Production |
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Distribution |
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Producer |
D.W. Griffith |
Regisseur |
D.W. Griffith |
Regieassistent |
George Siegmann |
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George Siegmann |
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George Beranger |
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Monte Blue |
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Christy Cabanne [(Unter dem Namen William Christy Cabanne)] |
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Elmer Clifton |
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Howard Gaye |
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Fred Hamer |
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Fred Hamer |
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Tom Wilson |
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Tom Wilson [(Mitwirkung fraglich oder ungesichert )] |
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Erich von Stroheim [(Mitwirkung fraglich oder ungesichert )] |
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Raoul Walsh [(Mitwirkung fraglich oder ungesichert )] |
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J.A. Barry [Executive and production assistant] |
Drehbuch |
D.W. Griffith |
|
Frank E. Woods |
Nach einer Vorlage von |
Thomas Dixon [Novel "The Clansman"] |
Kamera |
G.W. Bitzer |
Schwenker |
Karl Brown |
Kamera Assistent |
Frank B. Good [(Unter dem Namen F.B. Good)] |
Musik |
Joseph Carl Breil |
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D.W. Griffith |
Schnitt |
James Smith |
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Rose Smith |
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Joseph Henabery |
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Raoul Walsh [(Mitwirkung fraglich oder ungesichert )] |
Set Decoration |
Raoul Walsh |
Darsteller |
Henry B. Walthall [Colonel Ben Cameron [The little Colonel] (Unter dem Namen Henry Walthall)] |
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Miriam Cooper [Margaret Cameron, The Elder Sister] |
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Mae Marsh [Flora Cameron, The Pet Sister] |
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Josephine Crowell [Mrs. Cameron] |
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Spottiswoode Aitken [Dr. Cameron] |
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George Beranger [Wade Cameron - Second Son (Unter dem Namen J.A. Beringer)] |
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Maxfield Stanley [[John French] Duke Cameron - Youngest Son] |
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Jennie Lee [Mammy, The Faithful Servant] |
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Ralph Lewis [Hon. Austin Stoneman - Leader of the House] |
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Lillian Gish [Elsie Stoneman, his daughter] |
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Elmer Clifton [Phil, Stoneman's Elder Son] |
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Robert Harron [Ted Stoneman, the younger son] |
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Wallace Reid [Jeff, the Blacksmith (Unter dem Namen Wallace Reed)] |
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Mary Alden [Lydia - Stoneman's Mulatto Housekeeper] |
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George Siegmann [Silas Lynch - Mulatto Lieut. Governor (Unter dem Namen George Seigmann)] |
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Walter Long [Gus, a renegade negro] |
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Joseph Henabery [Abraham Lincoln and several other parts (Unter dem Namen Jos. Henabery)] |
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Raoul Walsh [John Wilkes Booth, Lincoln's Murderer] |
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Donald Crisp [Gen. U.S. Grant] |
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Howard Gaye [General Robert E. Lee] |
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William de Vaull [Nelse, an old-fashioned negro] |
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William Freeman [Jake, a black man faithful unto death / Sentry at the Hospital] |
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Tom Wilson [Stoneman's Servat] |
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Sam de Grasse [Charles Sumner] |
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Fred Burns |
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Allan Sears |
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Allan Sears [Flora Cameron as a Child] |
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Elmo Lincoln [White-arm Joe and other Roles] |
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Alberta Lee [Mrs. Lincoln] |
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Olga Grey [Laura Keene] |
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Eugene Pallette [Union Soldier] |
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Dark Cloud [General in the Appomatox surrender] |
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John Ford [Klansman (Mitwirkung fraglich oder ungesichert )] |
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Madame Sul-Te-Wan [A black woman, Dr. Cameron's taunter] |
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Gibson Gowland [Extra] |
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Jack Pickford [[In blackface]] |
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Jack Pickford [Man falling from roof (Mitwirkung fraglich oder ungesichert )] |
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Erich von Stroheim [Man falling from roof (Mitwirkung fraglich oder ungesichert )] |
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Jules White [Man falling from roof (Mitwirkung fraglich oder ungesichert )] |
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Jules White [Man falling from roof (Mitwirkung fraglich oder ungesichert )] |
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Eagle Eye [Extra] |
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Lenore Cooper [Elsie's Maid] |
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Alma Rubens [Belles of 1861] |
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Donna Montran [Belles of 1861] |
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Donna Montran [Piedmont Girl] |
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Charles Stevens [Man who reports Piedmont raid to the Confederates] |
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Charles Stevens [Cameron's Male Servant] |
Format: 35 mm, 1:1,33 - Ratio: 1:1,33 - Schwarz-Weiss Film,Länge: 190 Minuten, 11335 Fuss, 12 Akte, 16 Bilder pro Sekunde
1. Januar 1915 in Riverside, California, Loring Opera House [as The
08. Februar. 1915 - ©LP.6677 [as The Birth of a Nation]
Szenenphoto aus The Birth of a Nation, © , Szenenphoto aus The Birth of a Nation, © , General Information
The Birth of a Nation is a motion picture produced in the year 1915 as a USA production. The Film was directed by D.W. Griffith, with Henry B. Walthall, Miriam Cooper, Mae Marsh, Josephine Crowell, Spottiswoode Aitken, in the leading parts. We have currently no synopsis of this picture on file; There are no reviews of The Birth of a Nation available.
Bibliography - Motography, Vol XIII, March 20, 1915, pg 431p
- Motography, Vol XIII, June 19, 1915, pg 1009
100 Film da salvare, pg 20ff; - Jerzy Toeplitz, Geschichte des Films, Band I, pg. 129f