Max Lutze

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Director of Photography - Germany
Borndate unknown

Mini-Biography:
The day of birth of Max Lutze is not on record. He is a German Director of Photography, known for Robert und Bertram (1915), Monna Vanna (1922), Das Urteil des Arztes (1914), Max Lutze's first movie on record is from 1912. His last motion picture on file dates from 1923.

Max Lutze Filmography [Auszug]
1923: [] Glanz gegen Glück (Director of Photography), Directed by Adolf Trotz, with Conrad Veidt, Erna Morena, Eduard von Winterstein,
1922: [06/15] Jimmy, ein Schicksal von Mensch und Tier (Director of Photography), Directed by Jaap Speyer, with Maria Forescu, , Mia Pankau,
1922: [12.21] Monna Vanna (Director of Photography), Directed by Richard Eichberg, with Lee Parry, Paul Wegener, ,
1921: [] Die Sängerin (Director of Photography), Directed by Georg Burghardt, with Emmy Schaeff, Julius Falkenstein, Paul Hartmann,
1921: [02.25] Der Streik der Diebe (Director of Photography), Directed by Alfred Abel, with Maria Orska, Alfred Abel, Charlotte Ander,
1921: [01.22] Aschermittwoch (Director of Photography), Directed by Otto Rippert, with Dara Bergner, Rudolf Lettinger, Hella Moja,
1920: [11.06] Weltbrand (Director of Photography), Directed by Urban Gad, with Conrad Veidt, Lillebil Christensen, Theodor Loos,
1920: [12.13] Der Gang in die Nacht (The Dark Road, Journey into the Night) (Director of Photography), Directed by Friedrich Wilhelm Murnau, with Olaf Fønss, Erna Morena, Conrad Veidt,
1920: [10/01] Manolescus Memoiren (Director of Photography), Directed by Richard Oswald, with Conrad Veidt, Erna Morena, Lilli Lohrer,
1920: [08.20] Föhn (Director of Photography), Directed by Hans Werkmeister, with Ilse Götzen, Julius Geisendörfer, Hugo Flink,
1920: [07.30] Figaros Hochzeit (Director of Photography), Directed by Max Mack, with Eduard von Winterstein, Alexander Moissi, Paul Graetz,
1920: [] Gefesselte Menschen (Director of Photography), Directed by Alfred Tostary, with Paul Hartmann, Käthe Dorsch, Ernst Pittschau,
1919: [09.00] Nach dem Gesetz (In the Eyes of the Law) (Director of Photography), Directed by Willy Grunwald, with Asta Nielsen, Otz Tollen, Fritz Hartwig,
1919: [11.00] Die schwarze Marion (Director of Photography), Directed by Uwe Jens Krafft, with Charlotte Böcklin, Rudolf Lettinger, Reinhold Schünzel,
1919: [] Das Recht der freien Liebe (Director of Photography), Directed by Jaap Speyer, with Magnus Stifter, Ernst Hofmann, Käthe Richter,
1919: [] Lilis Ehe (Director of Photography), Directed by Jaap Speyer, with Leopoldine Konstantin, Kurt Middendorf, Fritz Hartwig,
1919: [08.08] Die Okarina (The Ocarina) (Director of Photography), Directed by Uwe Jens Krafft, with Charlotte Böcklin, Conrad Veidt, Rudolf Lettinger,
1919: [] Das Auge des Götzen (Director of Photography), Directed by Harry Piel, with Heinrich Schroth, Hermann Picha, Caenea Tavera,
1919: [/ /1] Gräfin Walewska (Director of Photography), Directed by Otto Rippert, with Hella Moja, Rudolf Lettinger, Margarete Kupfer,
1919: [04.04] Veritas vincit (Director of Photography), Directed by Joe May, with Mia May, Magnus Stifter, Bernhard Goetzke,
1919: [03.23] Lives of a Bengal (Director of Photography), Directed by Harry Piel, with Heinrich Schroth, Hella Ingrid, Stefan Vacano,
1919: [11.18] Lilli (Lilly) (Director of Photography), Directed by Jaap Speyer, with Mia Pankau, Leopoldine Konstantin, Toni Tetzlaff,
1919: [01.00] (Director of Photography), Directed by Harry Piel, with Heinrich Schroth, Harry Piel,
1918: [12.00] Diplomaten (Director of Photography), Directed by Harry Piel, with Heinrich Schroth, Max Ruhbeck,
1918: [10.11] Die Ratte (Director of Photography), Directed by Harry Piel, with Heinrich Schroth, Olga Engl, Stefan Vacano,
1918: [10.10] Ihr grosses Geheimnis (Director of Photography), Directed by Joe May, Leopold Bauer, with Mia May, Käte Haack, Johannes Riemann,
1918: [09.06] Fünf Minuten zu spät (Director of Photography), Directed by Uwe Jens Krafft, with Mia May, Johannes Riemann, Bruno Kastner,
1918: [] Das rollende Hotel (Director of Photography), Directed by Harry Piel, with Käte Haack, Heinrich Schroth,
1918: [] Die Erlösung des Reimundus (Director of Photography), Directed by Albert Lastmann, with Maria Fein, Max Ruhbeck, Lotte Erol,
1915: [08.12] Robert und Bertram (Director of Photography), Directed by Max Mack, with Eugen Burg, Ferdinand Bonn, Wilhelm Diegelmann,
1915: [04.27] Der Katzensteg (Director of Photography), Directed by Max Mack, with , Georg Lengbach, Victor Hartberg,
1915: [02.25] Das achte Gebot. Du sollst nicht falsches Zeugnis reden wider deinen Nächsten (Director of Photography), Directed by Max Mack, with Rudolph Schildkraut, Hanni Weisse, Paul Otto,
1914: [12.13] Das Urteil des Arztes (Director of Photography), Directed by Max Mack, with Albert Bassermann, Elsa Bassermann, ,
1912: [09/14] Der Eid des Stephan Huller, 2. Teil (Director of Photography), Directed by Viggo Larsen, with Viggo Larsen, Wanda Treumann, Fritz Schroeter,
1912: [07/13] Die Schwarze Katze - 1. Teil (Director of Photography), Directed by Viggo Larsen, with Viggo Larsen, Wanda Treumann, Max Mack,

Filmography Max Lutze nach Kategorien

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