed by Reinhold Schünzel, with Käthe von Nagy, Willy Fritsch, Otto Wallburg,
1931: [05.11] M (Additional Camera), Directed by Fritz Lang, with Peter Lorre, Gustaf Gründgens, Julius Eckhoff,
1930: [10.24] Dolly macht Karriere (Director of Photography), Directed by Anatole Litvak, with Géza L. Weisz, Oskar Karlweis, Julius E. Herrmann,
1930: [09.15] Lohnbuchhalter Kremke (Payroll Accountant Kremke) (Director of Photography), Directed by Marie Harder, with Hermann Vallentin, Anna Sten, Ivan Koval-Samborskij,
1930: [] Die Dreigroschenoper (Additional Camera), Directed by Georg Wilhelm Pabst, with Ernst Busch, Reinhold Schünzel, Carola Neher,
1929: [] Napoleon auf St. Helena (Director of Photography), Directed by Lupu Pick, with Stella Harf, Lutz Altschul, Albert Bassermann,
1929: [03.07] Fräulein Else (Director of Photography), Directed by Paul Czinner, with Elisabeth Bergner, Albert Bassermann, Albert Steinrück,
1928: [12.14] Eine Nacht in London (Eva in pigiama, A Knight in London) (Director of Photography), Directed by Lupu Pick, with Ivy Duke, Robert English, Lilian Harvey,
1927: [/ /1] Dona Juana (Director of Photography), Directed by Paul Czinner, with Elisabeth Bergner, Elisabeth Neumann,
1927: [/ /1] Berlin, Symphonie einer Grosstadt (Director of Photography), Directed by Walter Ruttmann,
1927: [/ /1] Der Sohn der Hagar (Director of Photography), Directed by Fritz Wendhausen, with Mady Christians, Werner Fuetterer, Mathias Wieman,
1926: [01.10] Metropolis (Camera Operator: /xx/), Directed by Fritz Lang, with Brigitte Helm, Rudolf Klein-Rogge, Alfred Abel,
1926: [10.28] Abenteuer eines Zehnmarkscheines (K 13 513 - Die Abenteuer eines Zehnmarkscheins, K 13 513, Uneasy Money) (Director of Photography), Directed by Berthold Viertel, with Ressel Orla, Géza L. Weisz, Maly Delschaft,
1926: [/ /1] Manon Lescaut (Camera Operator), Directed by Arthur Robison, with Siegfried Arno, Lya de Putti, Marlene Dietrich,
1926: [/ /1] Madame wünscht keine Kinder (Madame wants no children) (Director of Photography), Directed by Alexander Korda, with Maria Paudler, Dina Gralla,
1925: [11.20] Tartüff (Camera Operator), Directed by Friedrich Wilhelm Murnau, with Emil Jannings, Werner Krauss, Lil Dagover,
1925: [11.16] Varieté (Camera Operator), Directed by E.A. Dupont, with Emil Jannings, Maly Delschaft, Lya de Putti,
1924: [12.23] Der letzte Mann (The Last Laugh) (Camera Operator), Directed by Friedrich Wilhelm Murnau, with Erich Schönfelder, Emil Jannings, Maly Delschaft,
1924: [09.26] Mikaël (Chained: the Story of the Third Sex, Heart's Desire) (Camera Operator), Directed by Carl Theodor Dreyer, with Walter Slezak, Max Auzinger, Nora Gregor,
1923: [07.01] Die Finanzen des Grossherzogs (Finances of the Grand Duke, The Grand Duke's Finances) (Camera Operator), Directed by Friedrich Wilhelm Murnau, with Hermann Vallentin, Walter Rilla, Harry Liedtke,
1923: [10/23] Die Austreibung (The Expulsion) (Camera Operator), Directed by Friedrich Wilhelm Murnau, Rochus Gliese, with Wilhelm Dieterle, Carl Goetz, Ilka Grüning,
1923: [] Die letzte Sensation des Zirkus Farini (Camera Operator), Directed by Uwe Jens Krafft,
1922: [] Maciste und der Sträfling Nr. 5 (Director of Photography), Directed by Uwe Jens Krafft,
1922: [10/20] Lucrezia Borgia (Camera Operator), Directed by Richard Oswald, with Liane Haid, Conrad Veidt, Albert Bassermann,
1922: [07.??] Herzog Ferrantes Ende (Camera Operator), Directed by Paul Wegener, Rochus Gliese, with Paul Wegener, Lyda Salmonova, Ernst Deutsch,
1922: [03.03] Der brennende Acker (Camera Operator), Directed by Rochus Gliese, Friedrich Wilhelm Murnau, with Elsa Wagner, Harry Frank, Unda Faliansky,
1921: [] Die Ratten (Camera Operator), Directed by Hans Kobe, with Claire Selo, Emil Jannings, Lucie Klöpfer,
1921: [] Der Schwur des Peter Hergatz (Camera Operator), Directed by Alfred Halm, with Stella Harf,
1921: [05.22] Der tote Gast (Camera Operator), Directed by Karl Freund, with Käte Haack, Erich Kaiser-Titz, Anna von Palen,
1920: [08/07] Der Bucklige und die Tänzerin (The hunchback and the dancer) (Camera Operator), Directed by Friedrich Wilhelm Murnau, with Paul Biensfeldt, John Gottowt, Sascha Gura,
1920: [02.03] Der verlorene Schatten (Camera Operator), Directed by Rochus Gliese, Paul Wegener, with Lyda Salmonova, Wilhelm Bendow, Leonhard Haskel,
1920: [10.29] Der Golem, wie er in die Welt kam (Camera Operator), Directed by Carl Boese, Paul Wegener, with Paul Wegener, Albert Steinrück, Lyda Salmonova,
1920: [10.22] Katharina die Grosse (Catherine the Great) (Camera Operator), Directed by Reinhold Schünzel, with Lucie Höflich, Gertrud de Lalsky, Reinhold Schünzel,
1920: [08/26] Der Januskopf (Camera Operator), Directed by Friedrich Wilhelm Murnau, with Conrad Veidt, Magnus Stifter, Margarete Schlegel,
1920: [01.02] Die Spinnen II - Das Brillantenschiff (Le Bateau au Diamants) (Camera Operator), Directed by Fritz Lang, with Carl Hoffmann, Carl de Vogt, Ressel Orla,
1919: [] Die Arche (Camera Operator), Directed by Richard Oswald, with Felix Hecht, Georg Heinrich Schnell, Helga Molander,
0: [03.24] Bürgermeister Anna (Director of Photography), Directed by Hans Müller, with Klaus Becker, Steffie Spira, Eva Rimski,

. 6 . 71 . 72 . 80 . 81 . 83 . 85 . 89 . 96 . 97 . 98 . 100

Disclaimer
The information above does not purport to be exhaustive, but give the level of information to our database at the time of last update. All figures are best knowledge and belief researched to, legal claims arising from incorrect or missing information are expressly rejected.
Due to the current law in some countries can be held responsible person who addresses refers to having a criminal content spread may or criminal content and pages further refer, unless he closes clear from such liability. Our links below are researched to the best of my knowledge and belief, but we can not accept in any way for the content of these web pages and links from us any liability. We provide this explanation by analogy from all countries and all languages of. Quotations, if not otherwise marked, in the usual right to quote with identification of the sources added.
The copyright lies with the authors of these quotes - Robert Baberske - Biography KinoTV Movie Database Check Page Rank Pagerank Anzeige