Mini-Biography:
The day of birth of Kurt Lande is not on record. He is a German Director of Photography, Architekt, known for Das Tagebuch einer anständigen Frau (1921), Der Tempel der Liebe (1919), Teufelchen (1921), Kurt Lande's first movie on record is from 1915. His last motion picture on file dates from 1924.
Kurt Lande Filmography [Auszug]
1924: [03.00] Die Kleine aus der Konfektion (Warenhausmädchen (Working title)) (Director of Photography), Directed by Maurice Turner, with Lilli Flohr, Evi Eva, Karl Harbacher,
1924: [11.21] Die Liebesbriefe einer Verlassenen (Director of Photography), Directed by Emmerich Hanus, with Dara Bergner, Ilka Grüning, Ernst Hofmann,
1923: [11.29] Die närrische Wette des Lord Aldini (Director of Photography), Directed by Luigi Romano, with Carlo Aldini, Violette Napierska, Hedda Vernon,
1923: [04.25] Der Schatz der Gesine Jakobsen (Director of Photography), Directed by Rudolf Walther-Fein, with Ludwig Hartau, , ,
1923: [/ /1] La Bohème (Director of Photography), Directed by Gennaro Righelli, with Maria Jacobini, Wilhelm Dieterle, Elena Lunda,
1922: [] Bigamie (Director of Photography), Directed by Rudolf Dworsky, Rudolf Walther-Fein, with Alfred Abel, Lilly Alexandra, Margit Barnay,
1922: [] Frauen, die die Ehe brechen (Director of Photography), Directed by Bruno Eichgrün, with Bruno Eichgrün, Robert Scholz, Margit Barnay,
1921: [04.07] Aus den Erinnerungen eines Frauenarztes - 2. Lüge und Wahrheit (Director of Photography), Directed by Lupu Pick, with Ilka Grüning, Harry Nestor, Lupu Pick,
1921: [07.06] Aus den Akten einer anständigen Frau (Das Tagebuch einer anständigen Frau) (Director of Photography), Directed by Franz Hofer, with Margit Barnay, Fritz Beckmann, Olga Engl,
1921: [/ /1] Das Tagebuch einer anständigen Frau (Director of Photography), Directed by Franz Hofer, with Margit Barnay, Fritz Beckmann, Olga Engl,
1921: [/ /1] Teufelchen (Director of Photography), Directed by Richard Oswald, with Hilde Wörner,
1920: [09/23] Moriturus (Director of Photography), Directed by Carl Müller-Hagens, with Max Landa, Reinhold Schünzel, Conrad Veidt,
1920: [/ /1] Tschetschensen-Rache (Chechensen-Rache) (Director of Photography), Directed by Charles Willy Kayser, with Rita Clermont, Bernhard Goetzke, Charles Willy Kayser,
1920: [] Die zeichnende Hand (Titel not confirmed) (Director of Photography: (--??--)),
1920: [] Zigeunerblut (Director of Photography), Directed by Karl Otto Krause, with Paul Hansen, Hilde Wörner, Lya de Putti,
1920: [] Die Banditen von Asnières (Director of Photography), Directed by Carl Müller-Hagens, with Max Landa, Ferdinand von Alten, Hilde Wörner,
1920: [] Das Chamäleon (Director of Photography), Directed by Carl Müller-Hagens, with Max Landa, Reinhold Schünzel, Hilde Wörner,
1920: [] Pension Lautenschlag (Director of Photography), Directed by Carl Müller-Hagens, with Maria Lux, Hans Senius, Harald Paulsen,
1920: [] Moderne Sklaven (Director of Photography), Directed by N. N., with Robert Werden, Sybil Smolowa, Reinhold Scholz,
1920: [06.10] Die Autofahrt unter der Erde (Director of Photography), Directed by Charles Willy Kayser, with Charles Willy Kayser, Ellen Ullrich, Robert Scholz,
1920: [04.21] Ganz ohne Männer geht die Chose nicht (Director of Photography), Directed by Lorenz Bätz, with Dora Bergner, Paul Morgan, ,
1919: [] Intermezzo (Director of Photography), Directed by Carl Müller-Hagens, with Hilde Wörner, Harald Paulsen, Ferdinand von Alten,
1919: [01.18] Der Tempel der Liebe (Director of Photography), Directed by Paul Ludwig Stein, with Lia Eibenschütz, Erich Kaiser-Titz, Gustav von Wangenheim,
1919: [] Der Fall Tolstikoff (Director of Photography), Directed by Robert Leffler, with Sybil Smolowa, Rudolf Klein-Rogge, Antonie Jaeckel,
1919: [] Das alte Lied (Director of Photography), Directed by Karl Otto Krause, with Charles Willy Kayser, Elisabeth Balzer-Lichtenstein, Siegfried Adler,
1919: [00.00] Die Kralle (Director of Photography), Directed by Carl Müller-Hagens, with Emil Biron, Olga Engl, Paul Graetz,
1919: [] (Director of Photography), Directed by Georg Schubert, with Hilde Wörner, Arthur Beder, Rudolf Döll,
1919: [05.00] Lotte als Schulschreck (Director of Photography), Directed by Carl Müller-Hagens, with Hilde Wörner, Maria Lux, Marie von Bülow,
1919: [11.00] Teufelchen (Director of Photography), Directed by Carl Müller-Hagens, with Hilde Wörner, Emil Biron,
1919: [] In den Krallen des Vampyrs - Eine Frauenschönheit unter dem Seziermesser (Director of Photography), Directed by Heinz Sarnow, Wolfgang Neff, with Eduard von Winterstein, , Heinz Sarnow,
1919: [10.00] (Director of Photography), Directed by Heinz Sarnow, with Ilse Bois,
1919: [09.05] Die Dame im Pelz (Director of Photography), Directed by Fred Preuss, with Ellen Ullrich, Charles Willy Kayser, Meinhardt Maur,
1919: [09.00] Das Lächeln der kleinen Beate (Director of Photography), Directed by Georg Schubert, with Hilde Wörner, Frida Richard, Melitta Klefer,
1919: [09.00] Fräulein Baronin (Director of Photography), Directed by Leo Peukert, Carl Müller-Hagens, with Hilde Wörner, Otto Treptow,
1919: [] Wenn das Leben Nein sagt (Director of Photography), Directed by Carl Müller-Hagens, with Hilde Wörner, Hans Senius, Grete Wiedecke,
1919: [08.21] Das Geheimnis der alten Truhe (Director of Photography), Directed by Robert Leffler, with Sybil Smolowa, Hans Adalbert Schlettow,
1919: [08.15] Ein Frühlingstraum (Director of Photography), Directed by Karl Mueller-Hagens, with Hilde Wörner, Richard Senius, Emil Biron,
1919: [08.08] Falscher Start (Director of Photography), Directed by Georg Alexander, with Georg Alexander, Marija Leiko, Kissa von Sievers,
1919: [] Die Austernkur (Director of Photography), Directed by Fred Preuss, with Loo Doo, Charles Willy Kayser, Hugo Döblin,
1919: [] Im Schatten des Glücks (Director of Photography), Directed by Robert Leffler, with Sybil Smolowa, Hans Adalbert Schlettow, Robert Leffler,
1919: [] Max als Juxgraf (Director of Photography), Directed by Leonhard Haskel, with Mac Walten, Leonhard Haskel, Grete Diercks,
1919: [] Mac als Lumpenbaron (Director of Photography), Directed by Leonhard Haskel, with Mac Walten, Leonhard Haskel, Grete Diercks,
1919: [] (Director of Photography), Directed by Willy Zeyn, with Esther Carena, Beate Fink, Martin Herzberg,
1919: [] (Director of Photography), Directed by Carl Müller-Hagens, with Hilde Wörner, Carl Müller-Hagens, Marie von Bülow,
1919: [] (Director of Photography), Directed by Georg Schubert, with Hellmuth Krause, Hilde Wörner, Emmy Noack,
1919: [06.00] Ein Mädchen aus guter Familie (Director of Photography), Directed by Georg Schubert, with Alexander Ekert, Hilde Wörner, Kurt Keller-Nebri,
1919: [01.00] (Director of Photography), Directed by N. N., with Conrad Dreher, Leo Peukert,
1918: [09.20] Der siebente Kuss (Director of Photography), Directed by N. N., with Hilde Wörner, Charles Willy Kayser, Bruno Eichgrün,
1918: [] Der müde Theodor (Director of Photography), Directed by Leo Peukert, with Conrad Dreher, , ,
1918: [] Die blonden Mädels vom Lindenhof (Director of Photography), Directed by Heinrich Bolten-Baeckers, with Leo Peukert, , Conrad Dreher,
1917: [10.00] Es war ein Sonntag hell und klar (Director of Photography), Directed by N. N.,
1917: [] Die Perlen des Maharadschah (Director of Photography), Directed by Ernst Ludwig, with Ernst Ludwig, Nelly Lagarst, Victor Janson,
1917: [] Die Ährenleserin (Director of Photography), Directed by Kurt Matull, with Aud Egede-Nissen,
1916: [] Der höchste Wurf (Director of Photography: (--??--)), Directed by Rudolf del Zopp, with Lotte Erol, , Arthur Bergen,
1916: [] ...es hat nicht sollen sein (Director of Photography), Directed by Rudolf del Zopp, with Lotte Erol, Rosa Flügel, Fritz Achterberg,
1915: [/ /1] Der Zeitungsriese (Director of Photography), with Sybil Smolowa, ,
1915: [] Er soll dein Herr sein (Director of Photography), Directed by Rudolf del Zopp, with Harry Liedtke, , Hans Ahrens,
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Filmography Kurt Lande nach Kategorien
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