Alberto Fusi
Born October 25, 1913 in Romea
Died January 14, 1993 in Romea
Mini-Biography:
Alberto Fusi was born on October 25, 1913 in Roma. He was an Italian Director of Photography, known for In due si soffre meglio (1943), Othello (1951), Amanti latini (1965), Alberto Fusi's first movie on record is from 1939. Alberto Fusi died on January 14, 1993 in Roma. His last motion picture on file dates from 1970.
FilmographyFilmography [Auszug]
1970: Reverendo Colt (Director of Photography), Directed by Léon Klimovsky, with Guy Madison,
1969: Eros e Thanatos (Director of Photography), Directed by Marino Girolami,
1969: Don Franco e Don Ciccio nell'anno della contestazione (Director of Photography), Directed by Marino Girolami, with Franco Franchi, Ciccio Ingrassia, Edwige Fenech,
1967: Franco, Ciccio e le vedove allegre (Director of Photography), Directed by Marino Girolami, with Franco Franchi, Ciccio Ingrassia, Dominique Boschero,
1966: Spiaggia libera (Director of Photography), Directed by Marino Girolami,
1965: Amanti latini (Director of Photography), Directed by Mario Costa, with Mario Castellani, Franco Franchi, Aldo Giuffrè,
1965: Per un pugno nell'occhio (Director of Photography), Directed by Michele Lupo, with Franco Franchi, Ciccio Ingrassia,
1959: Gli avventurieri dei tropici (Director of Photography), Directed by Sergio Bergonzelli, with Frank Latimore, Gianna Maria Canale, Saro Urzi,
1958: Il cavaliere senza terra (Director of Photography), Directed by Giacomo Gentilomo, with Gérard Landry, Constance Smith, Wandisa Guida,
1951: Othello (Director of Photography), Directed by Orson Welles, with Nicholas Bruce, Suzanne Cloutier, Fay Compton,
1947: Fumeria d'oppio (Director of Photography), Directed by Raffaello Matarazzo, with Piero Ghione, Mariella Lotti, Armando Francioli,
1946: Ogni giorno è domenica (Director of Photography), Directed by Mario Baffico,
1945: L' angelo del miracolo (Director of Photography), Directed by Piero Ballerini, with Emma Gramatica, Attilio Dottesio, ,
1945: Peccatori (Director of Photography), Directed by Piero Calzavara,
1944: Vi saluto dall'altro mondo (Director of Photography), Directed by Dino Hobbes Cecchini, with Laura Carli, Giorgio Ferroni,
1943: In due si soffre meglio (Director of Photography), Directed by Nunzio Malasomma, with Carlo Campanini, Dedi Montano, Carlo Ninchi,
1943: Incontri di notte (Director of Photography), Directed by Nunzio Malasomma, with Carla Del Poggio, Leonardo Cortese, Aldo Fiorelli,
1942: Inferno giallo (Director of Photography), Directed by Géza von Radványi,
1942: Il ponte sull'infinito (Director of Photography), Directed by Alberto Doria,
1942: C'è sempre un ma! (Director of Photography), Directed by Luigi Zampa, with Rubi Dalma,
1942: Un Garibaldino al Convento (Director of Photography), Directed by Vittorio De Sica, with Leonardo Cortese, Carla Del Poggio, María Mercader,
1942: donna è mobile (Director of Photography), Directed by Mario Mattoli,
1941: Giuliano de' Medici (Director of Photography), Directed by Ladislao Vajda,
1940: La zia smemorata (Director of Photography),
1940: Dopo divorzieremo (Director of Photography), Directed by Nunzio Malasomma, with Amedeo Nazzari, , Vivi Gioi,
1940: Taverna rossa (Director of Photography), with ,
1940: Centomila dollari (Director of Photography), Directed by Mario Camerini, with Amedeo Nazzari, Assia Noris, Maurizio D'Ancora,
1939: Il sogno di Butterfly (Director of Photography), Directed by Carmine Gallone, with Luigi Almirante, Roma Bahn, Guglielmo Barnabò,
Disclaimer
The information above does not purport to be exhaustive, but give the level of information to our database at the time of last update. All figures are best knowledge and belief researched to, legal claims arising from incorrect or missing information are expressly rejected.Due to the current law in some countries can be held responsible person who addresses refers to having a criminal content spread may or criminal content and pages further refer, unless he closes clear from such liability. Our links below are researched to the best of my knowledge and belief, but we can not accept in any way for the content of these web pages and links from us any liability. We provide this explanation by analogy from all countries and all languages of. Quotations, if not otherwise marked, in the usual right to quote with identification of the sources added.
The copyright lies with the authors of these quotes - Alberto Fusi - KinoTV