Mini-Biography:
The day of birth of Metro-Goldwyn Pictures Corporation is not on record. an American Produktion, known for Our modern maidens (1929), The Magician (1926), Confessions of a Queen (1925), Metro-Goldwyn Pictures Corporation's first movie on record is from 1924. His last motion picture on file dates from 1943.
FilmographyFilmography [Auszug]
1943: Above Suspicion (Gefährliche Flitterwochen) (Production), Directed by Richard Thorpe, with Joan Crawford, Fred McMurray, Conrad Veidt,
1929: Our modern maidens (Liebe à la Mode, Moderne Mädchen) (Production), Directed by Jack Conway, with Joan Crawford, Rod La Rocque, Douglas Fairbanks jr.,
1927: The Garden of Allah (Der Garten Allahs, Das grösste Opfer) (Production), Directed by Rex Ingram, with Alice Terry, Ivan Petrovich, ,
1926: The Magician (Der Magier, In den Klauen eines Hypnotiseurs, Der Dämon, Unter fremdem Willen) (Distribution), Directed by Rex Ingram, with Alice Terry, Paul Wegener, Ivan Petrovich,
1925: Mare Nostrum (Production), Directed by Rex Ingram, with Antonio Moreno, Alice Terry, Hughie Mack,
1925: Lights of Old Broadway (Distribution), Directed by Monta Bell, with Marion Davies, Conrad Nagel, Frank Currier,
1925: Never the Twain Shall Meet (Distribution), Directed by Maurice Tourneur, with Anita Stewart, Bert Lytell, Huntley Gordon,
1925: Proud Flesh (Production), Directed by King Vidor, with Eleanor Boardman, Pat O'Malley, Harrison Ford,
1925: Confessions of a Queen (Ein König im Exil) (Production), Directed by Victor Sjöström, with Alice Terry, Lewis Stone, John Bowers,
1925: The Way of a Girl (Frauen und Pferde) (Production), Directed by Robert G. Vignola, with Eleanor Boardman, Matt Moore, William Russell,
1925: Seven Chances (Der Mann mit den 1.000 Bräuten) (Distribution), Directed by Buster Keaton, with Buster Keaton, , Snitz Edwards,
1925: Daddy's Gone A Hunting (Wenn die Liebe stirbt... (sechs Akte aus dem Eheleben)) (Production), Directed by Frank Borzage, with Percy Marmont, Alice Joyce, ,
1925: The Great Divide (Der Bandit) (Production), Directed by Reginald Barker, with Alice Terry, Conway Tearle, Wallace Beery,
1924: The Wife of the Centaur (Sündhafte Triebe, Ein Mädchen und drei alte Narren) (Production), Directed by King Vidor, with Eleanor Boardman, John Gilbert, Aileen Pringle,
1924: Romola (Der Schreckenskarneval) (Distribution), Directed by Henry King, with Lillian Gish, Dorothy Gish, William Powell,
1924: So This Is Marriage? (Der Ehe ewiges Einerlei) (Production), Directed by Hobart Henley, with Eleanor Boardman, Conrad Nagel, Lew Cody,
1924: Along Came Ruth (Production), Directed by Edward F. Cline, with Viola Dana, Walter Hiers, Tully Marshall,
1924: Sinners in Silk (Der Garten der Sünde) (Distribution), Directed by Hobart Henley, with Eleanor Boardman, Adolphe Menjou, Conrad Nagel,
1924: The Arab (Der Araber) (Production), Directed by Rex Ingram, with Ramon Novarro, Alice Terry, ,
1924: Red Lily (Die rote Lilie) (Production), Directed by Fred Niblo, with Ramon Novarro, Enid Bennett, Frank Currier,
1924: Revelation (Distribution), Directed by George D. Baker, with Viola Dana, Monte Blue, Marjorie Daw,
1924: The Beauty Prize (Production), Directed by Lloyd Ingraham, with Viola Dana, Pat O'Malley, Eddie Phillips,
1924: True As Steel (Distribution), Directed by Rupert Hughes, with Aileen Pringle, Huntley Gordon, Cleo Madison,
1924: Thy Name Is Woman (Der Weibsteufel) (Production), Directed by Fred Niblo, with Ramon Novarro, Barbara La Marr, William V. Mong,