Mini-Biography:
Ira H. Morgan was born on April 2, 1889 in Fort Ross, California, USA. He was an American Director of Photography, known for Modern Times (1936), The Great Gabbo (1929), The vampire bat (1933), Ira H. Morgan's first movie on record is from 1917. Ira H. Morgan died on April 10, 1959 in San Rafael, California, USA. His last motion picture on file dates from 1944.
Ira H. Morgan Filmography [Auszug]
1944: [10.23] When the Lights Go on Again (Director of Photography: (AKA Ira Morgan)), Directed by William K. Howard, with Jimmy Lydon, , Regis Toomey,
1944: [] When Strangers Marry (Betrayed) (Director of Photography), Directed by William Castle, with Dean Jagger, Kim Hunter, Robert Mitchum,
1944: [04.22] Hot Rhythm (Director of Photography: (AKA Ira Morgan)), Directed by William Beaudine, with Robert Lowery, Dona Drake, Tim Ryan,
1943: [03.29] Corregidor (Director of Photography), Directed by William Nigh, with Otto Kruger, Elissa Landi, Donald Woods,
1936: [02.05] Modern Times (Director of Photography), Directed by Charles Chaplin, with Charles Chaplin, Paulette Goddard, Henry Bergman,
1934: [/ /1] Jimmy the Gent (Director of Photography), Directed by Michael Curtiz, with James Cagney, Bette Davis, Alan Dinehart,
1933: [10.01] Curtain at Eight (Director of Photography: (AKA Ira Morgan) ), Directed by E. Mason Hopper, with C. Aubrey Smith, Dorothy Mackaill, Paul Cavanagh,
1933: [91.21] The vampire bat (Director of Photography: (AKA Ira Morgan)), Directed by Frank R. Strayer, with Lionel Atwill, Fay Wray, Melvyn Douglas,
1930: [01.31] The Ship from Shanghai (Director of Photography: (AKA Ira Morgan)), Directed by Charles Brabin, with Louis Wolheim, Conrad Nagel, Kay Johnson,
1929: [09.14] The Unholy Night (The Green Ghost (Working title)) (Director of Photography: (AKA Ira Morgan)), Directed by Lionel Barrymore, with Ernest Torrence, Roland Young, Dorothy Sebastian,
1929: [/ /1] The Great Gabbo (The rival dummy) (Director of Photography), Directed by James Cruze, with Betty Compson, Donald Douglas, Marjorie King,
1928: [] The Mating Call (Director of Photography), Directed by James Cruze, with Thomas Meighan, Evelyn Brent, Renée Adorée,
1925: [10.31] Lights of Old Broadway (The Merry Wives of Gotham, Lights of Old New York, Little Old New York) (Director of Photography), Directed by Monta Bell, with Marion Davies, Conrad Nagel, Frank Currier,
1925: [09.13] Never the Twain Shall Meet (Director of Photography), Directed by Maurice Tourneur, with Anita Stewart, Bert Lytell, Huntley Gordon,
1924: [12.08] Janice Meredith (Director of Photography), Directed by E. Mason Hopper, with Marion Davies, Holbrook Blinn, Harrison Ford,
1923: [11.04] Little old New York (Director of Photography), Directed by Sidney Olcott, with Marion Davies, Stephen Carr, ,
1922: [10.08] The Face in the Fog (Director of Photography), Directed by Alan Crosland, with Lionel Barrymore, Seena Owen, Lowell Sherman,
1922: [03.18] Beauty's Worth (Director of Photography), Directed by Robert G. Vignola, with Marion Davies, Forrest Stanley, June Elvidge,
1921: [10.30] Enchantment (Director of Photography), Directed by Robert G. Vignola, with Marion Davies, Forrest Stanley, Edith Shayne,
1920: [08.05] The Family Honor (Director of Photography), Directed by King Vidor, with Ben Alexander, Roscoe Karns, Charles Meredith,
1919: [11.01] Poor Relations (Where There's a Will (Working title)) (Director of Photography), Directed by King Vidor, with Florence Vidor, Lillian Leighton, William de Vaull,
1919: [08.18] The other half (Director of Photography), Directed by King Vidor, with Florence Vidor, Charles Meredith, ZaSu Pitts,
1918: [05.13] Social Briars (Director of Photography), Directed by Henry King, with Mary Miles Minter, Allan Forrest, Anne Schaefer,
1917: [12.17] New York Luck (A Live Wire Hick) (Director of Photography: (AKA Joe Morgan)), Directed by Edward Sloman, Henry King, with William Russell, Francelia Billington, Harvey Clark,
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