Mini-Biography:
Max Fassbender was born on October 8, 1868 in Berlin. He was a German Director of Photography, known for Harakiri - Die Geschichte einer jungen Japanerin (1919), Das Tagebuch einer Verlorenen (1918), Der gestreifte Domino (1915), Max Fassbender's first movie on record is from 1913. Max Fassbender died on an unknown date. His last motion picture on file dates from 1927.

Biographical Notes
Kameramann des deutschen Stummfilms, von etwa 1913 bis 1927 tätig. Fassbenders Todesdatum ist nicht bekannt, wahrscheinlich zwischen 1927 und 1932

FilmographyFilmography [Auszug]
1927: Die raffinierteste Frau Berlins (The cleverest Woman in Berlin) (Director of Photography), Directed by Franz Osten, with Luigi Serventi, , Mary Johnson,
1922: Frauenbeichte, 3. Teil - Die Beichte der Krankenschwester (Director of Photography), Directed by Gerhard Lamprecht, with Ruth Weyher, Karl Hannemann, Eduard Rothauser,
1921: Frauenbeichte, 1. Teil - Die Beichte einer Ausgestossenen (Director of Photography), Directed by Gerhard Lamprecht, with Ruth Weyher, Eduard Rothauser, Ria Alldorf,
1921: Frauenbeichte, 2. Teil - Beichte einer Mutter (Director of Photography), Directed by Gerhard Lamprecht, with Ruth Weyher, Eduard Rothauser, Olaf Bach,
1921: Ein tolles Mädel (Director of Photography), Directed by John B. Kirsch, with , ,
1920: George Bully (Director of Photography), Directed by Max Obal, with Ernst Reicher,
1920: Der grosse Chef (Director of Photography), Directed by Max Obal, with Ernst Reicher, Hans Richter, Hans Richter,
1920: Der Sprung ins Dunkle (Director of Photography), Directed by Ernst Reicher, Alfred Schirokauer, with Ernst Reicher, Stella Harf,
1919: Das gelbe Haus (Im Sumpfe der Grosstadt) (Director of Photography), Directed by Richard Oswald, with Fritz Beckmann, Anita Berber, Gussy Holl,
1919: Harakiri - Die Geschichte einer jungen Japanerin (Madame Butterfly) (Director of Photography), Directed by Fritz Lang, with Paul Biensfeldt, Lil Dagover, Harry Frank,
1919: Menschen in Ketten (Director of Photography), Directed by Karl Grune, with Friedrich Zelnik, Ferdinand Bonn, Wilma von Mayburg,
1919: Die Hölle der Jungfrauen (Director of Photography), Directed by Friedrich Zelnik, with Wilma von Mayburg, , Ferdinand Bonn,
1919: Anders als die Andern (Different from the Others) (Director of Photography), Directed by Richard Oswald, with Conrad Veidt, Leo Connard, Ilsa von Tasso-Lind,
1918: Henriette Jacoby (Director of Photography), Directed by Richard Oswald, with Mechthildis Thein, Conrad Veidt, Leo Connard,
1918: Die Reise um die Erde in 80 Tagen (Director of Photography), Directed by Richard Oswald, with Conrad Veidt, Anita Berber, Reinhold Schünzel,
1918: Peer Gynts Wanderjahre und Tod (Director of Photography), Directed by Victor Barnowsky, with Heinz Salfner, Ilka Grüning, Lina Lossen,
1918: Jettchen Gebert (Director of Photography), Directed by Richard Oswald, with Mechthildis Thein, Conrad Veidt, Leo Connard,
1918: Peer Gynts Jugend (Director of Photography), Directed by Victor Barnowsky, with Heinz Salfner, Ilka Grüning, Lina Lossen,
1918: Mitternacht (Director of Photography), Directed by E.A. Dupont, with Max Landa, Heinrich Peer, Karl Beckersachs,
1918: Dida Ibsens Geschichte - Ein Finale zum 'Tagebuch einer Verlorenen' (Director of Photography), Directed by Richard Oswald, with Anita Berber, Conrad Veidt, Werner Krauss,
1918: Colomba (Director of Photography), Directed by Arsen von Cserépy, with Erna Morena, Alfred Abel, Werner Krauss,
1918: Europa Postlagernd (Director of Photography), Directed by E.A. Dupont, with Max Landa, E.A. Dupont, Victor Senger,
1918: Das Dreimäderlhaus (Director of Photography), Directed by Richard Oswald, with , Wilhelm Diegelmann, Sybille Binder,
1918: Es werde Licht! 4.Teil (Director of Photography), Directed by Richard Oswald, with Alfred Abel, Reinhold Schünzel, Conrad Veidt,
1918: Das Tagebuch einer Verlorenen (Director of Photography), Directed by Richard Oswald, with Erna Morena, Reinhold Schünzel, Werner Krauss,
1918: Die seltsame Geschichte des Barons Torelli (Director of Photography), Directed by Richard Oswald, with Bernd Aldor, Manja Tzatschewa, Ernst Pittschau,
1918: Es werde Licht! 3.Teil (Director of Photography), Directed by Richard Oswald, with Werner Krauss, Else Heims, Heinrich Schroth,
1918: Die Liebe höret nimmer auf (Director of Photography), Directed by Curt Charry, with Lotte Erol, Reinhold Schünzel, Mary Scheller,
1918: Rennfieber (Director of Photography), Directed by Richard Oswald, with Bernd Aldor, Käte Oswald, Leonhard Haskel,
1918: Der ewige Zweifel (Director of Photography), Directed by Richard Oswald, with Johanna Terwin, Leonhard Haskel, ,
1918: Moderne Frauen oder: Der Dieb (Director of Photography), Directed by Franz Eckstein, Rosa Porten, with Karl Beckersachs, Wanda Treumann, Bruno Ziener,
1917: Die zweite Frau (Director of Photography), Directed by Richard Oswald, with , Eva Speyer, Leo Connard,
1917: Es werde Licht! 2.Teil (Director of Photography), Directed by Richard Oswald, with Bernd Aldor, Theodor Loos, Rita Clermont,
1917: Die gute Partie (Director of Photography), Directed by Otto Rippert, with Hella Moja, Hermann Picha, Ferry Sikla,
1917: Der Weg ins Freie (Director of Photography), Directed by Richard Oswald, with Bernd Aldor, Eva Speyer, Ernst Pittschau,
1917: Das Verhängnis der schönen Susi (Egede-Nissen-Serie) (Director of Photography), Directed by Georg Alexander, with Aud Egede-Nissen, Georg Alexander, ,
1917: Der Schlossherr von Hohenstein (Director of Photography), Directed by Richard Oswald, with Bernd Aldor, Rita Clermont, Albert Paul,
1917: Das Bildnis des Dorian Gray (Director of Photography), Directed by Richard Oswald, with Bernd Aldor, Ernst Pittschau, Ernst Ludwig,
1917: Königliche Bettler (Director of Photography), Directed by Richard Oswald, with Hugo Flink, Bruno Ziener, Lore Rückert,
1917: Hulda, die verloren gegangene Dame (Director of Photography), Directed by W Antonescu,
1917: Die Sündenkette (Director of Photography), Directed by Otto Rippert, with Nelly Lagarst, Theodor Loos, Gisa Bund,
1917: Des Goldes Fluch (Director of Photography), Directed by Richard Oswald, with Bernd Aldor, Leontine Kühnberg, Hugo Flink,
1917: Es werde Licht! (Director of Photography), Directed by Richard Oswald, with Bernd Aldor, Hugo Flink, Ernst Ludwig,
1916: Bestie (Director of Photography), Directed by Rolf Randolf, with Rolf Randolf,
1916: Am Amboss des Glücks (Director of Photography), Directed by Emmerich Hanus, with Friedrich Zelnik, Fritz Schroeter, Max Ruhbeck,
1916: Die Rache der Toten (Director of Photography), Directed by Richard Oswald, with Werner Krauss, Rita Clermont, Heinz Sarnow,
1916: Das Unheimliche Haus II (Director of Photography), Directed by Richard Oswald, with Ernst Ludwig, Franz Ramharter, Rose Liechtenstein,
1916: Das unheimliche Haus III (Director of Photography), Directed by Richard Oswald, with Werner Krauss, Käte Oswald, Arthur Wellin,
1916: Das unheimliche Haus (Director of Photography), Directed by Richard Oswald, with Ernst Ludwig, , Franz Ramharter,
1916: Ein einsam Grab (Director of Photography), Directed by Karl Gerhardt, with , Mia May, Hans Mierendorff,
1916: Seine letzte Maske (Director of Photography), Directed by Richard Oswald, with Bernd Aldor, Leontine Kühnberg, Anna von Palen,
1916: Titanenkampf (Director of Photography), Directed by Joseph Delmont, with Erich Kaiser-Titz, Alfred Kuehne, Ilse Bois,
1916: Seltsame Köpfe (Director of Photography), Directed by Arsen von Cserépy, with Magnus Stifter, Erich Kaiser-Titz, Kitty Dewall,
1916: Was ein Weib vermag (Director of Photography), Directed by Joseph Delmont, with Erich Kaiser-Titz, Fregolia, Hansi Hesch,
1916: Nirwâna (Director of Photography), Directed by Arsen von Cserépy, with Erich Kaiser-Titz, Anna von Palen, Ernst Ludwig,
1916: Nebel und Sonne (Director of Photography), Directed by Joe May, with Mia May, Max Landa, Josef Conradi,
1916: Glaubensketten (Director of Photography), Directed by Rudolf Meinert, with Bernd Aldor, Theo Nischwitz, Frida Richard,
1915: Die Toten erwachen (Director of Photography), Directed by Adolf Gärtner, with Ernst Reicher, Stefanie Hantsch, ,
1915: Der gestreifte Domino (The striped Domino) (Director of Photography), Directed by Adolf Gärtner, with Ernst Reicher, Beatrice Altenhofer, Emmerich Hanus,
1914: Das Panzergewölbe (Director of Photography), Directed by Joe May, with Ernst Reicher, Hermann Picha, Fritz Richard,
1914: Der Spuk im Hause des Professors (Director of Photography), Directed by Joe May, with Ernst Reicher, Wilhelm Diegelmann,
1914: Der Mann im Keller (Director of Photography), Directed by Joe May, Johannes Guter, with Ernst Reicher, Olga Engl, Max Landa,
1914: Die geheimnisvolle Villa (Director of Photography), Directed by Joe May, with Ernst Reicher, Sabine Impekoven, Julius Falkenstein,
1913: Die Mona Lisa von Gross-Kleindorf (Director of Photography), Directed by Joe May, with , , Sabine Impekoven,
1913: Das Verschleierte Bild von Gross-Kleindorf (Director of Photography), Directed by Joe May, with , , Sabine Impekoven,
1913: Fabrik-Marianne (Director of Photography), Directed by Waldemar Hecker, with Sabine Impekoven, Anton Ernst Rückert, Eva Speyer,

Disclaimer