Mini-Biography:
John Stumar was born on May 30, 1892 in Budapest. He was an American Director of Photography, known for The Island of the lost Souls (1932), The best man wins (1935), Devil's Squadron (1936), John Stumar's first movie on record is from 1917. John Stumar died on October 27, 1962 in Los Angeles, California, USA. His last motion picture on file dates from 1944.
Biographical Notes
Bruder des Kameramanns Charles J. Stumar
FilmographyFilmography [Auszug]
1944: The Return of the Vampire (Director of Photography), Directed by Lew Landers, with Bela Lugosi, Nina Foch,
1936: Devil's Squadron (Director of Photography), Directed by Earl C. Kenton, with Richard Dix, Boyd Irving, Gordon Jones,
1936: Counterfeit (Director of Photography), Directed by Earl C. Kenton, with John Gallaudet, Claude Gillingwater, Margot Grahame,
1936: End of the Trail (Director of Photography), Directed by Earl C. Kenton, with Louise Henry, Jack Holt, Edward J. Le Saint,
1936: A Burglar for a Night (Director of Photography), Directed by Ernest C. Warde, with J. Warren Kerrigan, Lois Wilson, William Elmer,
1936: The Mating of Marcella (Director of Photography), Directed by Roy William Neill, with Dorothy Dalton, Thurston Hall, Juanita Hansen,
1935: The best man wins (Director of Photography), Directed by Earl C. Kenton, with Forrester Harvey, Jack Holt, Mitchell Lewis,
1933: Laughter in Hell (Director of Photography), Directed by Edward L. Cahn, with Pat O'Brien, Merna Kennedy, Berton Churchill,
1932: The Island of the lost Souls (Director of Photography), Directed by Earl C. Kenton, with Bob Kortman, Richard Arlen, Joe Bonomo,
1932: The crowd roars (Director of Photography), Directed by Howard Hawks, with Joan Blondell, James Cagney, Ann Dvorak,
1925: The Home Maker (Director of Photography), Directed by King Baggot, with Alice Joyce, Clive Brook, ,
1921: Anne of Little Smoky (Director of Photography: (AKA John S. Stumar)), Directed by Edward O'Connor, with Winifred Westover, Dolores Cassinelli, Joe King,
1921: Pardon My French (Director of Photography), Directed by Sidney Olcott, with Vivian Martin, George Spink, ,
1921: Shams of Society (Director of Photography: (AKA John S. Stumar)), Directed by Thomas B. Walsh, with Barbara Castleton, Montagu Love, Edwards Davis,
1921: Mother Eternal (Director of Photography), Directed by Ivan Abramson, with Vivian Martin, Thurston Hall, Earl Metcalfe,
1919: (Director of Photography), Directed by Joseph De Grasse, with Dorothy Dalton, Robert Elliott, Macey Harlam,
1919: The Lady of Red Butte (Accused (Working title)) (Director of Photography: (AKA John S. Stumar)), Directed by Victor Schertzinger, with Dorothy Dalton, Thomas Holding, Tully Marshall,
1919: Hard Boiled (Director of Photography: (AKA John S. Stumar)), Directed by Victor Schertzinger, with Dorothy Dalton, , William Courtright,
1918: Vive la France! (The Cross of Shame (Working title)) (Director of Photography: (AKA John S. Stumar)), Directed by Roy William Neill, with Dorothy Dalton, Edmund Lowe, Fred Starr,
1918: The Marriage Ring (The Pawn (Working title)) (Director of Photography: (AKA John S. Stumar)), Directed by Fred Niblo, with Enid Bennett, Thomas H. Ince Corporation, Jack Holt,
1918: The Vamp (Director of Photography), Directed by Jerome Storm, with Enid Bennett, Douglas MacLean, Charles K. French,
1918: Naughty, Naughty! (Director of Photography), Directed by Jerome Storm, with Enid Bennett, Earle Rodney, Marjorie Bennett,
1918: Flare-Up Sal ('Flare Up Sal' of Jimtown (Working title)) (Director of Photography: (AKA John S. Stumar)), Directed by Roy William Neill, with Dorothy Dalton, Thurston Hall, William Conklin,
1917: Love Letters (The Edge of Sin (Working title)) (Director of Photography: (AKA John M. Stumar)), Directed by Roy William Neill, with Dorothy Dalton, William Conklin, Dorcas Matthews,
1917: The Price Mark (The Love Light (Working title)) (Director of Photography: (AKA John M. Stumar) ), Directed by Roy William Neill, with Dorothy Dalton, William Conklin, Thurston Hall,