Mini-Biography:
Norbert Jacques was born in 1880 in Luxemburg. He was a German Author, known for Die Todesstrahlen des Dr. Mabuse (1964), Die tausend Augen des Dr. Mabuse (1960), Dr. Mabuse der Spieler - Spieler aus Leidenschaft (1922), Norbert Jacques's first movie on record is from 1922. Norbert Jacques died on .5, 1954 in Koblen. His last motion picture on file dates from 1964.
FilmographyFilmography [Auszug]
1964: Die Todesstrahlen des Dr. Mabuse (The Death Ray of Dr. Mabuse) (Story), Directed by Hugo Fregonese, with Robert Beatty, Rika Dialina, Dieter Eppler,
1961: Die unsichtbaren Krallen des Dr. Mabuse (Based on ), Directed by Harald Reinl, with Lex Barker, Zeev Berlinsky, Walter Bluhm,
1961: Im Stahlnetz des Dr. Mabuse (Story), Directed by Harald Reinl, with Lex Barker, Ady Berber, Albert Bessler,
1960: Die tausend Augen des Dr. Mabuse (The 1000 Eyes of Dr. Mabuse) (Based on ), Directed by Fritz Lang, with Dawn Addams, Peter van Eyck, Wolfgang Preiss,
1943: Germanin - Die Geschichte einer kolonialen Tat (Story: novel), Directed by Max W. Kimmich, with Hans Bergmann, Louis Brody, Erich Kestin,
1927: Plüsch und Plumowski oder Das Frauenhaus von Rio (La tratta delle bianche, Sparvieri, Girls for sale, Rio's Road to Hell) (Based on : novel ), Directed by Hans Steinhoff, with Ernst Deutsch, Albert Steinrück, Julia Serda,
1924: Mensch gegen Mensch (Based on : novel), Directed by Hans Steinhoff, with Harry Lamberts-Paulsen, Olga Belajeff, Mady Christians,
1922: Dr. Mabuse der Spieler - Spieler aus Leidenschaft (Dr. Mabuse, der Spieler (Teil 1), Dr. Mabuse, the gambler (Part 1), The Great Gambler, A picture of our time) (Story), Directed by Fritz Lang, with Julietta Brandt, Alfred Abel, Max Adalbert,
1922: Dr. Mabuse der Spieler - Inferno des Verbrechens (Dr. Mabuse, der Spieler (Teil 2), Dr. Mabuse, the Gambler (Part 2)) (Based on : novel), Directed by Fritz Lang, with Alfred Abel, Max Adalbert, Anita Berber,
Bibliography
The BFI Companion to German Cinema, edited by Thomas Elsaesser with Michael Wedel, British FILM Institute, London 1999