Mini-Biography:
Willy Schmidt-Gentner was born on April 6, 1894 in Neustadt/Rennsteig. He was an Austrian Komponist, Regisseur, known for Operette (1940), Prinzessin Wildfang (1938), Der Engel mit der Posaune (1948), Willy Schmidt-Gentner's first movie on record is from 1923. Willy Schmidt-Gentner died on Februar 12, 1964 in Wien. His last motion picture on file dates from 1955.
FilmographyFilmography [Auszug]
1955: Heimatland (Homeland) (Musik), Directed by Franz Antel, with Hannelore Bollmann, Vera Complojer, Carl W. Fernbach,
1955: Kronprinz Rudolfs letzte Liebe (Mayerling) (Musik), Directed by Rudolf Jugert, with Lil Dagover, Erich Dörner, Karl Ehmann,
1954: Wenn du noch eine Mutter hast (Das Licht der Liebe) (Musik), Directed by Robert A. Stemmle, with Liselotte Maikl, Olive Moorefield, Erich Auer,
1954: Rummelplatz der Liebe (... und immer lockt die Sünde) (Musik), Directed by Kurt Neumann, with Eva Bartok, Ady Berber, Steve Cochran,
1954: Dieses Lied bleibt bei Dir (Cabaret) (Musik), Directed by Willi Forst, with Paul Henreid, Eva Kerbler, Fritz Schulz,
1953: Wenn am Sonntagabend die Dorfmusik spielt (Musik), Directed by Rudolf Schündler, with Rudolf Prack, Hans Stüwe, Ingeborg Körner,
1953: Von Liebe reden wir später (Musik), Directed by Karl Anton, with Edith Hancke, Fita Benkhoff, Willy Fritsch,
1952: Am Brunnen vor dem Tore (Musik), Directed by Hans Wolff, with Heli Finkenzeller, Willy Fritsch, Paul Klinger,
1952: Verlorene Melodie (Musik), Directed by Eduard von Borsody, with Peter Alexander, Rudolf Brix, Anita Christian,
1952: Der fröhliche Weinberg (Musik), Directed by Erich Engel, with Paul Henckels, Gustav Knuth, Reinhard Kolldehoff,
1951: The Lost One (Der Verlorene) (Musik), Directed by Peter Lorre, with Josef Dahmen, Johanna Hofer, Alexander Hunzinger,
1950: Cordula (Musik), Directed by Gustav Ucicky, with Karl Ehmann, Hermann Erhardt, Georg Filser,
1949: Schuss durchs Fenster (Musik), Directed by Siegfried Breuer, with Franz Blauberger, Siegfried Breuer, Fritz Eckhardt,
1949: Hexen (Musik), Directed by Hans Schott-Schöbinger, with Hansjörg Adolfi, Margrit Aust, Willy Danek,
1948: Der Engel mit der Posaune (Musik), Directed by Karl Hartl, with , Helene Thimig, Hedwig Bleibtreu,
1948: Es lebe das Leben (Musik), Directed by E.W. Emo, with , Geraldine Katt, Josef Menschik,
1947: Wintermelodie (Musik), Directed by Eduard Wieser, with Dietmar Schönherr, Ekkehard Arendt, Franz Eichberger,
1947: Die Welt dreht sich verkehrt (Musik), Directed by Johannes Alexander Hübler-Kahla, with Carl Bosse, Max Brod, Theodor Danegger,
1946: Praterbuben (Musik), Directed by Paul Martin, with Pepi Glöckner-Kramer, Fritz Imhoff, Dorothea Neff,
1945: Wiener Mädeln (Musik), Directed by Willi Forst, with Willi Forst, Anton Edthofer, Judith Holzmeister,
1944: Ein Blick zurück (Am Vorabend) (Musik), Directed by Gerhard Menzel, with Dagny Servaes, Karl Blühm, Maly Delschaft,
1944: Der gebieterische Ruf (Musik), Directed by Gustav Ucicky, with Rosl Dorena, Rudolf Forster, Maria Holst,
1944: Das Herz muss schweigen (Musik), Directed by Gustav Ucicky, with Franz Böheim, Gerda Brunner, Rosl Dorena,
1943: Späte Liebe (Musik), Directed by Gustav Ucicky, with , Attila Hörbiger, Inge List,
1941: Heimkehr (Musik), Directed by Gustav Ucicky, with , Peter Petersen, Attila Hörbiger,
1940: Operette (Musik), Directed by Willi Forst, with Willi Forst, Maria Holst, Dora Komar,
1940: Ein Leben lang (Musik), Directed by Gustav Ucicky, with Jane Tilden, , Joachim Gottschalk,
1940: Der Postmeister (Musik), Directed by Gustav Ucicky, with Siegfried Breuer, Erik Frey, Heinrich George,
1939: Mutterliebe (Musik), Directed by Gustav Ucicky, with Käthe Dorsch, Hans Hotter, Hans Holt,
1939: Hotel Sacher (Musik), Directed by Erich Engel, with Wolf Albach-Retty, Willy Birgel, Hedwig Bleibtreu,
1938: Prinzessin Wildfang (Musik), Directed by Fritz Thiery, with Irmgard Albert, Paul Hörbiger, Hansi Knoteck,
1935: Die Pompadour (Regisseur), Directed by Veit Harlan, with Luise Kartousch, Rudolf Carl, Anton Edthofer,
1935: Eva (Musik), Directed by Johannes Riemann, with Fritz Imhoff, Ferdinand Mayerhofer, Hans Moser,
1935: Lockspitzel Asew (Asew) (Musik), Directed by Phil Jutzi, with Karl Forest, Ellen Frank, Otto Hartmann,
1935: Die Leuchter des Kaisers (Musik), Directed by Karl Hartl, with Friedl Czepa, Karl Ludwig Diehl, Anton Edthofer,
1934: Caprice de Princesse (Ihre Durchlaucht, die Verkäuferin) (Musik), Directed by Henri-Georges Clouzot, Karl Hartl, with Marie Bell, Armand Bernard, ,
1933: Leise flehen meine Lieder (Musik), Directed by Willi Forst, with Mártha Eggerth, Hans Jaray, Hans Moser,
1932: Marschall Vorwärts (Musik), Directed by Heinz Paul, with Fritz Alberti, Carl Auen, Paul Biensfeldt,
1932: Sehnsucht 202 (Ja, der Himmel über Wien) (Musik), Directed by Max Neufeld, with Luise Rainer, Magda Schneider,
1931: Ihre Majestät die Liebe (Roxi Bar) (Musik), Directed by Joe May, with Ralph Arthur Roberts, Franz Lederer, Joe May,
1930: Aschermittwoch (Musik), Directed by Johann Meyer, with Karl Ludwig Diehl, Evelyn Holt, Hans Junkermann,
1930: Die blonde Nachtigall (Musik), Directed by Johann Meyer, with Ernst Behmer, Wilhelm Bendow, Siegfried Berisch,
1930: Dolly macht Karriere (Musik), Directed by Anatole Litvak, with Alfred Abel, Hansi Arnstaedt, Hermann Blass,
1930: Hokuspokus (Musik), Directed by Gustav Ucicky, with Ruth Albu, Ernst Behmer, Wilhelm Bendow,
1930: Die Jugendgeliebte (Goethe's Frühlingstraum) (Musik), Directed by Hans Tintner, with Ilse Baumann, Elga Brink, Willi Clever,
1930: Das Flötenkonzert von Sanssouci (Musik), Directed by Gustav Ucicky, with Raoul Aslan, Alfred Beierle, Paul Biensfeldt,
1930: Ein Walzer im Schlafcoupé (Musik), Directed by Fred Sauer, with Ernst Behmer, Siegfried Berisch, Trude Berliner,
1930: Liebling der Götter (Musik), Directed by Hanns Schwarz, with Max Gülstorff, Emil Jannings, Hans Moser,
1930: Cyankali (Musik), Directed by Hans Tintner, with M Andersen, Claus Clausen, Josefine Dora,
1930: Die heiligen drei Brunnen (Symphonie der Berge) (Musik), Directed by Mario Bonnard, with Betty Bird, Boris de Fast, Albert Karchow,
1930: Der weisse Teufel (Musik), Directed by Aleksandr Volkov, with Fritz Alberti, Betty Amann, Henry Bender,
1929: Wenn du einmal dein Herz verschenkst (Musik), Directed by Johannes Guter, with Rudolf Biebrach, Valeria Blanka, Harry Halm,
1929: Die Frau im Mond (Musik), Directed by Fritz Lang, with Gerda Maurus, Willy Fritsch, Klaus Pohl,
1929: Männer ohne Beruf (Musik: Kino-Musik ), Directed by Harry Piel, with Harry Piel, Bruno Ziener, Albert Paulig,
1928: Quartier Latin (Paris, Du Stadt der Liebe) (Musik), Directed by Augusto Genina, with Carmen Boni, Ivan Petrovich, Gina Manès,
1928: Ihr dunkler Punkt (Musik), Directed by Johannes Guter, with Sig Arno, Wilhelm Bendow, Paul Biensfeldt,
1928: Casanovas Erbe (Musik), Directed by Manfred Noa, with Maly Delschaft, Andrée Lafayette, Harry Hardt,
1928: Frauenarzt Dr. Schäfer (Musik), Directed by Jakob Fleck, Luise Kolm, with Ivan Petrovich, Hans Albers, Evelyn Holt,
1927: Alraune (Musik), Directed by Henrik Galeen, with Brigitte Helm, Paul Wegener, Ivan Petrovich,
1927: Mata Hari, die rote Tänzerin (Musik), Directed by Friedrich Feher, with Dorothea Albu, Elisabeth Bach, Louis Brody,
1927: Der Anwalt des Herzens (Musik), Directed by Wilhelm Thiele, with Georg Baselt, Victor Colani, Lil Dagover,
1927: Die Hose - Skandal in einer kleinen Residenz (Musik), Directed by Hans Behrendt, with Rudolf Forster, Veit Harlan, Jenny Jugo,
1927: Die Weber (Musik), Directed by Friedrich Zelnik, with Paul Wegener, , Hermann Picha,
1927: Laster der Menschheit (Musik), Directed by Rudolf Meinert, with Alfred Abel, Ekkehard Arendt, Maria Forescu,
1926: Die Frau, die nicht "nein" sagen kann (Musik), Directed by Fred Sauer, with Hans Albers, Jean Dehelly, Gustav Fröhlich,
1926: Tragödie eines Verlorenen (Musik), Directed by Hans Steinhoff, with Alfred Abel, Helga Molander, Ralph Arthur Roberts,
1926: Liebe (Die Herzogin von Langeais) (Musik), Directed by Paul Czinner, with Elisabeth Bergner, Hans Conrady, Olga Engl,
1926: Dagfin, der Schneeschuhläufer (Musik), Directed by Joe May, with Marcella Albani, Paul Biensfeldt, Ernst Deutsch,
1926: Der Student von Prag (Musik), Directed by Henrik Galeen, with Conrad Veidt, Elizza La Porta, Fritz Alberti,
1926: Staatsanwalt Jordan (Musik), Directed by Karl Gerhardt, with Mary Johnson, Hans Mierendorff, Hedwig Pauly-Winterstein,
1926: An der schönen blauen Donau (Musik), Directed by Friedrich Zelnik, with Hans Albers, Henry Bender, Hugo Döblin,
1926: Die drei Mannequins (Die drei Probiermamsells) (Musik), Directed by Jaap Speyer, with Hans Albers, Siegfried Bertsch, Hans Brausewetter,
1925: Der Leibgardist (Der Gardeoffizier) (Musik), Directed by Robert Wiene, with Alfred Abel, Maria Corda, Anton Edthofer,
1924: Die Stimme des Herzens (Musik), Directed by Hanns Schwarz, with Mary Johnson, Meinhardt Maur, Wilhelm Kaiser-Heyl,
1924: Auf Befehl der Pompadour (Musik), Directed by Friedrich Zelnik, with Hans Albers, Ernst Behmer, Harry Berber,
1924: Zum Gipfel der Welt (Die Mount Everest-Expedition 1924, ausgeführt von Kapitän Noel) (Musik),
1924: Don Carlos und Elisabeth (Musik), Directed by Richard Oswald, with Conrad Veidt, Eugen Klöpfer, Aud Egede-Nissen,
1924: Thamar, das Kind der Berge (Musik), Directed by Robert Dinesen, with Lya de Putti, Paul Otto, Anton Pointner,
1923: Die Macht der Finsternis (Musik), Directed by Conrad Wiene, with Maria Egorova, Maria Germanova, Sergej Kommissarov,