Elgin Lessley

Director of Photography, Actor - USA
Born January 10, 1883 in Missouri, USA
Died February 8, 1944 in Los Angeles County, California, USA

Mini-Biography:
Elgin Lessley was born on January 10, 1883 in Missouri, USA. He was an American Director of Photography, Actor, known for The Strong Man (1926), The Cameraman (1928), Our Hospitality (1923), Elgin Lessley's first movie on record is from 1916. He was married to Blanche Olmstead. Elgin Lessley died on February 8, 1944 in Los Angeles County, California, USA. His last motion picture on file dates from 1928.

Elgin Lessley Filmography [Auszug]
1928: [09.15] The Cameraman (Snap Shots) (Director of Photography), Directed by Edward Sedgwick, with Buster Keaton, Marceline Day, Harry Gribbon,
1927: [/ /1] Three's a crowd (Director of Photography), Directed by Harry Langdon, with Cornelius Keefe, Harry Langdon, Gladys McConnell,
1926: [09.19] The Strong Man (Director of Photography), Directed by Frank Capra, with Harry Langdon, Priscilla Bonner, Gertrude Astor,
1926: [] Long pants (Director of Photography), Directed by Frank Capra, with Harry Langdon, Gladys Brockwell, Alan Roscoe,
1925: [11.04] Go west (Director of Photography), Directed by Buster Keaton, with Buster Keaton, , ,
1925: [03.11] Seven Chances (Director of Photography), Directed by Buster Keaton, with Buster Keaton, , Snitz Edwards,
1924: [10.13] The Navigator (Director of Photography), Directed by Buster Keaton, Donald Crisp, with Buster Keaton, Kathryn McGuire, Frederick Vroom,
1923: [11.19] Our Hospitality (Gastfreundschaft) (Director of Photography), Directed by Buster Keaton, Jack G. Blystone, with Buster Keaton, Natalie Talmadge, Joe Roberts,
1923: [/ /1] The Balloonatic (Malec aéronaute) (Director of Photography), Directed by Edward F. Cline, Buster Keaton, with Edward F. Cline, Phyllis Haver, Buster Keaton,
1923: [/ /1] The Love Nest (Les ruses de Malec) (Director of Photography), Directed by Buster Keaton, with Edward F. Cline, Phyllis Haver, Buster Keaton,
1923: [] The Three Ages (Director of Photography), Directed by Edward F. Cline, Buster Keaton, with Buster Keaton, Wallace Beery, Lillian Lawrence,
1922: [] Cops (Director of Photography), Directed by Edward F. Cline, Buster Keaton, with Edward F. Cline, Virginia Fox, Buster Keaton,
1922: [] My Wife's relations (Director of Photography), Directed by Edward F. Cline, Buster Keaton, with Buster Keaton, Monty Collins, Kate Price,
1922: [/ /1] The Blacksmith (Director of Photography), Directed by Buster Keaton, Malcolm St. Clair, with Virginia Fox, Buster Keaton, Joe Roberts,
1922: [] The Frozen North (Frigo et la Baleine ou Hotel du Cap Nord) (Director of Photography), Directed by Edward F. Cline, Buster Keaton, with Bonnie Hill, Buster Keaton, Joe Roberts,
1922: [/ /1] Daydreams (Director of Photography), Directed by Edward F. Cline, Buster Keaton, with Renée Adorée, Buster Keaton, Joe Keaton,
1922: [] The Electric House (Director of Photography), Directed by Edward F. Cline, Buster Keaton, with Buster Keaton, Virginia Fox, Joe Keaton,
1921: [10.06] The Play House (Director of Photography), Directed by Edward F. Cline, Buster Keaton, with Buster Keaton, Edward F. Cline, Virginia Fox,
1921: [] The Haunted House (Director of Photography), Directed by Edward F. Cline, Buster Keaton, with Natalie Talmadge, Edward F. Cline, Virginia Fox,
1921: [/ /1] Hard Luck (Le guigne de Malec) (Director of Photography), Directed by Edward F. Cline, Buster Keaton, with Virginia Fox, Buster Keaton, Joe Roberts,
1921: [] The Goat (Director of Photography), Directed by Buster Keaton, Malcolm St. Clair, with Virginia Fox, Buster Keaton, Joe Roberts,
1921: [/ /1] The Boat (Frigo capitaine au long cours) (Director of Photography), Directed by Edward F. Cline, Buster Keaton, with Edward F. Cline, Buster Keaton, Sybil Sealey,
1921: [] The Paleface (Director of Photography), Directed by Edward F. Cline, Buster Keaton, with Virginia Fox, Buster Keaton, Joe Roberts,
1920: [12.22] The Scarecrow (Director of Photography), Directed by Edward F. Cline, Buster Keaton, with Buster Keaton, Edward F. Cline, Joe Keaton,
1920: [12.22] Neighbors (Backyard, Mailbox) (Director of Photography), Directed by Edward F. Cline, Buster Keaton, with Buster Keaton, Virginia Fox, Joe Roberts,
1920: [09.01] One Week (Director of Photography), Directed by Buster Keaton, Edward F. Cline, with Buster Keaton, Sybil Sealey, Joe Roberts,
1920: [] The High Sign (Director of Photography), Directed by Edward F. Cline, Buster Keaton, with Buster Keaton, Joe Roberts, Sybil Sealey,
1920: [/ /1] Convict 13 (Le crime de Malec) (Director of Photography), Directed by Edward F. Cline, Buster Keaton, with Buster Keaton, Joe Keaton, Myra Keaton,
1920: [/ /1] Neighbours (Director of Photography), Directed by Edward F. Cline, Buster Keaton, with Jack Duffy, Virginia Fox, Buster Keaton,
1919: [/ /1] Backstage (Director of Photography), Directed by Roscoe 'Fatty' Arbuckle, with Roscoe 'Fatty' Arbuckle, Jack Coogan sr., Buster Keaton,
1919: [] The Hayseed (Director of Photography), Directed by Roscoe 'Fatty' Arbuckle, with Roscoe 'Fatty' Arbuckle, Jack Coogan sr., Buster Keaton,
1919: [/ /1] The Garage (Director of Photography), Directed by Roscoe 'Fatty' Arbuckle, with Roscoe 'Fatty' Arbuckle, Jack Coogan sr., Buster Keaton,
1919: [] Back Stage (Director of Photography), Directed by Roscoe 'Fatty' Arbuckle, with Roscoe 'Fatty' Arbuckle, Jack Coogan sr., Buster Keaton,
1918: [12.15] Irish Eyes (Director of Photography: (AKA Elgin Leslie)), Directed by William C. Dowlan, with Pauline Starke, , Gus Saville,
1918: [09.15] The Cook (Director of Photography: (--??--)), Directed by Roscoe 'Fatty' Arbuckle, with Roscoe 'Fatty' Arbuckle, Buster Keaton, Al St. John,
1918: [09.15] The Atom (Director of Photography), Directed by William C. Dowlan, with Pauline Starke, Belle Bennett, Harry Mestayer,
1918: [08.25] Daughter Angele (Director of Photography: (AKA Elgin Lessly)), Directed by William C. Dowlan, with Pauline Starke, Walt Whitman, Eugene Burr,
1918: [08.04] Alias Mary Brown (Director of Photography: (AKA Elgin Leslie)), Directed by Henri D'Elba, William C. Dowlan, with Pauline Starke, Casson Ferguson, Arthur Millett,
1918: [07.08] Good Night, Nurse! (Director of Photography), Directed by Roscoe 'Fatty' Arbuckle, with Roscoe 'Fatty' Arbuckle, Joe Bordeaux, Buster Keaton,
1918: [06.23] You Can't Believe Everything (Director of Photography), Directed by Jack Conway, with Gloria Swanson, Darrell Foss, Jack Richardson,
1918: [05.12] Moonshine (Director of Photography), Directed by Roscoe 'Fatty' Arbuckle, with Roscoe 'Fatty' Arbuckle, Joe Bordeaux, Charles Dudley,
1918: [05.12] Her Decision (Director of Photography), Directed by Jack Conway, with Gloria Swanson, J. Barney Sherry, Darrell Foss,
1918: [05.06] High Stakes (Director of Photography), with J. Barney Sherry, Jane Miller, Harvey Clark,
1918: [03.18] The Bell Boy (Director of Photography), Directed by Roscoe 'Fatty' Arbuckle, with Roscoe 'Fatty' Arbuckle, Buster Keaton, Al St. John,
1918: [01.20] Out West (Director of Photography: (--??-)), Directed by Roscoe 'Fatty' Arbuckle, with Roscoe 'Fatty' Arbuckle, Buster Keaton, Al St. John,
1917: [12.30] Framing Framers (A Made-to-Order Derelict (Working title), External Circumstances) (Director of Photography), Directed by Henri D'Elba, Ferris Hartman, with Charles Gunn, Edward Jobson, George C. Pearce,
1917: [12.10] A Country Hero (Director of Photography), Directed by Roscoe 'Fatty' Arbuckle, with Roscoe 'Fatty' Arbuckle, Buster Keaton, Al St. John,
1917: [10.07] A Phantom Husband (Director of Photography: (AKA Elgin Lesly) ), Directed by Ferris Hartman, with Ruth Stonehouse, J.P. Wild, Charles Gunn,
1917: [09.30] Oh Doctor! (Director of Photography: (--??--)), Directed by Roscoe 'Fatty' Arbuckle, with Roscoe 'Fatty' Arbuckle, Buster Keaton, Al St. John,
1917: [08.20] His Wedding Night (Director of Photography: (--??--)), Directed by Roscoe 'Fatty' Arbuckle, with Roscoe 'Fatty' Arbuckle, Alice Mann, Al St. John,
1917: [/ /1] A Reckless Romeo (Director of Photography), Directed by Roscoe 'Fatty' Arbuckle, with Roscoe 'Fatty' Arbuckle, Buster Keaton, Al St. John,
1917: [/ /1] A Rough House (Director of Photography), Directed by Roscoe 'Fatty' Arbuckle, with Roscoe 'Fatty' Arbuckle, Buster Keaton, Al St. John,
1917: [10.29] Coney Island (Director of Photography), Directed by Roscoe 'Fatty' Arbuckle, with Roscoe 'Fatty' Arbuckle, Buster Keaton, Jimmy Bryant,
1917: [] Dangers of a Bride (Director of Photography), Directed by Ferris Hartman, Robert P. Kerr, with Robert Milliken, Jay Dwiggins, Al McKinnon,
1917: [06.28] A Clever Dummy (Director of Photography), Directed by Mack Sennett, Robert P. Kerr, with Ben Turpin, Chester Conklin, Wallace Beery,
1917: [05.20] A Royal Rogue (The Bogus Count (Working title), The Mystery Man (Working title)) (Director of Photography), Directed by Ferris Hartman, Robert P. Kerr, with Billy Armstrong, Raymond Griffith, Juanita Hansen,
1917: [04.23] The Butcher Boy (Director of Photography: ?), Directed by Roscoe 'Fatty' Arbuckle, with Roscoe 'Fatty' Arbuckle, Buster Keaton, Al St. John,
1916: [06.25] The Waiters' Ball (Director of Photography), Directed by Roscoe 'Fatty' Arbuckle, with Roscoe 'Fatty' Arbuckle, Al St. John, ,
1916: [01.30] He Did and He Didn't (Love and Lobsters (Working title)) (Director of Photography), Directed by Roscoe 'Fatty' Arbuckle, with Roscoe 'Fatty' Arbuckle, Mabel Normand, William Jefferson,

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