Mini-Biography:
The day of birth of Otto Jäger is not on record. He was a German Kameramann, known for Küsse, die man stiehlt im Dunkeln (1917), Die toten Augen (1917), Vera Panina (1918), Otto Jäger's first movie on record is from 1916. His last motion picture on file dates from 1919.
FilmographyFilmography [Auszug]
1919: Der Harlekin (Kamera), Directed by Eugen Rex, with Eugen Rex, Maria Zelenka, Ernst Pittschau,
1919: Dämon der Welt (Kamera), Directed by Siegfried Dessauer, Rudolf del Zopp, with Charles Willy Kayser, Heinz Salfner, Mabel May-Yong,
1919: (Kamera), Directed by Siegfried Dessauer, with Charles Willy Kayser, August Rinaldi, Ethel Scharo,
1918: Verlorene Töchter (Kamera), Directed by William Kahn, with Max Ruhbeck, Marga Köhler, Helga Molander,
1918: Das verhängnisvolle Andenken (Maria Widal-Serie 1918/19) (Kamera), Directed by Urban Gad, with Maria Widal,
1918: Das sterbende Modell (Tragödie einer Künstlerin) (Kamera), Directed by Urban Gad, with Maria Widal, Bruno Eichgrün, Olga Engl,
1918: Rosen, die der Sturm entblättert (Kamera), Directed by Kurt Matull, with Pola Negri, Ernst Hofmann, Maria Widal,
1918: Vera Panina (Kamera), Directed by Urban Gad, with Maria Widal, Max Marlinski,
1917: Wenn das Herz in Hass erglüht (Kamera), Directed by Kurt Matull, with Pola Negri, Tilly Bébé, ,
1917: Der Schmuck des Rajahs (Der Schmuck des Rajah) (Kamera), Directed by Urban Gad, with Maria Widal, Ernst Hofmann, Nils Chrisander,
1917: Küsse, die man stiehlt im Dunkeln (Kamera), Directed by Kurt Matull, with Pola Negri, Nils Chrisander, Magnus Stifter,
1917: Die toten Augen (Kamera), Directed by Kurt Matull, with Pola Negri, Ernst Hofmann, Nils Chrisander,
1917: Zügelloses Blut (Kamera), Directed by Kurt Matull, with Else Roscher, Pola Negri, Hermann Seldeneck,
1917: Nicht lange täuschte mich das Glück (Kamera), Directed by Kurt Matull, with Pola Negri, Nils Chrisander, Hermann Seldeneck,
1917: Klosterfriede (Kamera), Directed by Urban Gad, with Maria Widal, Hans Adalbert Schlettow, Olga Engl,
1916: Der rote Streifen (Kamera: (--??--)), Directed by Urban Gad, with Maria Widal, Arthur Wellin, Ernst Hofmann,
1916: Der breite Weg (Kamera), Directed by Urban Gad, with Maria Widal, Hans Adalbert Schlettow, Victor Senger,