Werner Jacobs

Werner Jacobs

No Photo of Werner Jacobs
Director - Germany
Born April 24, 1909 in Berlin
Died January 29, 1999 in München

Mini-Biography:
Werner Jacobs was born on April 24, 1909 in Berlin. He was a German Director, known for Im 'Weissen Rössl' (1960), Unser Willi ist der Beste (1971), Hurra, die Schule brennt ! (1969), Werner Jacobs's first movie on record is from 1949. Werner Jacobs died on January 29, 1999 in München. His last motion picture on file dates from 1974.

FilmographyFilmography [Auszug]
1974: Auch ich war nur ein mittelmässiger Schüler (Director), with Detlev Eckstein, Bernd Herberger, Jutta Speidel,
1974: Zwei bayerische Dickschädel (Zwei himmlische Dickschädel) (Director), with Erica Beer, Mona Freiberg, Leopold Gmeinwieser,
1973: Das fliegende Klassenzimmer (Director), with Joachim Fuchsberger, Heinz Reincke, Diana Körner,
1973: Schwarzwaldfahrt aus Liebeskummer (Love in the black forest) (Director), with Roy Black, Barbara Nielsen, Heidi Hansen,
1973: Alter Kahn und junge Liebe (Director), with Roy Black, Willy Millowitsch, Barbara Nielsen,
1972: Meine Tochter, Deine Tochter (Director), with Catherina Conti, Hans Kraus, Heinz Reincke,
1971: Unser Willi ist der Beste (Director), with Reinhold Brandes, Rainer Brönneke, Bruno Dietrich,
1971: Willi wird das Kind schon schaukeln (Director), with Balduin Baas, Stefan Behrens, Reinhold Brandes,
1971: Die Lümmel von der ersten Bank - 6. Teil (Director), with Balduin Baas, Monika Dahlberg, Heintje,
1971: Zwanzig Mädchen und die Pauker (Director), with Mascha Gonska, Heidi Kabel, Gerhart Lippert,
1970: Heintje - Mein bester Freund (Director), with Walter Buschhoff, Corny Collins, Heintje,
1970: Was ist denn bloss - mit Willi los ? (Director), with Heinz Erhardt, Paul Esser, Rex Gildo,
1969: Hurra, die Schule brennt ! (Director), with Peter Alexander, Werner Finck, Alexander Golling,
1969: Charley's Onkel (Director), with Heidy Bohlen, Karel Gott, Andrea Rau,
1969: Heintje - Ein Herz geht auf Reisen (Director), with Dagmar Altrichter, Karin Field, Konrad Georg,
1968: Die Lümmel von der ersten Bank - 1. Teil (Director), with Monika Dahlberg, Hannelore Elsner, Uschi Glas,
1968: Die Lümmel von der ersten Bank - 2. Teil (Director), with Peter Alexander, Hannelore Elsner, Heintje,
1967: Wenn Ludwig ins Manöver zieht (Director), with Hans Kraus, Rudolf Rhomberg, ,
1967: Jerry Cotton - Der Mörderclub von Brooklyn (Director), with Helga Anders, Helmut Förnbacher, Ira Hagen,
1967: Die Heiden von Kummerow und ihre lustigen Streiche (Director), with Paul Dahlke, Karin Heidemann, Wolfgang Jansen,
1966: Das sündige Dorf (Director), with Thomas Alder, Hannelore Auer, Michl Lang,
1966: Circus of Fear (Circus of Terror, Psycho-Circus) (Director), Directed by John Llewellyn Moxey, with Eddi Arent, Heinz Drache, Leo Genn,
1966: Onkel Filser - Allerneueste Lausbubengeschichten (Director), with Käthe Braun, Beppo Brem, Monika Dahlberg,
1965: Heidi (Director), with Gustav Knuth, Lotte Ledl, Ernst Schröder,
1965: Tante Frieda (Director), with Elisabeth Flickenschildt, Gustav Knuth, Hans Kraus,
1964: Und so was muss um acht ins Bett (Director), with Peter Alexander, Lilo Bav, Peter Gerhard,
1964: ... denn die Musik und die Liebe in Tirol (Director), with Hannelore Auer, Vivi Bach, Claus Biederstaedt,
1964: Hilfe, meine Braut klaut (Director), with Rudolf Vogel, Peter Alexander, Cornelia Froboess,
1963: Heimweh nach St. Pauli (Homesick for Saint Paul) (Director), with Josef Albrecht, Beppo Brem, Heidi Brühl,
1963: Der Musterknabe (Director), with Peter Alexander, Cornelia Froboess, Wolfgang Jansen,
1962: Freddy und das Lied der Südsee (Director), with Freddy Quinn, Heinrich Gretler, Elma Karlowa,
1962: Mariandls Heimkehr (Director), with Cornelia Froboess, Waltraut Haas, Hans Moser,
1962: Drei Liebesbriefe aus Tirol (Director), with Gus Backus, Trude Herr, Udo Jürgens,
1962: Die lustige Witwe (Director), with Peter Alexander, Geneviève Cluny, Karin Hübner,
1961: Mariandl (Director), with Cornelia Froboess, Rudolf Prack, Hans Moser,
1960: Im 'Weissen Rössl' (Director), with Peter Alexander, Waltraut Haas, Karin Dor,
1960: Conny und Peter machen Musik (Director), with Cora Corell, Cornelia Froboess, Walter Gross,
1959: Ein Sommer, den man nie vergisst (Director), with Eddi Arent, Fita Benkhoff, Claus Biederstaedt,
1959: Hier bin ich, hier bleib ich (Director), with Boy Gobert, Margarete Haagen, Bill Haley,
1958: Münchhausen in Afrika (Director), with Peter Alexander, Gunther Philipp, Anita Gutwell,
1958: Der Stern von Santa Clara (Director), with Vico Torriani, Gerlinde Locker, Ruth Stephan,
1958: Der Graf von Luxemburg (Director), with Renate Holm, Susi Nicoletti, Gerhard Riedmann,
1957: Das einfache Mädchen (Director), with Dorit Kreysler, Rudolf Platte, Rudolf Prack,
1956: Der Bettelstudent (Director), with Fita Benkhoff, Waltraut Haas, Elma Karlowa,
1956: Santa Lucia (Director), with Karin Dor, Eva Kerbler, Peer Schmidt,
1955: André und Ursula (André et Ursula) (Director), with Walter Clemens, Denise Cormand, Ivan Desny,
1955: San Salvatore (Director), with Dieter Borsche, Rudolf Fernau, Hans Leibelt,
1954: Gitarren der Liebe (Director), with Harald Juhnke, Elma Karlowa, Reinhard Kolldehoff,
1953: Strassenserenade (Director), with Otto Gebühr, Ellinor Jensen, Charles Regnier,
1953: Arlette erobert Paris (Scenario), Directed by Victor Tourjansky, with Johanna Matz, Karlheinz Böhm, Claus Biederstaedt,
1949: Der blaue Strohhut (Editor), Directed by Victor Tourjansky, with Viktor Afritsch, Theodor Danegger, Trude Hesterberg,

Bibliography
Lothar R. Just (hg), Filmjahrbuch 2000, Heyne Verlag München 2000

Disclaimer
The information above does not purport to be exhaustive, but give the level of information to our database at the time of last update. All figures are best knowledge and belief researched to, legal claims arising from incorrect or missing information are expressly rejected.
Due to the current law in some countries can be held responsible person who addresses refers to having a criminal content spread may or criminal content and pages further refer, unless he closes clear from such liability. Our links below are researched to the best of my knowledge and belief, but we can not accept in any way for the content of these web pages and links from us any liability. We provide this explanation by analogy from all countries and all languages of. Quotations, if not otherwise marked, in the usual right to quote with identification of the sources added.
The copyright lies with the authors of these quotes - Werner Jacobs - KinoTV
Werner Jacobs - KinoTV updated Wed 19. Jun. 2019