Once to every woman | |  |
Production: Jewel Productions Inc. USA, 1920
Director: Allen Holubar
Producer: Carl Laemmle [(presenter)], Allen Holubar
Scenario: Olga Linek Scholl, Allen Holubar
Story: Allen Holubar
Director of Photography: Fred LeRoy Granville
Editor: Viola Mallory [(not credited)]
Cast: Dorothy Phillips [Aurora Meredith], William Ellingford [Matthew Meredith], Margaret Mann [Mother Meredith (as Mrs. Margaret)], Emily Chichester [Patience Meredith], Elinor Field [Virginia Meredith], Robert Anderson [Phineas Scudder], Mary Wise [Mrs. Thorndyke], Rudolph Valentino [Juliantimo], Dan Crimmins [Mr. Chichester Jones], Rosa Gore [Mrs. Chichester Jones], Frank Elliott [Duke of Devonshire], George Hackathorne, Tom Hayden
Category: Feature Film
Technical Details: Format: 35 mm, 1:1,33 - Ratio: 1:1,33 - Black and White,, 7000 feet, 7 reels
Sound System: silent
First Screening: September 6, 1920 in USA
Survival Status: No holdings located in archives
Distribution: Universal Film Manufacturing Company
English title: Ambition (working title)
English title: The Gorgeous Canary (working title)
French title: L' oiseau s'envole
Italian title: L' Amante fatale
Portugischer Titel: Ambição
Russischer Titel: Однажды для каждой женщины
Dänischer Titel: Den gamle Hjem
Remarks and general Information in German: Arbeitstitel für den Film waren "Ambition" und "The Gorgeous Canary". Drehbeginn wurde im August 1919 angekündet. Es war der letzte Film den Holubar und Phillips für Carl Laemmle drehten, bevor es zum Bruch zwischen den Holubars und dem langjährigen Arbeitgeber Universal kam. Holubar warf Universal vor, sie hätten sich nicht an die Vertragsklauseln gehalten, aber es scheint zu einer Einigung im gegenseitigen Einvernehmen gekommen zu sein. Auch nachdem Holubar Universal verlassen hatte, waren seine Filme ein fester und erfolgreicher Bestandteil des Verleihprograms von Universal. Nach den Erfolg von Rudolph Valentino in Ingrams "Four Horsemen of the Apocalypse" wurde auch Valentinos Rolle in "Once to Every Woman" prominenter vermarktet, nachdem ursprünglich Valentinos Mitwirkung in diesem Film kaum beachtung gefunden hatte. (lhg 2019)
Bibliography - Camera!, August 2, 1919, pg 3
- Camera!, August 23, 1919, pg 11
- Camera!, August 30, 1919, pg 5
- Camera! October 16, 1920, pg 5
- Camera! October 18, 1919, pg 14
- Exhibitors Herald, January 17, 1920, pg 105
- Exhibitors Herald, October 16, 1920, pp 86-87
- Exhibitor's Trade Review, 16 October 1920, pg 2094.
- The Motion Picture News, 18 September 1920, pg 391.
- The Motion Picture News, 9 October 1920, pg 2800.
- The Motion Picture News, October 16, 1920, pg 3077.
- The Moving Picture Weekly, October 2, 1920
- The Moving Picture World, 30 October 1920, pg 1293.
- Schenectady Gazette, October 4, 1919, pg 9
- Wid's Film Daily, October 3, 1920, pg 25.
- Richard E. Braff, The Universal Silents, Jefferson 1999, No. 5838
Weitere Filme mit diesem Titel
1934: Once to every woman, Regie: Lambert Hillyer,
References in Databases
American Film Institute Nr. 15994
American Silent Feature Film Database Nr. 7986
IMDb - International Movie Data Base Nr. tt0011536
KinoTV Database Nr. 51417
Polski Film Web Nr. 88082
Progressive List of Silent Films
Turner Classic Movies Database Nr. 499759
Last Update of this record 19.08.2019Disclaimer
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The copyright lies with the authors of these quotes - Once to every woman - KinoTV © May 23, 2024 by Unicorn Media
Once to every woman - KinoTV © May 23, 2024 by Unicorn Media
