Mini-Biography:
Hans J. Salter was born on Januar 14, 1896. He was an American Komponist, known for Duel at Silver Creek (1952), Scarlet Street (1945), Follow that dream (1962), Hans J. Salter's first movie on record is from 1930. Hans J. Salter died on July 23, 1994. His last motion picture on file dates from 1967.
FilmographyFilmography [Auszug]
1967: Return of the Gunfighter (Heisse Colts in Harten Fäusten) (Musik), Directed by James Neilson, with Robert Taylor, Chad Everett, Ana Martin,
1964: Bed Time Story (Zwei erfolgreiche Verführer) (Musik), Directed by Ralph Levy, with Francine York, Parley Baer, Marlon Brando,
1962: Follow that dream (Ein Sommer in Florida) (Musik), Directed by Gordon Douglas, with Anne Helm, Jack Kruschen, Arthur O'Connell,
1962: If a man answers (... gefrühstückt wird zu Hause) (Musik), Directed by Henry Levin, with Bobby Darin, Sandra Dee, John Lund,
1960: Come September (Happy End im September) (Musik), Directed by Robert Mulligan, with Bobby Darin, Brenda De Banzie, Sandra Dee,
1959: The Man in the Net (Das tödliche Netz) (Musik), Directed by Michael Curtiz, with John Alexander, Diane Brewster, Tom Helmore,
1956: Autumn Leaves (Herbststürme) (Musik), Directed by Robert Aldrich, with Joan Crawford, Ruth Donnelly, Lorne Greene,
1955: The Rawhide Years (Vom Teufel verführt) (Musik), Directed by Rudolph Maté, with James Anderson, Trevor Bardette, Tony Curtis,
1955: Red Sundown (Auf der Spur des Todes) (Musik), Directed by Jack Arnold, with Rory Calhoun, Martha Hyer, Dean Jagger,
1954: Sign of the Pagan (Attila, der Hunnenkönig) (Musik), Directed by Douglas Sirk, with Jeff Chandler, Walter Coy, George Dolenz,
1954: Naked alibi (Schwaches Alibi) (Musik), Directed by Jerry Hopper, with Sterling Hayden, Gloria Grahame, Gene Barry,
1952: Duel at Silver Creek (Schüsse in New Mexiko) (Musik), Directed by Don Siegel, with Susan Cabot, Faith Domergue, Eugene Iglesias,
1951: The golden horde (Dschingis Khan - Die goldene Horde) (Musik), Directed by George Sherman, with Ann Blyth, Henry Brandon, Peggie Castle,
1950: Bend of the River (Meuterei am Schlangenfluss) (Musik), Directed by Anthony Mann, with James Stewart, Arthur Kennedy, Julie Adams,
1950: Please believe me (Drei Männer für Alison) (Musik), Directed by Norman Taurog, with Spring Byington, George Cleveland, Deborah Kerr,
1949: The Reckless Moment (Schweigegeld für Liebesbriefe) (Musik), Directed by Max Ophüls, with David Bair, Joan Bennett, Geraldine Brooks,
1946: So goes my love (Musik: AKA H.J. Salter), Directed by Frank Ryan, with Don Ameche, Clara Blandick, Wheaton Chambers,
1945: Scarlet Street (La strada scarlatta) (Musik), Directed by Fritz Lang, with Edward G. Robinson, Joan Bennett, Dan Duryea,
1945: The strange affair of Uncle Harry (Onkel Harrys seltsame Affäre) (Musik), Directed by Robert Siodmak, with Sara Allgood, George Sanders, Samuel S. Hinds,
1944: San Diego, I love you (Musik), Directed by Reginald LeBorg, with Louise Allbritton, Eric Blore, Jon Hall,
1944: Christmas Holiday (Weihnachtsurlaub) (Musik), Directed by Robert Siodmak, with Deanna Durbin, Gladys George, Dean Harens,
1943: Frankenstein meets the Wolfman (Musik), Directed by Roy William Neill, with Lionel Atwill, Lon Chaney jr., Patric Knowles,
1943: Son of Dracula (Draculas Sohn) (Musik), Directed by Robert Siodmak, with Evelyn Ankers, J. Edward Bromberg, Lon Chaney jr.,
1942: The Spoilers (Die Freibeuterin) (Musik), Directed by Ray Enright, with Richard Barthelmess, Marietta Canty, Harry Carey,
1941: It started with Eve (Die ewige Eva) (Musik), Directed by Henry Koster, with Walter Catlett, Robert Cummings, Catherine Doucet,
1935: Alles für die Firma (Musik), Directed by Rudolf Meinert, with Oskar Karlweis, Felix Bressart, Otto Wallburg,
1931: Der Mann, der den Mord beging (Nächte am Bosporus) (Musik), Directed by Curtis Bernhardt, with Conrad Veidt, Heinrich George, Trude von Molo,
1930: Die blonde Nachtigall (Musik), Directed by Johann Meyer, with Ernst Behmer, Wilhelm Bendow, Siegfried Berisch,
Bibliography
Lothar R. Just, Filmjahrbuch 1995, Heyne Filmbibliothek # 216, München 1995