Franz Koch

Director of Photography - Germany
Born 1898
Died April 28, 1959 in München

Mini-Biography:
Franz Koch was born circa in 1898. He was a German Director of Photography, known for Musik bei Nacht (1952), Heimliches Rendez-vous (1949), Das verlorene Gesicht (1948), Franz Koch's first movie on record is from 1921. Franz Koch died on April 28, 1959 in München. His last motion picture on file dates from 1957.

Franz Koch Filmography [Auszug]
1957: [/ /1] Der Edelweisskönig (Director of Photography), Directed by Gustav Ucicky, with Attila Hörbiger, Rudolf Lenz, Christiane Hörbiger,
1956: [08.30] Die Geierwally (Director of Photography), Directed by FrantiÅ¡ek Čáp, with Barbara Rütting, Carl Möhner, Til Kiwe,
1956: [] Der Jäger von Fall (Director of Photography), Directed by Gustav Ucicky, with Erwin Strahl, Traute Wassler, Rudolf Lenz,
1955: [10.06] Königswalzer (Director of Photography), Directed by Victor Tourjansky, with Michael Cramer, Hans Fitz, Uta Franz,
1955: [09.01] Ein Herz voll Musik (Director of Photography), Directed by Robert A. Stemmle, with Fita Benkhoff, Paul Bildt, Boy Gobert,
1955: [/ /1] Das Schweigen im Walde (Director of Photography), Directed by Helmut Weiss, with Rudolf Lenz, Sonja Sutter, Angelika Hauff,
1954: [08.24] Schloss Hubertus (Director of Photography), Directed by Helmut Weiss, with Marianne Koch, Lil Dagover, Friedrich Domin,
1954: [/ /1] Ewiger Walzer (Director of Photography), Directed by Paul Verhoeven, with Ullrich Bettac, Claus Biederstaedt, Annemarie Düringer,
1954: [01.20] Liebe und Trompetenblasen (Director of Photography), Directed by Helmut Weiss, with Adolf Gondrell, Hans Holt, Marianne Koch,
1953: [/ /1] Der Klosterjäger (Director of Photography), Directed by Harald Reinl, with Erich Auer, Paul Hartmann, Kurt Heintel,
1952: [11.27] Der Weibertausch (Director of Photography), Directed by Karl Anton, with Karlheinz Böhm, Waldemar Frahm, Heinrich Gretler,
1952: [/ /1] Musik bei Nacht (Director of Photography), Directed by Kurt Hoffmann, with Paul Hubschmid, Curd Jürgens, Gertrud Kückelmann,
1952: [/ /1] Der Herrgottschnitzer von Ammergau (Director of Photography), Directed by Harald Reinl, with Erich Auer, Ingeborg Cornelius, Sepp Rist,
1952: [/ /1] Ich heisse Niki (Director of Photography), Directed by Rudolf Jugert, with Lina Carstens, Heini Goebel, Paul Hörbiger,
1952: [] Haus des Lebens (Director of Photography), Directed by Karl Hartl, with Cornell Borchers, Karlheinz Böhm, Joachim Brennecke,
1950: [10.24] Vom Teufel gejagt (Director of Photography), Directed by Victor Tourjansky, with Hans Albers, Willy Birgel, Lil Dagover,
1949: [12.21] Die Reise nach Marrakesch (Director of Photography), Directed by Richard Eichberg, with Paul Dahlke, Karl Ludwig Diehl, Maria Holst,
1949: [10.21] Nachtwache (Director of Photography), Directed by Harald Braun, with Dieter Borsche, René Deltgen, Gertrud Eysoldt,
1949: [/ /1] Der Dorfmonarch (Director of Photography), Directed by Joe Stöckel, with Elise Aulinger, Beppo Brem, Lucie Englisch,
1949: [05.20] Heimliches Rendez-vous (Director of Photography), Directed by Kurt Hoffmann, with Klaus Behrendt, Beppo Brem, Ruth Drexel,
1948: [11.18] Das verlorene Gesicht (Director of Photography), Directed by Kurt Hoffmann, with Paul Dahlke, Gustav Fröhlich, Richard Häussler,
1944: [/ /1] Orientexpress (Director of Photography), Directed by Victor Tourjansky, with Siegfried Breuer, Paul Dahlke, Karl Hanft,
1941: [03.21] Carl Peters (Director of Photography), Directed by Herbert Selpin, with Hans Albers, Reinhold Bernt, Louis Brody,
1940: [] Trenck, der Pandur (Director of Photography), Directed by Herbert Selpin, with Hans Albers, Käthe Dorsch, Elisabeth Flickenschildt,
1939: [] Ein Mann auf Abwegen (Director of Photography), Directed by Herbert Selpin, with Stella Harf, Hans Albers, Werner Fuetterer,
1939: [/ /1] Fasching (Director of Photography), Directed by Hans Schweikart, with Ernst F. Fürbringer, Karin Hardt, Liesl Karlstadt,
1938: [12.22] Sergeant Berry (Director of Photography), with Hans Albers, Louis Brody, Alexander Golling,
1937: [10.14] Die gelbe Flagge (Director of Photography), Directed by Gerhard Lamprecht, with Hans Albers, Lissy Arna, Alexander Engel,
1936: [02.02] IA in Oberbayern (Director of Photography), Directed by Franz Seitz sen., with Ursula Grabley, Franz Schafheitlin, Harald Paulsen,
1936: [11.20] Waldfrieden (Director of Photography), Directed by Franz Seitz sen., with Theodor Auzinger, Thea Aichbichler, ,
1936: [02.11] Du kannst nicht treu sein (Director of Photography), Directed by Franz Seitz sen., with , Lucie Englisch, Hermann Speelmans,
1935: [06.14] Der Kampf mit dem Drachen (Director of Photography), Directed by Franz Seitz sen., with Adele Sandrock, , Hans Schlenck,
1935: [03.28] Triumph des Willens (Triumph of the Will) (Director of Photography), Directed by Leni Riefenstahl, with Adolf Hitler, Hans Frank,
1934: [12.21] Die Frauen vom Tannhof (Director of Photography), Directed by Franz Seitz sen., with Rudolf Klein-Rogge, Paul Richter, ,
1934: [10.19] Zwischen Himmel und Erde (Director of Photography), Directed by Franz Seitz sen., with Rudolf Klein-Rogge, Heinz Klingenberg, Attila Hörbiger,
1934: [06.20] Der Geizhals (Director of Photography), Directed by Franz Seitz sen., with Karl Valentin, Liesl Karlstadt, ,
1934: [] Theobald der Mandarin (Director of Photography), Directed by Franz Seitz sen., with , Max Weydner,
1934: [04.11] Achtung ! Wer kennt diese Frau ? (Director of Photography), Directed by Franz Seitz sen., with Werner Fuetterer, , Otto Wernicke,
1933: [03.09] Mit dir durch dick und dünn (Director of Photography), Directed by Franz Seitz sen., with Paul Kemp, Adolf Gondrell, ,
1933: [11.10] Ein Kuss in der Sommernacht (Director of Photography), Directed by Franz Seitz sen., with Rolf Pinegger, Marianne Winkelstern, Elise Aulinger,
1933: [06.14] S.A.-Mann Brand (Storm Trooper Brand) (Director of Photography), Directed by Franz Seitz sen., with Otto Wernicke, Elise Aulinger, Heinz Klingenberg,
1933: [05.15] Der Meisterdetektiv (Meisterdetektiv Schnauzer) (Director of Photography), Directed by Franz Seitz sen., with Ery Bos, Weiss Ferdl, Fritz Kampers,
1933: [02.10] Die Blonde Christl (Director of Photography), Directed by Franz Seitz sen., with Karin Hardt, Theodor Loos, Rolf von Goth,
1932: [10.05] Fürst Seppl (Director of Photography), Directed by Franz Osten, with , Grit Haid, Hanns Beck-Gaden,
1932: [08.18] Die verkaufte Braut (Director of Photography), Directed by Max Ophüls, with Jarmila Novotna, Hans Appel, Beppo Brem,
1932: [/ /1] An heiligen Wassern (Director of Photography), Directed by Erich Waschneck, with Carl Balhaus, Reinhold Bernt, Josef Bunzl,
1930: [01.20] In einer kleinen Konditorei (Director of Photography), Directed by Robert Wohlmuth, with Sylvester Bauriedl, Richard Bischoff, Valery Boothby,
1930: [12.15] Boykott (Director of Photography), Directed by Robert Land, with Lil Dagover, Austin Egen, Karin Evans,
1930: [09.15] Lohnbuchhalter Kremke (Payroll Accountant Kremke) (Director of Photography), Directed by Marie Harder, with Hermann Vallentin, Anna Sten, Ivan Koval-Samborskij,
1929: [12.25] Bruder Bernhard (Director of Photography), Directed by Franz Seitz sen., with Will Dohm, Josef Eichheim, Walter Grüters,
1929: [07.23] Spuren im Schnee (Director of Photography), Directed by Willy Reiber, Franz Seitz sen., with Hanns Beck-Gaden, Will Dohm, Franz Loskarn,
1929: [] Links der Isar - rechts der Spree (Director of Photography), Directed by Franz Seitz sen., with , Walter Grüters, ,
1929: [] Wenn der weisse Flieder wieder blüht (Director of Photography), Directed by Robert Wohlmuth, with Walter Grüters, Georg Henrich, Gaston Jacquet,
1928: [04.10] Amor auf Ski (Director of Photography), Directed by Rolf Randolf, with Sylvester Bauriedl, Georg Henrich, Harry Liedtke,
1928: [] Der Weiberkrieg (Director of Photography), Directed by Franz Seitz sen., with Liane Haid, , Josef Eichheim,
1928: [] Die Hölle von Montmartre (Director of Photography), Directed by Franz Seitz sen., Willy Reiber, with Suzy Vernon, Eric Barclay, Carmen Cartellieri,
1928: [03.01] Der Fremdenlegionär (The Foreign Legion) (Director of Photography), Directed by James Bauer, with Dorothea Wieck, Ferdinand Martini, Therese Giehse,
1926: [] Erinnerungen einer Nonne (Director of Photography), Directed by Arthur Bergen, with Imogene Robertson, Georg John, Camilla von Hollay,
1925: [01.00] Verborgene Gluten (Hidden Fires) (Director of Photography), Directed by Einar Bruun, with Alphons Fryland, Imogene Robertson, ,
1925: [09.18] Der Schuss im Pavillon (Director of Photography), Directed by Max Obal, with Ernst Reicher, Margarete Schlegel, ,
1925: [05.20] In den Sternen steht es geschrieben (Director of Photography), Directed by Willy Reiber, with Olga Juschakowa, Else Kündinger, Ferdinand Martini,
1924: [] Liebet das Leben (Director of Photography), Directed by Georgij Azagarov, with Georg Heinrich Schnell, Olga Gzovskaja, ,
1923: [12.00] Das rollende Schicksal (Director of Photography), Directed by Franz Osten, with Colette Brettel, Ludwig Götz, Fritz Greiner,
1923: [] Der Weg zum Licht (Director of Photography), Directed by Géza von Bolváry, Kurt Rosen, with Hanni Reinwald, , ,
1922: [] Schattenkinder des Glücks (Director of Photography), Directed by Franz Osten, with Vilma Banky, Emil Fenyö, Carl Goetz,
1922: [] Um Liebe und Thron (Director of Photography), Directed by Franz Osten, with Emil Fenyö, Josef Karma, Ila Loth,
1922: [] Die Bestie (Director of Photography), Directed by Burton George, with Siegfried Bischoff, Harry Gillmann, Ila Loth,
1921: [12.30] Der Verfluchte (Director of Photography), Directed by Franz Osten, with Violette Napierska, Karl Wüstenhagen, Viktor Gehring,

. 24 . 28 . 36 . 37 . 48 . 62

Filmography Franz Koch nach Kategorien

Kamera

Franz Koch in other Database records:

Disclaimer
The information above does not purport to be exhaustive, but give the level of information to our database at the time of last update. All figures are best knowledge and belief researched to, legal claims arising from incorrect or missing information are expressly rejected.
Due to the current law in some countries can be held responsible person who addresses refers to having a criminal content spread may or criminal content and pages further refer, unless he closes clear from such liability. Our links below are researched to the best of my knowledge and belief, but we can not accept in any way for the content of these web pages and links from us any liability. We provide this explanation by analogy from all countries and all languages of. Quotations, if not otherwise marked, in the usual right to quote with identification of the sources added.
The copyright lies with the authors of these quotes - Franz Koch - KinoTV