Mini-Biography:
Franz Weihmayr was born on Dezember 31, 1903 in München. He was a German Kameramann, known for Auferstehung (1958), Wer bist du, den ich liebe ? (1949), Der Blaufuchs (1938), Franz Weihmayr's first movie on record is from 1929. Franz Weihmayr died on , 1969 in Bayern. His last motion picture on file dates from 1961.
FilmographyFilmography [Auszug]
1961: Vertauschtes Leben (Kamera), Directed by Helmut Weiss, with Karin Baal, Lotte Brackebusch, Clas Eriksen,
1959: Ein Sommer, den man nie vergisst (Tränen in deinen Augen) (Kamera), Directed by Werner Jacobs, with Eddi Arent, Fita Benkhoff, Claus Biederstaedt,
1958: Auferstehung (Kamera), Directed by Rolf Hansen, with Edith Mill, Myriam Bru, Horst Buchholz,
1956: Heiraten verboten ! (Der Glockenkrieg, Liebe, Glocken und a Gaudi) (Kamera), Directed by Heinz Paul, with Siegfried Breuer, Ingeborg Cornelius, Helga Frank,
1956: Wo der Wildbach rauscht (Kamera), Directed by Heinz Paul, with Ingeborg Cornelius, Helga Frank, Jürgen Goslar,
1954: Canaris (Kamera), Directed by Alfred Weidenmann, with Hardy Krüger, Peer Schmidt, Alice Treff,
1954: Eine Frau von heute (Kamera), Directed by Paul Verhoeven, with Marianne Brauns, Robert Freitag, Curd Jürgens,
1954: Unternehmen Edelweiss (Kamera), Directed by Heinz Paul, with Alice Graf, Albert Hehn, Reinhard Kolldehoff,
1953: Pünktchen und Anton (Kamera), Directed by Thomas Engel, with Viktor Braun, Sabine Eggerth, Maria Eis,
1953: Ich und Du (Kamera), Directed by Alfred Weidenmann, with Claus Biederstaedt, Lucie Englisch, Ursula Herking,
1950: Das doppelte Lottchen (Kamera), Directed by Josef von Baky, with Isa Günther, Jutta Günther, Maria Kahn,
1950: Melodie des Schicksals (Kamera), Directed by Hans Schweikart, with Fita Benkhoff, Victor De Kowa, Otto Gebühr,
1949: Wer bist du, den ich liebe ? (Kamera), Directed by Géza von Bolváry, with Gisela Fackeldey, Adrian Hoven, Walter Janssen,
1944: Jan und die Schwindlerin (Kamera), Directed by Hans Weissbach, with Käthe Alving, Gerty Soltau, ,
1943: Damals (Kamera), Directed by Rolf Hansen, with Zarah Leander, Hans Brausewetter, Rossano Brazzi,
1942: Die Grosse Liebe (Kamera), Directed by Rolf Hansen, with Zarah Leander, Wilhelm Althaus, Paul Bildt,
1940: Das Herz einer Königin (Kamera), Directed by Carl Froelich, with Federico Benfer, Willy Birgel, Bruno Decarli,
1939: Es war eine rauschende Ballnacht (Kamera), Directed by Carl Froelich, with Zarah Leander, Paul Dahlke, Ernst Dumcke,
1938: Der Blaufuchs (Kamera), Directed by Victor Tourjansky, with Zarah Leander, Willy Birgel, Paul Hörbiger,
1938: Am seidenen Faden (Kamera), Directed by Robert A. Stemmle, with Ina Albrecht, Erich Bartels, Paul Bildt,
1938: Heimat (Kamera), Directed by Carl Froelich, with Gertrud de Lalsky, Zarah Leander, Georg Alexander,
1937: La Habanera (Kamera), Directed by Douglas Sirk, with Zarah Leander, Rosita Alcaraz, Boris Alekin,
1937: Zu neuen Ufern (Kamera), Directed by Douglas Sirk, with Zarah Leander, Boris Alekin, Ekkehard Arendt,
1936: Moskau-Shanghai (Der Weg nach Shanghai) (Kamera), Directed by Paul Wegener, with Paul Bildt, Karl Dannemann, Gustav Diessl,
1935: Fährmann Maria (Kamera), Directed by Frank Wysbar, with Gerhard Bienert, Carl de Vogt, Aribert Mog,
1934: Sabra (Kamera), Directed by Aleksander Ford, with , , ,
1934: Da stimmt was nicht (Kamera), Directed by Hans Hellmut Zerlett, with Kurt Keller-Nebri, Ralph Arthur Roberts, Elga Brink,
1934: Wilhelm Tell (Wilhelm Tell - Das Freiheitsdrama eines Volkes) (Kamera), Directed by Heinz Paul, with Hans Marr, Conrad Veidt, Emmi Sonnemann,
1933: Elisabeth und der Narr (Kamera), Directed by Thea von Harbou, with Fritz Alberti, Gerhard Dammann, Else Ehser,
1933: Hans Westmar - Einer von vielen (Horst Wessel) (Kamera), Directed by Franz Wenzler, with Carl Auen, Carla Bartheel, Gertrud de Lalsky,
1931: Mädchen in Uniform (Kamera), Directed by Leontine Sagan, Carl Froelich, with Hertha Thiele, Dorothea Wieck, Emilie Unda,
1930: Der Jäger von der Riss - Der Schuss im Morgengrauen (Kamera), Directed by Franz Seitz sen., with Grit Haid, Ludwig Ruppert,
1929: Auf der Reeperbahn nachts um halb eins (Kamera), Directed by Fred Stranz, with Eddie Polo, Lydia Potechina, Harry Nestor,