Mini-Biography:
Maxwell Karger was born in 1879 in Cincinnati, Ohio, US. He was an American Producer, known for Garments of Truth (1921), Out of the Fog (1919), The red lantern (1919), Maxwell Karger's first movie on record is from 1914. Maxwell Karger died on May 4, 1922 in Ft. Wayne, Indiana, US. His last motion picture on file dates from 1922.
Biographical Notes
Maxwell Karger
«(...) The public didn't know the name of Max Karger. But he was, in those days, the man behind the gun at the Metro. He was the executive in charge of production. All those brilliant young people came to him, he worked out the endless details of their big success, he figured and he planned with, and for them. Everybody went to Max for everything.
Karger died of heart failure in a Pullman car on his way back to the Metro studio from a business trip east.(...)» [Adela Rogers St. Johns, The Haunted Studio, Photoplay Magazine, December 1927, pg 96]
He is another „mystery man“ in the history of American silent movies, his premature death probably obscured a critical recognition of his merits for the cinema of the years 1916 – 1922. Even Liam O'Leary disqualifies him as "Publicity Man for Metro" without giving him proper credit. [Liam O'Leary, op. cit pg 60]
Maxwell (Max) Karger was born in Ohio [Charles D. Fox / Milton L. Silver, Who 's who on the Screen, Ross Pub. Co., New York, 1920, pg 390] in the turn of the year 1878/79, some sources indicate December 31, 1878 [Hans J. Wollstein, All Movie Guide] as date of birth. Nothing is known about his parents, probably immigrants from Germany. As per the few indications we have bout his early years, Karger became a pupil of Simon E. Jacobsohn (1839-1902) at the Chicago Conservatory [Chicago Symphony Orchestra Program Notes 1894-1895, N° 8] and studies violin. In the early Nineties Max Karger traveled to Europe to study with one of the most prominent violinist of the time, Joseph Joachim (1831-1907).
Upon his return 1897 to America, Karger starts a career as violinist and immediately gets excellent reviews. The Daily Mail and Empire, Toronto, comments "(...) Max Karger, the famous German violinist, has no equal on this continent (...)" [Daily Mail and Empire, Toronto, October 28, 1897]. On November 7, 1897, he plays for the first time at the Metropolitan Opera House in New York. “(...) Max Karger, the violinist, last night made his first public appearance in America. He is a young man. His playing showed a great taste, his technique was generally fine, but his playing seemed to lack that passion which the violin is so capable of expressing. He was exact but cold. The audience recalled him several times (...)" [The Brooklyn Daily Eagle, November 8, 1897]. Not less favorable was the review by the Kansas City Journal: “New York, Nov 7. - The first appearance in America of a Chicago violinist to-night marked the opening popular concert of the Metropolitan opera house winter series. Max Karger, after studying with a local teacher in Chicago, went abroad four years ago, at the age of 16, to perfect himself. His first appearance in America since his return, occurred to-night in a concert at which Madame Sembrich was the soloist. Mr. Karger's selections were first movement of concerto, Tschaikowsky; madrigal, Simonetti; molto perpetuoso, Reis. Mr. Karger's facility is great and his work is evidence of much temperament and no little tenderness. he received several recalls.” [The Kansas City Journal, November 8, 1897]
Soon young Max Karger also made his entry into the local society in New York, and his name can be found in the Society Notes of the New York Times: “A musicale was given on a recent evening at the residence of Mrs. Henry L. Liebmann, 125 East Eightieth Street. Miss Florence Terrek, Miss Estelle Liebling, Mr. Hans Kronold, Messrs. Max and Leonard Liebling and Mr. Henri Eru (??) were among the performers. The rooms were decorated with palms and chrysanthemums, and some eighty or ninety guests were present, among them Misses Jessie Shay, Josephine Hartman, and Messrs. Max Karger, Bernard Sinsheimer, Franz Listemann, Dorea, Fischl, and J.J. Lyons.” [The New York Times, November 13, 1898] In 1899 he performs as First violinist and Concertmaster in the Summer Orchestral Concertos of Franz Kaltenborn's Orchestra - “(...) [Franz Kaltenborn, 1865-1946, Violinist and Conductor - The New York Times, July 2, 1899] The Strauss waltzes and the Tschaikowski's symphony pleased the audience, calling fourth hearty applause. The soloist of the evening was Max Karger, the concert master.” [The New York Times, August 9, 1899] Among his performances are pieces of modern composers, and especially also of Henryk Wieniawski “(...) Max Karger played a 'Faust' fantasy by H. Wieniawski (...) and young Mr. Karger rendered divers perpetual motions and romance melodies on his instrument with ample skill and facility, and the promise occasionally of better and more serious work (...) “ [The Brooklyn Daily Eagle, May 18, 1899]
“Pupils accepted” is printed in a publicity ad by Max Karger in 1901, and in fact Max Karger was giving lessons at the Associate School of Music: "(...) The Associate School of Music has been in existence some years at the Depew building, 489 Fifth avenue, where Mr. Hilbert Wilber Greene has conducted his vocal work (...) and Mr. Max Karger his violin school. (...) Mr. Max Karger has recently only returned to America from the greatest of European masters on the volin, [Joseph] Joachim [1831-1907], and immediately took a leading position among violinists." [The Brooklyn Daily Eagle, September 9, 1900] Among his pupils is a certain "Miss Cranbrook, Violin Teacher, 778 Prospect Place, Pupil of Max Karger, will take a few pupils. Terms moderate. Highest references" [The Brooklyn Daily Eagle), October 31, 1901]
Shortly after 1900 Max Karger's career as Violinist must have ended abruptly, no records are re-traceable after 1901, and Karger is only mentioned as 'a musician from Chicago' in the divorce case of Rupert Hughes 1903 at the Supreme Court of New York. “(...) the suit of Rupert Hughes, a musical critic, playwright and author, against his wife, Agnes Wheeler Hughes (...) The correspondents named are (...) Max Karger, a musician of Chicago (...) The witness (Maude Wilkinson) said she knew Max Karger and said he called on Mrs. Hughes, at the Seventy-eight street apartment and often took her violets. "He called one evening when Hughes was out and he and Mrs. Hughes went to the theatre together. Mrs, Hughes told me not to tell her husband." She said that Mrs. Hughes was entertaining a friend one day when Karger called. The three had whiskey together in the bedroom (...)” [The Evening Telegraph, New York, October 8, 1903, pg 14]
Around 1907 M.J. Karger , the manager's name of the Empire Theatre in Des Moines, can be found in several issues of the New York Clipper. [Issues between February 16, 1907 and January 10, 1910 on file] This was most probably another Karger of whom we ignore further details except the birth of a daughter. Early in the Tens, Maxwell Karger met Vaudeville actress Ann Conley of the "Ann & Effie Conley Sisters" – Ann became his wife, her sister Effie Conley married Fred Warren [Fred Warren, vaudeville actor, 1860-1940. Warren also played in some films produced by Karger and functioned at least in three films as assistant director.]. Ann and Maxwell Karger's son, Fred, was born on February 13, 1916, and will be known as composer and musician [Fred Karger died in Santa Monica on August 5, 1979]. While Effie Conley-Warren also had a short career as actress in the silents, there is no evidence of Ann Conley-Karger continuing her acting activity after her marriage.
What exactly was Karger's activity in those years until 1914, we do not know. Even the “official” biography by Charles D. Fox and Milton L. Silver in “Who 's who on the Screen” remains more than diffusive about those years: “(...) a violinist and chose journalism for a career. However, he drifted from the newspaper field and became a drygoods clerk, advertising director for a big department store, floorwalker, leader of an orchestra, concert player and finally a motion picture impresario. He played first violin with the Philharmonic and Metropolitan orchestra for seven years. After a romantic business and newspaper career he came to New York and was one of the organizers of Metro (...)” [Charles D. Fox / Milton L. Silver, Who 's who on the Screen, Ross Pub. Co., New York, 1920, pg 390]
FilmographyFilmography
1922: Hate (Woman's Hate) (Director), with Alice Lake, Conrad Nagel, Harry S. Northrup,
1922: Kisses (Director), with Alice Lake, Harry Myers, Edward Connelly,
1922: The Golden Gift (Director), with Alice Lake, John Bowers, Harriett Hammond,
1921: The Idle Rich (Junk (Working title)) (Director), with Bert Lytell, Virginia Valli, John Davidson,
1921: A Hole in the Wall (Director), with Alice Lake, Allan Forrest, Frank Brownlee,
1921: Garments of Truth (Producer: (--??--)), Directed by George D. Baker, with Gareth Hughes, Ethel Grandin, John Steppling,
1921: A Trip to Paradise (Director), with Bert Lytell, Virginia Valli, Brinsley Shaw,
1921: The Man who (Producer), with Bert Lytell, Lucy Cotton, Virginia Valli,
1921: Fine Feathers (Producer), Directed by Fred Sittenham, with Eugene Pallette, Claire Whitney, Thomas W. Ross,
1921: Puppets of Fate (Sorrontina (Working title)) (Producer), Directed by Dallas M. Fitzgerald, with Viola Dana, Francis McDonald, Jackie Saunders,
1921: A Message from Mars (Director), with Bert Lytell, , Maud Milton,
1920: The Misleading Lady (Producer), Directed by George Irving, George W. Terwilliger, with Bert Lytell, Lucy Cotton, Frank Currier,
1920: Polly with a past (Producer), Directed by Leander de Cordova, with Ina Claire, Ralph Graves, ,
1920: The Fatal Hour (Producer), Directed by George W. Terwilliger, with Thomas W. Ross, Wilfred Lytell, Frank Conlan,
1920: Love, Honor & Obey (Producer), Directed by Leander de Cordova, with Wilda Bennett, Claire Whitney, Henry Harmon,
1920: The Hope (Producer), Directed by Herbert Blaché, with Jack Mulhall, Marguerite de la Motte, Ruth Stonehouse,
1920: Clothes (Producer), Directed by Fred Sittenham, with Olive Tell, Crauford Kent, Cyril Chadwick,
1920: The Best of Luck (Producer), Directed by Ray C. Smallwood, with Kathryn Adams, Jack Holt, Lila Leslie,
1920: The Cheater (Producer), Directed by Henry Otto, with May Allison, King Baggot, Frank Currier,
1920: Dangerous to Men (Producer), Directed by William C. Dowlan, with Viola Dana, Milton Sills, Edward Connelly,
1920: Old Lady 31 (Producer), Directed by John Ince, with Emma Dunn, Henry Harmon, Clara Knott,
1920: Alias Jimmy Valentine (Producer), Directed by Edmund Mortimer, Arthur D. Ripley, with Bert Lytell, Vola Vale, Eugene Pallette,
1920: Shore Acres (Producer), Directed by Rex Ingram, with Alice Lake, Robert Walker, Edward Connelly,
1920: The Right of Way (Producer), Directed by John Francis Dillon, with Bert Lytell, Gibson Gowland, Leatrice Joy,
1920: The Walk-offs (Producer), Directed by Herbert Blaché, with May Allison, Emory Johnson, Effie Conley,
1920: The Willow Tree (Producer), Directed by Henry Otto, with Viola Dana, Edward Connelly, Pell Trenton,
1919: Stronger than Death (Producer), Directed by Herbert Blaché, Charles Bryant, Robert Z. Leonard, with Alla Nazimova, Charles Bryant, Charles K. French,
1919: Should a Woman Tell? (Producer), Directed by John Ince, with Alice Lake, Frank Currier, Jack Mulhall,
1919: Fair and Warmer (Producer), Directed by Henry Otto, with May Allison, Pell Trenton, Eugene Pallette,
1919: Please get Married (Producer), Directed by John Ince, with Viola Dana, Antrim Short, Margaret Campbell,
1919: Lombardi, Ltd. (Producer), Directed by Jack Conway, with Bert Lytell, Alice Lake, Vera Lewis,
1919: The Brat (Producer), Directed by Herbert Blaché, with Alla Nazimova, Charles Bryant, Amy Veness,
1919: A Favor to a Friend (Producer), Directed by John Ince, with Emmy Wehlen, Jack Mulhall, Hugh Fay,
1919: The Four-Flusher (Producer), Directed by Harry L. Franklin, with Hale Hamilton, Ruth Stonehouse, Harry Holden,
1919: The Microbe (Producer), Directed by Henry Otto, with Viola Dana, Kenneth Harlan, Arthur Maude,
1919: In His Brother's Place (Producer), Directed by Harry L. Franklin, with Hale Hamilton, Emmett King, Ruby Lafayette,
1919: The Man who stayed at home (Producer), Directed by Herbert Blaché, with King Baggot, Claire Whitney, Robert Whittier,
1919: The Uplifters (Producer), Directed by Herbert Blaché, with May Allison, Alfred Hollingsworth, Kathleen Kerrigan,
1919: Full o' Pep (Producer), Directed by Harry L. Franklin, with Alice Lake, Hale Hamilton, Alice Knowland,
1919: One-Thing-at-A-Time O'Day (Producer), Directed by John Ince, with Bert Lytell, Joseph Kilgour, Eileen Percy,
1919: Fools and Their Money (Producer), Directed by Herbert Blaché, with Emmy Wehlen, Jack Mulhall, Emmett King,
1919: Some Bride (Patricia (Working title)) (Producer), Directed by Henry Otto, with Viola Dana, Irving Cummings, ,
1919: Almost married (Producer: (Supervisor)), Directed by Charles Swickard, with May Allison, Walter I. Percival, Frank Currier,
1919: The red lantern (Producer), Directed by Albert Capellani, with Alla Nazimova, Margaret McWade, Virginia Ross,
1919: The Amateur Adventuress (Producer), Directed by Henry Otto, with Emmy Wehlen, Allan Sears, Eugene Pallette,
1919: After His Own Heart (Producer), Directed by Harry L. Franklin, with Hale Hamilton, Naomi Childers, ,
1919: False Evidence (Madelon of the Redwoods (Working title)) (Titles), Directed by Edwin Carewe, with Viola Dana, Wheeler Oakman, Joe King,
1919: Blackie's Redemption (Out of the Depths (Working title), Powers That Pray (Working title)) (Producer), Directed by John Ince, with Bert Lytell, Alice Lake, Henry Kolker,
1919: The Island of Intrigue (Producer), Directed by Henry Otto, with May Allison, Jack Mower, Frederick Vroom,
1919: The Parisian Tigress (Producer), Directed by Herbert Blaché, with Viola Dana, Darrell Foss, Henry Kolker,
1919: Blind Man's Eyes (Producer), Directed by John Ince, with Bert Lytell, Frank Currier, Naomi Childers,
1919: The way of the strong (Producer), Directed by Edwin Carewe, with Anna Q. Nilsson, Joe King, Harry S. Northrup,
1919: Satan Junior (Diana Ardway (Working title)) (Producer: (Supervisor)), Directed by Herbert Blaché, John H. Collins, with Viola Dana, Milton Sills, Lila Leslie,
1919: Peggy Does Her Darndest (Producer), Directed by George D. Baker, with May Allison, Frank Currier, Rosemary Theby,
1919: Johnny-on-the-Spot (Producer), Directed by Harry L. Franklin, with Hale Hamilton, , Philo McCullough,
1919: Out of the Fog (Ception Shoals (Working title)) (Producer), Directed by Albert Capellani, with Alla Nazimova, Charles Bryant, Henry Harmon,
1919: The Divorcee (Lady Frederick (Working title)) (Producer), Directed by Herbert Blaché, with Ethel Barrymore, E.J. Ratcliffe, Holmes Herbert,
1919: The Gold Cure (Oh, Annice! (Working title)) (Producer), Directed by John H. Collins, with Viola Dana, Jack McGowan, Elsie MacLeod,
1918: Why Germany must pay (Based on ), Directed by Charles Miller, with Creighton Hale, Florence Billings, Frederick Truesdell,
1918: The Poor Rich Man (Little Miss Money-bags (Working title)) (Producer), Directed by Charles Brabin, with Francis X. Bushman, Beverly Bayne, Stuart Holmes,
1918: Sylvia on a Spree (Producer), Directed by Harry L. Franklin, with Emmy Wehlen, , Frank Currier,
1918: The Great Victory, Wilson or The Kaiser ? (Wilson or The Kaiser ?, The Fall of the Hohenzollerns) (Producer), Directed by Charles Miller, with Creighton Hale, Florence Billings, Edward Connelly,
1918: Five Thousand an Hour (Producer), Directed by Ralph Ince, with Hale Hamilton, Lucille Lee Stewart, ,
1918: Eye for Eye (Eye for an Eye) (Producer: presenter / supervisor ), Directed by Albert Capellani, Alla Nazimova, with Alla Nazimova, Charles Bryant, Donald Gallaher,
1918: His bonded Wife (Producer), Directed by Charles Brabin, with Emmy Wehlen, Frank Currier, Creighton Hale,
1918: Secret Strings (Producer), Directed by John Ince, with Olive Tell, William J. Kelly, ,
1918: Kildare of Storm (Producer), Directed by Harry L. Franklin, with Emily Stevens, King Baggot, Crauford Kent,
1918: The Silent Woman (Producer), Directed by Herbert Blaché, with , Frank Mills, Joseph Kilgour,
1918: Our Mrs. McChesney (Producer), Directed by Ralph Ince, with Ethel Barrymore, Wilfred Lytell, Huntley Gordon,
1918: Flower of the Dusk (Producer), Directed by John H. Collins, with Viola Dana, Guy Coombs, Howard Hall,
1918: The House of Mirth (Producer), Directed by Albert Capellani, with Katherine Corri Harris, Henry Kolker, Christine Mayo,
1918: A Pair of Cupids (Both Members, The Scheme) (Producer), Directed by Charles Brabin, with Francis X. Bushman, Beverly Bayne, Charles Sutton,
1918: A Successful Adventure (The Way to a Man's Heart) (Producer), Directed by Harry L. Franklin, with May Allison, Harry Hilliard, Edward Connelly,
1918: Opportunity (Producer), Directed by John H. Collins, with Viola Dana, Hale Hamilton, Frank Currier,
1918: To Hell with the Kaiser (Producer), Directed by George Irving, with Lawrence Grant, Olive Tell, Betty Howe,
1918: A Man's World (Producer), Directed by Herbert Blaché, with Emily Stevens, Lucile Dorrington, John Merkyl,
1918: The House of Gold (Producer), Directed by Edwin Carewe, with Emmy Wehlen, Joseph Kilgour, Hugh Thompson,
1918: Social Quicksands (Producer), Directed by Charles Brabin, with Francis X. Bushman, Beverly Bayne, ,
1918: Pay Day (Producer), Directed by Sidney Drew, Mrs. Sidney Drew, with Sidney Drew, Mrs. Sidney Drew, Florence Short,
1918: The Winning of Beatrice (Producer), Directed by Harry L. Franklin, with May Allison, Hale Hamilton, Frank Currier,
1918: Toys of Fate (Producer), Directed by George D. Baker, with Alla Nazimova, Charles Bryant, Irving Cummings,
1918: With Neatness and Dispatch (Producer), Directed by Will S. Davis, with Francis X. Bushman, Beverly Bayne, Frank Currier,
1918: Social Hypocrites (Producer), Directed by Albert Capellani, with May Allison, , Joseph Kilgour,
1918: Breakers Ahead (Producer: (--??--)), Directed by Charles Brabin, with Viola Dana, Clifford Bruce, Mabel Van Buren,
1918: The Brass Check (Producer: supervisor ), Directed by Will S. Davis, with Francis X. Bushman, Beverly Bayne, Augustus Phillips,
1918: The Shell Game (Producer), Directed by George D. Baker, with Emmy Wehlen, Henry Kolker, ,
1918: Under Suspicion (Producer), Directed by Will S. Davis, with Francis X. Bushman, Beverly Bayne, Eva Gordon,
1918: Her Boy (Producer), Directed by George Irving, with Effie Shannon, Niles Welch, Pauline Curley,
1918: Revelation (A Rose-Bush of a Thousand Years (Working title), God’s Message (Working title)) (Producer), Directed by George D. Baker, with Alla Nazimova, Charles Bryant, Frank Currier,
1917: Daybreak (Producer), Directed by Albert Capellani, with Emily Stevens, Julian L'Estrange, ,
1917: Red, White and Blue Blood (Producer: supervising producer ), Directed by Charles Brabin, with Francis X. Bushman, Beverly Bayne, ,
1917: An American Widow (Producer), Directed by Frank Reicher, with Ethel Barrymore, Irving Cummings, H. Dudley Harvey,
1917: Blue Jeans (Producer: (--??--)), Directed by John H. Collins, with Viola Dana, Robert Walker, Sally Crute,
1917: Alias Mrs. Jessop (Producer: Supervisor), Directed by Will S. Davis, with Emily Stevens, Howard Hall, William H. Tooker,
1917: The Eternal Mother (Red Horse Hill (Working title)) (Production Supervisor: (--??--)), Directed by Frank Reicher, with Ethel Barrymore, Frank Mills, Jack W. Johnston,
1917: Outwitted (Producer), Directed by George D. Baker, with Emily Stevens, Earle Foxe, Frank Currier,
1917: Life's Whirlpool (Production Supervisor: (--??--)), Directed by Lionel Barrymore, with Ethel Barrymore, Paul Everton, Alan Hale,
1917: The Adopted Son (Producer: supervision ), Directed by Charles Brabin, with Francis X. Bushman, Beverly Bayne, Leslie Stowe,
1917: A Sleeping Memory (Producer), Directed by George D. Baker, with Emily Stevens, Frank Mills, Mario Majeroni,
1917: Their Compact (Producer), Directed by Edwin Carewe, with Francis X. Bushman, Beverly Bayne, ,
1917: The Lifted Veil (Production Supervisor: (--??--)), Directed by George D. Baker, with Ethel Barrymore, , William B. Davidson,
1917: Draft 258 (Producer: (--??--)), Directed by Christy Cabanne, with Mabel Taliaferro, Walter Miller, ,
1917: The Jury of Fate (Producer: (--??--)), Directed by Tod Browning, with Mabel Taliaferro, William Sherwood, Frank Fisher Bennett,
1917: The Slacker (Producer: (--??--)), Directed by Christy Cabanne, with Emily Stevens, Walter Miller, Leo Delaney,
1917: Peggy, the Will O' the Wisp (Producer: (--??--)), Directed by Tod Browning, with Mabel Taliaferro, Thomas J. Carrigan, William J. Gross,
1917: Aladdin's other lamp (Producer: (--??--)), Directed by John H. Collins, with Viola Dana, Robert Walker, Augustus Phillips,
1917: The Greatest Power (Her Greatest Power) (Production Supervisor: (--??--)), Directed by Edwin Carewe, Edward LeSaint, with Ethel Barrymore, William B. Davidson, Harry S. Northrup,
1917: Lady Barnacle (Producer: (--??--)), Directed by John H. Collins, with Viola Dana, Robert Walker, Augustus Phillips,
1917: The Call of Her People (Egypt the Gypsy (Working title), The Voice of Her People (Working title)) (Production Supervisor: (/xx/)), Directed by John W. Noble, with Ethel Barrymore, Robert Whittier, William B. Davidson,
1917: The Millionaire's Double (Producer: (/xx/)), Directed by Harry Davenport, with Lionel Barrymore, Evelyn Brent, Harry S. Northrup,
1917: God's Law and Man's (The Purchase Price (Working title)) (Producer: (Supervisor)), Directed by John H. Collins, with Viola Dana, Robert Walker, Augustus Phillips,
1917: A Magdalene of the Hills (Producer: (--??--)), Directed by John W. Noble, with Mabel Taliaferro, William Garwood, Frank Montgomery,
1917: The Mortal Sin (Producer: (--??--)), Directed by John H. Collins, with Viola Dana, Robert Walker, Augustus Phillips,
1917: The Barricade (Producer: (--??--)), Directed by Edwin Carewe, with Mabel Taliaferro, Frank Currier, Clifford Bruce,
1917: Threads of Fate (Production Supervisor: (--??--)), Directed by Eugene Nowland, with Viola Dana, Augustus Phillips, Richard Tucker,
1917: A Wife by proxy (Producer: (--??--)), Directed by John H. Collins, with Mabel Taliaferro, Robert Walker, Sally Crute,
1916: The White Raven (Production Supervisor: (--??--)), Directed by George D. Baker, with Ethel Barrymore, William B. Davidson, Walter Hitchcock,
1916: The Awakening of Helena Richie (Production Supervisor: (--??--)), Directed by John W. Noble, with Ethel Barrymore, Robert Cummings, Frank Montgomery,
1916: The Stolen Triumph (Scenario), Directed by David H. Thompson, with Julius Steger, Harry Burkhardt, Clara Whipple,
1916: The Sunbeam (Producer: (--??--)), Directed by Edwin Carewe, with Mabel Taliaferro, , Raymond McKee,
1916: The Wager (Producer: (--??--)), Directed by George D. Baker, with Emily Stevens, Hugh Jeffrey, Lyster Chambers,
1916: Romeo and Juliet (Producer), Directed by John W. Noble, with Francis X. Bushman, Beverly Bayne, Horace Vinton,
1916: The Dawn of Love (Producer: (--??--)), Directed by Edwin Carewe, with Mabel Taliaferro, Robert Frazer, Leslie Stowe,
1916: The Wheel of the Law (The Wheel of Justice (Working title)) (Producer: (--??--)), Directed by George D. Baker, with Emily Stevens, Frank Mills, Raymond McKee,
1916: The Light of Happiness (Production Supervisor: (--??--)), Directed by John H. Collins, with Viola Dana, George D. Melville, Lorraine Frost,
1916: God's Half Acre (Producer: (--??--)), Directed by Edwin Carewe, with Mabel Taliaferro, Jack W. Johnston, Helen Dahl,
1916: The Flower of No Man's Land (Production Supervisor: (/xx/)), Directed by John H. Collins, with Viola Dana, Duncan McRae, Harry C. Browne,
1916: The Snowbird (Producer: (--??--)), Directed by Edwin Carewe, with Mabel Taliaferro, Edwin Carewe, James Cruze,
1916: The Kiss of Hate (Production Supervisor: (--??--)), Directed by William Nigh, with Ethel Barrymore, H. Cooper Cliffe, Robert Elliott,
1916: Her great Price (Producer: (--??--)), Directed by Edwin Carewe, with Mabel Taliaferro, , ,
1915: An Enemy to Society (Production Supervisor: (--??--)), Directed by Edgar Jones, with Hamilton Revelle, William Cowper, L.M. Horne,
1915: The Right of Way (Producer: (--??--)), Directed by John W. Noble, with William Faversham, Jane Grey, Edward Brennan,
1915: Marse Covington (Production Supervisor), Directed by Edwin Carewe, with Edward Connelly, Louise Huff, John J. Williams,
1915: The Shooting of Dan McGrew (Production Supervisor: (--??--)), Directed by Alice Guy, with Edmund Breese, William A. Morse, Kathryn Adams,
1915: Satan Sanderson (Production Supervisor: (--??--)), Directed by John W. Noble, with Orrin Johnson, Mabel Taliaferro, Irene Warfield,
1914: The Three of Us (Producer: (--??--)), Directed by John W. Noble, with Mabel Taliaferro, Creighton Hale, ,